Moby-Dick cover

Moby-Dick

Rating 4.2
Word count
418K words
Chapters
146
ISBN
9787532758913

Tags

Summary

Captain Ahab of the whaling ship Pequod loses a leg to the ferocious and cunning white whale Moby-Dick during a hunt. Filled with thoughts of vengeance, he becomes obsessed with pursuing the whale, losing his reason and turning into a monomaniacal, headstrong fanatic. His ship sails almost around the world, enduring countless twists and turns, until it finally encounters Moby-Dick. After a three-day chase, Ahab strikes the whale with his harpoon, but the whale smashes the ship, and Ahab is caught by the harpoon line and dragged into the sea. The entire crew is lost; only the sailor Ishmael (a biblical name meaning "the abandoned one") survives to tell the story. The author invests Moby-Dick's whiteness with symbolism of both innocence and terror, making the white whale a symbol of the mixture of good and evil, which is also the fundamental condition of the world. With its substantial intellectual content, epic scale, and mature, contemplative prose, this novel has become an enduring masterpiece.

Editor's review

As an enduring monument in American literary history, Herman Melville's epic masterpiece Moby-Dick is far more than a whaling adventure story. In the editor's view, its true value lies in elevating what appears to be an ordinary voyage of revenge into a philosophical meditation on human destiny, the power of nature, and spiritual obsession. The book follows Captain Ahab's pursuit of the white whale Moby Dick as its main thread. Beyond the thrilling sea battles, Melville employs an encyclopedic touch to depict in exhaustive detail the complete picture of the nineteenth-century whaling industry—from cetology and navigational techniques to the life of sailors—making it nothing less than a natural history of maritime civilization. More profoundly, Captain Ahab's near-obsessive pursuit of the white whale transcends personal grievance to become a tragic symbol of humanity's struggle against unknowable fate and its challenge to the limits of nature. Melville's language is vast and unrestrained, possessing both Shakespearean dramatic tension and a biblical allegorical quality; his use of symbolism profoundly influenced later modernist literature. Reading Moby-Dick requires patience, but once one enters its unique narrative rhythm, one discovers a literary treasure trove of infinite interpretive possibility, offering new spiritual insight with every rereading. This Shanghai Translation Publishing House edition provides an accurate and expressive translation that successfully preserves the original's complex texture and magnificent momentum.

Who it's for

A good fit for

  • Readers who love maritime literature and epic narrative and are willing to immerse themselves in grand themes
  • Literary scholars interested in nineteenth-century American literature, transcendentalism, and symbolism
  • Reflective readers seeking to go beyond surface plot and explore the relationships between human nature, fate, and nature
  • Those who can appreciate elaborate detail and philosophical digressions and enjoy a slow-reading experience

Not a good fit for

  • Readers expecting a fast-paced, tightly plotted pure adventure story
  • Readers lacking patience for extensive technical detail, natural history descriptions, and philosophical discourse

Reading tips

  1. Do not rush; read in sections and especially savor the lengthy passages on cetology, navigation, and character psychology
  2. Pay attention to the symbolic meaning of "whiteness," Ahab's soliloquies, and Ishmael's observer perspective
  3. Consult Melville's biography and the social and cultural context of nineteenth-century America to understand the work's deeper themes

About the publisher

Shanghai Translation Publishing House China · Founded in 1978

Shanghai Translation Publishing House is a Chinese publisher oriented mainly toward translation and publishing. Its publications cover foreign literature, world classics and classic works, as well as social culture, folk literature and classical poetry. The database contains 2,618 titles, including Never Let Me Go, Les Misérables (2 volumes), Don Quixote (illustrated collector's edition), The Complete Comedies of Molière (4 volumes), The Complete Novels of Kafka (3 volumes), The Collected Works of Dostoevsky (9-volume set), Reason and Persons, and Oedipus Rex (Translation Classics). Its author resources include foreign writers such as Kazuo Ishiguro, Victor Hugo, Cervantes and Molière, as well as translators such as Zheng Kelu, Sun Jiameng, Li Jianwu and Zhang Kun. The publisher has brands such as "Translation Classics Selections" and "Translation Documentary," and emphasizes translated works in foreign literature and the humanities and social sciences, while also publishing bilingual dictionaries and foreign-language educational books. Public information is limited; the above is based on the book information in the database.

