Silk Rain Filling the Sleeves

Name: Silk Rain Filling the Sleeves
ISBN: 9787530683811

叶良骏Baihua Literature and Art Publishing House · ChinaMar 2023

3.1

Word count: 170K words
Chapters: 118
ISBN: 9787530683811

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Summary

A collection of essays, *Silk Rain Filling the Sleeves* is divided into five sections: "Moored Across the Bank by Forget-Me-Not Flowers," "Orchid Grace, Plain Elegance," "A Vision of Weeds," "Lingering Traces in the Fading Light," and "The West Wind Plucks the Strings." With heartfelt emotion and a poetic style, the author commemorates family members, teachers, and friends, threading reflections on a life filled with love through every piece and forging a distinctive essayistic voice.

Editor's review

*Silk Rain Filling the Sleeves* is an essay collection by Ye Liangjun, published by Baihua Literature and Art Publishing House. In delicate, gentle prose, it records her observations and reflections on life, nature, and human affairs. The title itself is rich in poetry and imagery, suggesting a subtle yet abundant emotional expression—like fine rain moistening all things, quietly filling one's sleeves. Ye Liangjun's style is fresh and unadorned, polished without being ornate, yet her plain narration reveals deep philosophy and wisdom about life. She excels at drawing thoughts on life, time, and existence from the smallest details of daily experience—a falling leaf, a wisp of tea fragrance, a chance encounter—allowing readers to discover new insights in familiar scenes. The book's value lies in its sincere emotional candor and distinctive aesthetic perspective. It offers no grand narrative or dramatic conflict; instead, it invites readers to slow down and savor life's authentic flavors alongside the author. For readers worn down and alienated by the fast pace of modern society, this book is a gentle remedy that soothes the heart and reawakens the perception of beauty. As literature, Ye Liangjun's essays inherit the lyrical tradition of Chinese prose, with concise, beautiful language and superb atmospheric evocation, offering considerable artistic value.

Who it's for

A good fit for

Readers who enjoy fresh, graceful essays rich in everyday life
Those seeking a moment of calm and inner solace amid a busy life
Readers with a keen sensitivity to nature and daily details, or those who wish to cultivate one
Literature lovers who appreciate subtle, understated, and poetic Chinese expression

Not a good fit for

Readers who prefer strong plotlines, fast pacing, or grand narratives
Readers seeking practical methods or clear solutions to problems

Reading tips

Best read in quiet leisure, a piece or two at a time, savoring each slowly
While reading, try observing your own surroundings alongside the author—you may gain something extra
No need to rush through; it works well as a bedside book or travel companion, to be dipped into at any time

About the publisher

Baihua Literature and Art Publishing House China · Founded in 1958

Founded in August 1958 and restructured into Baihua Literature and Art Publishing House (Tianjin) Co., Ltd. in 2009, Baihua Literature and Art Publishing House is known for publishing essays and fiction, and it hosts the journals Fiction Monthly and Essays. Its 757 titles in the library span classic works, culture, folk literature, essays and miscellaneous writings, foreign literature, and general biography. They include Lao She's Camel Xiangzi, Zhu Ziqing's selected essays and Classic Essays, Fu Lei's Twenty Lectures on Masterpieces of World Art, and a Chinese translation of Ryūnosuke Akutagawa's Rashōmon, as well as cultural and performing-arts titles such as the illustrated Biography of Liang Qichao and A Dictionary of Crosstalk. Its authors include Lao She, Zhu Ziqing, Wu Qichang, Fu Lei, Xue Baokun, Gao Yucong, Wei Zhiqiang, and Ryūnosuke Akutagawa.

