White Gate Willow (Complete in Three Volumes)
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Summary
Editor's review
Who it's for
A good fit for
- 喜欢明末清初史、对士人心态史有探究兴趣的读者
- 读过《柳如是别传》等文史著作,想从小说视角再进入晚明的人
- 能接受慢节奏、重心理描写和典雅文风的严肃文学读者
- 希望理解“知识分子与权力”这一命题的读者
Not a good fit for
- 期待快节奏、强冲突情节爽感的通俗历史小说读者
- 不习惯文言味较重、长段心理独白的读者
- 只对柳如是传奇故事感兴趣、不愿读群像党争的读者
Reading tips
- 读前言和“引子”时留意老梅的寓言,它和全书的兴亡之感相呼应。
- 按《夕阳芳草》《秋露危城》《鸡鸣风雨》顺序读,三卷时间线紧接,跳读容易丢失脉络。
- 边读边对照崇祯十五年至弘光覆亡的大事年表,党争线索会清楚很多。
- 可预备陈寅恪《柳如是别传》作为背景参考,理解作者对女性处境的再书写。
About the publisher
People's Literature Publishing House publishes across classical literature, foreign literature, documentary writing and folk literature, with 492 titles in its catalogue. Representative books range from the Chinese classic Romance of the Three Kingdoms to Lao She's Teahouse and Longxu Ditch in the Selected Works of Lao She, as well as translated foreign literature such as Faulkner's The Sound and the Fury, Dante's Divine Comedy and Elena Ferrante's Neapolitan Novels, alongside documentary and fictional works including Primo Levi's If This Is a Man and João Guimarães Rosa's The Devil to Pay in the Backlands. Its authors include Chinese writers such as Lao She, translators such as Shen Emeri and Li Wenjun, and foreign authors such as James Wood. Overall, the house has a strong record in editing classic works and translating foreign literature, with a publishing character that bridges Chinese and foreign writing and values textual quality.
Contents
- Prologue
- Part One: Sunset and Fragrant Grass
- Part Two: Autumn Dew and the Imperiled City
- Part Three: Cockcrow in Wind and Rain
- Afterword
- Postscript
FAQ
《白门柳》一共几卷,三卷分别叫什么?
这部小说获过什么奖?
为什么说它写的是“知识分子参政乱象”?
语言难读吗,需要多少时间?
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About the author
Liu Sifen: currently, publicly available information is limited, and details of his life and background cannot be confirmed. Judging from the three works held in the collection, his writing centers on the appreciation and popularization of classical Chinese poetry, including the three volumes of the illustrated Tang and Song poetry appreciation series devoted to Tang poetry, Song poetry, and Tang and Song ci. These works fall under literary appreciation and classical poetry, and are presented in illustrated editions that combine textual interpretation with visual aids, helping general readers approach the imagery and linguistic beauty of Tang and Song verse. The content emphasizes selected pieces and commentary in a plain style, guiding readers toward the emotions and artistic features of the works. Although the available information is insufficient to outline the author's full creative trajectory, this appreciation series shows his sustained engagement in spreading classical poetry and offers some reference value for beginning readers.