Contents

  1. 版权信息
  2. 译本序
  3. 语源
  4. 语源
  5. 选录
  6. 选录
  7. 第一篇
  8. 第一章 海市蜃楼
  9. 第二章 旅行袋
  10. 第三章 大鲸客店
  11. 第四章 被单
  12. 第五章 早餐
  13. 第六章 街道
  14. 第七章 小教堂
  15. 第八章 讲坛
  16. 第九章 讲道
  17. 第十章 知心朋友
  18. 第十一章 睡衣
  19. 第十二章 传记
  20. 第十三章 独轮车
  21. 第十四章 南塔开特
  22. 第十五章 杂烩
  23. 第十六章 船
  24. 第十七章 斋戒
  25. 第十八章 他的画押
  26. 第十九章 预言家
  27. 第二十章 全体出动
  28. 第二十一章 上船
  29. 第二十二章 欢乐的圣诞节
  30. 第二十三章 临风之岸
  31. 第二十四章 辩护士
  32. 第二十五章 附言
  33. 第二十六章 武士和随从
  34. 第二十七章 武士和随从
  35. 第二十八章 亚哈
  36. 第二十九章 亚哈上;斯塔布随后上
  37. 第二篇
  38. 第三十章 烟斗
  39. 第三十一章 春梦婆
  40. 第三十二章 鲸类学
  41. 第三十三章 斯培克辛德
  42. 第三十四章 船长室的餐桌
  43. 第三十五章 桅顶瞭望者
  44. 第三十六章 后甲板
  45. 第三十七章 日落
  46. 第三十八章 薄暮
  47. 第三十九章 初夜班
  48. 第四十章 午夜,船头楼
  49. 第四十一章 莫比迪克
  50. 第四十二章 白鲸的白色
  51. 第四十三章 听!
  52. 第四十四章 海图
  53. 第四十五章 宣誓书
  54. 第四十六章 臆测
  55. 第四十七章 编缏人
  56. 第四十八章 第一次放下小艇
  57. 第四十九章 残酷的家伙
  58. 第五十章 亚哈的小艇和艇员——费达拉
  59. 第五十一章 神灵的喷水
  60. 第五十二章 “信天翁号”
  61. 第五十三章 联欢会
  62. 第五十四章 “大鲸出来了号” 的故事
  63. 第五十五章 关于鲸的大画像
  64. 第五十六章 错误较少的大鲸图像和捕鲸写生
  65. 第五十七章 画里的;牙雕的;木刻的;铁板的;
  66. 第五十八章 小鱼
  67. 第五十九章 大乌贼鱼
  68. 第六十章 捕鲸索
  69. 第六十一章 斯塔布杀死一条鲸
  70. 第六十二章 投枪
  71. 第六十三章 叉柱
  72. 第六十四章 斯塔布的晚餐
  73. 第六十五章 做菜的鲸
  74. 第六十六章 屠杀鲨鱼事件
  75. 第六十七章 割油
  76. 第六十八章 绒毯
  77. 第六十九章 葬礼
  78. 第七十章 狮身人头怪物
  79. 第七十一章 “耶罗波安 号”的故事
  80. 第七十二章 猴索
  81. 第七十三章 斯塔布和弗拉斯克杀死一条露脊鲸后,边拖鲸边谈天
  82. 第七十四章 抹香鲸头——对比图
  83. 第七十五章 露脊鲸头——对比图
  84. 第七十六章 破城槌
  85. 第七十七章 海德堡大桶
  86. 第七十八章 水槽和水桶
  87. 第七十九章 大草原
  88. 第三篇
  89. 第八十章 脑袋
  90. 第八十一章 “裴廓德号”遇到“处女号”
  91. 第八十二章 捕鲸业的令誉与荣华
  92. 第八十三章 从历史上看约拿
  93. 第八十四章 投杆
  94. 第八十五章 喷泉
  95. 第八十六章 尾巴
  96. 第八十七章 大舰队
  97. 第八十八章 鲸队和队长
  98. 第八十九章 有主鲸和无主鲸
  99. 第九十章 头还是尾
  100. 第九十一章 “裴廓德号”遇到“玫瑰蕊号”
  101. 第九十二章 龙涎香
  102. 第九十三章 被摒弃者
  103. 第九十四章 手的揉捏
  104. 第九十五章 法衣
  105. 第九十六章 炼油间
  106. 第九十七章 灯
  107. 第九十八章 装舱和打扫
  108. 第九十九章 杜柏仑
  109. 第一百章 臂和腿——南塔开特的“裴廓德号”
  110. 第一百○一章 圆酒瓶
  111. 第一百○二章 在阿萨西提 的树荫处
  112. 第一百○三章 鲸骷髅的尺寸
  113. 第一百○四章 化石鲸
  114. 第一百○五章 鲸的庞大身躯会缩小么?——它会灭亡吗?
  115. 第一百○六章 亚哈的腿
  116. 第一百○七章 木匠
  117. 第一百○八章 亚哈和木匠
  118. 第一百○九章 亚哈和斯达巴克在船长室里
  119. 第四篇
  120. 第一百十章 魁魁格在棺材里
  121. 第一百十一章 太平洋
  122. 第一百十二章 铁匠
  123. 第一百十三章 熔炉
  124. 第一百十四章 镀金匠
  125. 第一百十五章 “裴廓德号”遇到“单身汉号”
  126. 第一百十六章 垂死的鲸
  127. 第一百十七章 看守大鲸
  128. 第一百十八章 象限仪
  129. 第一百十九章 蜡烛
  130. 第一百二十章 初夜班行将结束的甲板上
  131. 第一百二十一章 午夜——船头楼的舷墙
  132. 第一百二十二章 午夜上空——雷电交加
  133. 第一百二十三章 滑膛枪
  134. 第一百二十四章 罗盘针
  135. 第一百二十五章 测程仪和测量绳
  136. 第一百二十六章 救生圈
  137. 第一百二十七章 甲板上
  138. 第一百二十八章 “裴廓德号”遇到“拉吉号”
  139. 第一百二十九章 船长室
  140. 第一百三十章 帽子
  141. 第一百三十一章 “裴廓德号”遇到“欢喜号”
  142. 第一百三十二章 交响乐
  143. 第一百三十三章 追击——第一天
  144. 第一百三十四章 追击——第二天
  145. 第一百三十五章 追击——第三天
  146. 尾声