版权信息
序
隔岸垂萱
秋风吹散了旧味
寻墓记
我的两位舅舅
湿漉漉的念想
无墓可扫的痛
节日的回味
过年要唱马灯调
十年生死两茫茫
只要心儿不长草
唯有记忆不会老
团圆是福
夜，静悄悄
我的老家
找不到的家
母亲的大衣
世上最痴情的人
我有一个最美的妈
谁解春晖寸草诗
没有妈的母亲节
妈妈，生日快乐
爸爸的书桌
父亲教会我读书
父亲留下的家训：为善最乐
很想再挨爸的骂
最后的纪念
错失一位好老师
兰碧人素
我们的护花师
此去黄泉无归路——祭王必范老师
老师的恩情没齿难忘——致夏英岚老师
人生无处不美
天高日月长
在共和国的基墙上
“以爱育心”的毛老师
点滴师恩润心田
都是一种抢救——致童椿华老师
诗意的告别
崖畈上开花
老师捧着一颗心走了
八千里路云和月
功夫在课外
出自本真的红晕
谢谢老师教我的
坚守
老师是不能忘记的——致张永烈老师
永远的马爸爸
各就位，预备，跑！
老师的话
教我学陶的物理老师
远去的祝福
我的老师
小小的“尖笔头”
那棵新年树
满眼蓬蒿
那辆满载鲜花的小车
永源太累了，愿他安息——致夏全英
你即将离开祖国——致一位学长
爱而忘苦是司同
司同，你还好吗？
我们的老同学严留发要走了
紫罗兰飘向大海
菊淡花静秋已深
她在天涯
我的同桌
故人入梦来
卧听敲窗雨又来
清明祭
凝痕残晖
人已走，茶仍热——致《华东理工大学周报》
人间总有真情在——致周小蒙父母
擦干你的泪——复赵秀琴
求新求变——戴荣华的现代陶艺
何叔水
沈老您会看见的
素肌玉骨刘书阁
爱满天下——记秦怡儿子金捷的水粉画《画我妈妈》
那种美丽的流动
红叶是秋的嫁衣
密斯特和那把提琴
我心中的知识分子
那舞动的小手帕
芳草萋萋
唯有你常在
黄芗，你在哪里？
孤影独酒冷牡丹
有些事要赶紧做
中秋悲歌
重阳思亲
那束粉红的喇叭花
春水碧于天
西风扶弦
惟兰斯馨
谢谢你的仁爱之心——复童永浩
不要躲避幸福
祈祷月仙姑平安归来
悼王须兴先生
陶行知的私淑弟子
享福的高家姆妈
没有翅膀的天使
系在心上的线
莲叶何田田
善养心爱润魂
方老像一盏明灯
送金福安先生远行
让我以诗为你送行
那时怎懂有人在等我
依稀旧貌渺无迹
和丁锡满先生（七绝）
世上又少了一个好人
寂寞着，微笑着
我要开除你的“友”籍
秋自来秋自去
大阿哥
门外秋风一片——痛别薛范先生
后记

FAQ

What is the theme of this book?

The book centers on meticulous observation and reflection on daily life, natural scenery, and human affairs. Its core is discovering beauty and philosophy in the ordinary and expressing sincere feelings about life and time.

What is the author Ye Liangjun's background?

Ye Liangjun is a contemporary essayist known for her delicate, gentle style, with an emphasis on atmosphere and emotional expression. She has published in newspapers and magazines, but detailed public biographical information is relatively limited; her writing itself is the best way to know her.

How difficult is this book to read?

The language is plain and beautiful, free of obscure terms or complex structures, so the barrier to entry is low. Truly appreciating its flavor, however, requires a quiet mind and a willingness to follow the author's perspective; it demands more emotional engagement than prior knowledge.

Comments

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About the author

叶良骏 Author

Ye Liangjun is an author about whom limited public information is available. The library currently holds two of his works, Yingxiu Siyu (Silk Rain on Sleeves) and The Golden Starting Line, both commonly classified as prose and miscellaneous writings. Based on the available information, his writing is primarily prose, touching also on themes of growth and life, with a delicate and unhurried personal style. The title Silk Rain on Sleeves itself suggests a gentle, poetic quality, implying reflections on everyday feelings and sensibilities, while The Golden Starting Line appears closer to a narrative about the early stages of life, possibly related to growth and education. Since his dates of birth and death, nationality, and biographical details are not clearly recorded, a complete picture of his creative development cannot yet be drawn; nevertheless, the titles and classifications of the two works show an attention to emotional details in ordinary life and to the turning points of life's stages. Readers who enjoy lyrical prose with an inspirational tone may find these works a useful entry point into his writing.