Night on the Board
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Summary
"Night on the Board" tells the story of the utterly wretched girl Haibara Yu, who loses her limbs, wagers on games to buy her freedom, and ultimately becomes a leading figure in Japanese Go. Through her story the author expresses his views on "will" and "fate." "King of the Human World" recounts the story of Marion Tinsley, the undefeated king of American checkers, including the full circumstances of his match against a computer, his life, and his views on winning and losing and on the relationship between humans and artificial intelligence.
"The Pure Table" follows four mahjong players in the ninth Hakuhō-i tournament, using an invented religion called "the Urban Shaman" to convey views on reckless, all-or-nothing courage, ingenious psychological warfare, and the intricate collision of feelings between people. "The Flying Elephant Prince" tells a story of an Indian prince and the Buddha, continuing the themes of the second and third chapters through a dialogue on "the complete solution of life and the birth of games."
Editor's review
Who it's for
A good fit for
- Readers of suspense fiction who love high-IQ contests and intricate plotting
- Readers interested in philosophy, mathematics, or chess metaphors and seeking intellectual challenge
- Readers who appreciate a cool, restrained style and prefer hard-edged Japanese literary fiction
- Readers hoping to explore themes such as rules, freedom, and the boundaries of human nature
Not a good fit for
- Readers of popular fiction seeking light entertainment or fast-paced plots
- Readers impatient with abstract speculation and extensive intellectual description
Reading tips
- While reading, pay attention to the explanations of the various game rules—they are often key metaphors for understanding the plot's direction and the characters' motives
- Try treating each chapter as an independent game and observe how the author structures the story through opening, middlegame, and endgame
- After reading, pause for a moment to reflect on how the book's discussion of "rules" mirrors institutions and choices in real life
About the publisher
New Star Press focuses on classic works, mystery and detective fiction, science fiction, history, foreign literature and art, and its 602 titles in the library show a balance between popular reading and humanistic depth. Representative books include The Complete Works of Shakespeare: Illustrated Collector's Edition, And Then There Were None, Murder on the Orient Express, The Player of Games, Local Government in Qing China, A Good Man Is Hard to Find and A Collection of Fine Ukiyo-e Prints, spanning classic literature, detective fiction, science fiction, local history and visual art. Its authors and contributors include William Shakespeare, Agatha Christie and Iain M. Banks, as well as translators such as Zhu Shenghao and Su Fuzhong and illustrators such as John Gilbert and George Cruikshank. Known for the detective series Midnight Library and for social-science and humanities titles, the press emphasizes edition design and reading experience; public information is limited, so this profile highlights the publishing features reflected in the library's books.
Contents
- 版权信息
- 盘上之夜
- 人间之王
- 纯净之桌
- 飞象王子
- 千年虚空
- 原爆之局
- 解说
FAQ
Does this book require the reader to know about board games?
Is this a traditional honkaku mystery?
What are the characteristics of Miyanouchi Yusuke's writing style?
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About the author
Miyauchi Yusuke is a Chinese-language author about whom limited public information is currently available; his nationality, dates of birth and death, and full career remain unclear in existing sources. The library holds one work by him, Night on the Board, commonly classified as foreign literature. The title suggests a work closely connected to board games or board-based competition, typically indicating a narrative set around a match that uses the progress of the game to portray characters' psychology and the ups and downs of their fates. Based on the available information, Miyauchi Yusuke's writing style and overall body of work are still difficult to outline fully, and readers may regard his work as an attempt at competitive themes within foreign literature. Due to insufficient materials, no biographical speculation is made here, and further details may be added if reliable information becomes available.
Peng Zelian is an author about whom little public information is available. The library currently holds only one work under this name, A Night on the Board. The existing classification places the book in foreign literature, which offers readers a basic clue to the nature of the work, yet the author's nationality, dates of birth and death, educational background and writing career cannot be confirmed, and no English name has been recorded. The title A Night on the Board carries a strong sense of imagery and narrative tension, suggesting a work possibly centered on night, a chess game, or some situation involving strategy and contest. As more verifiable material is lacking, this note refrains from excessive speculation about the author's life and creative development, presenting only the information available in the library. Readers who wish to learn more about Peng Zelian and her writing style may turn to the actual text of A Night on the Board, forming their own judgment through its choice of subject, narrative pacing and quality of language.
Wang Xuefei is an author about whom limited public information is currently available; all that is known is that one work, Night on the Board, is listed under the category of foreign literature. Since details such as dates of birth and death, nationality, educational background, and writing experience are not recorded in the available sources, this profile cannot offer further information about her life. Based on the existing material, Wang Xuefei's writing is represented chiefly by Night on the Board. The book's placement in the foreign literature category suggests that its subject matter and narrative may carry an overseas background or a cross-cultural perspective, though there is not yet enough material to comment on its specific plot, characters, or language style. In terms of output, Wang Xuefei has so far presented readers with only this one title, which is not sufficient to outline a clear creative trajectory. For readers interested in foreign literature, Night on the Board may serve as an entry point for becoming acquainted with this author, and its choice of subject and narrative approach may spark interest in related literary genres. It is hoped that, as more material and works become public, a fuller picture of the author's overall writing style and literary influence will emerge.