FAQ

Is Moby-Dick a difficult novel to read?
It does have a certain threshold. Its narrative is not linear and is interspersed with extensive informational chapters and philosophical discourse. Readers need to adjust their expectations and approach it as a thought-provoking epic that requires patience rather than a simple adventure novel.
Why is Captain Ahab willing to pursue the white whale at all costs?
On the surface, it is revenge (Moby Dick once bit off his leg); on a deeper level, it symbolizes humanity's struggle of reason and will against unknown natural forces or fate. To Ahab, the white whale embodies all the evil and incomprehensible things in the world, and his pursuit is an existential ultimate confrontation.
What is special about Ishmael as narrator?
Ishmael is both a firsthand participant in the story and a calm observer and commentator. His perspective shifts between the experience of an ordinary sailor and the contemplation of a philosopher, providing readers with a rational entry point into this mad world. In the end, he becomes the survivor and storyteller, enhancing the work's reflectiveness.

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About the author

Herman Melville was a nineteenth-century American novelist known for his maritime subjects and symbolic narrative style. The collection includes six of his works, among them illustrated collector's editions, the English original, and other versions of the novel Moby-Dick, as well as the short-fiction anthology Billy Budd, Sailor: Selected Short Stories of Melville and The Confidence-Man. Moby-Dick unfolds around a whaling voyage, using elaborate detail, varied prose styles, and strong symbolism to explore themes of humanity and nature, fate, and good and evil; the shorter works, such as Billy Budd, Sailor, are more concise, focusing on individuals caught in the order of life at sea and in moral dilemmas. Melville's subjects are largely drawn from seafaring life, and his somber, tension-filled language gives his characters both the surface of adventure stories and a philosophical core. These works are generally classified in the Chinese-speaking world as world classics and foreign literature, and his style has had a lasting influence on later maritime and symbolic fiction. Because public information is limited, this note offers only a brief overview based on the works in the collection.

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