The Idiot cover

The Idiot

Rating 4.4
Word count
498K words
Chapters
57
ISBN
9787532763719

Tags

Summary

The novel depicts Nastasya, a beautiful woman of noble birth in the 1860s, who for years suffers the abuse of the landowner Totsky; later Totsky is willing to pay a large sum to marry her off to the despicable Ganya. At the heroine's birthday party, the young Prince Myshkin, regarded by people as an idiot, suddenly appears and offers to marry Nastasya unconditionally, which moves her deeply. On the day of her impending wedding to the prince, Nastasya, though deeply in love with him, runs away with the playboy Rogozhin and is finally murdered by him.

Editor's review

The Idiot is one of the representative works of Dostoevsky's creative peak and, together with Crime and Punishment and The Brothers Karamazov, is counted among his three major novels. Set against nineteenth-century Russian society, the novel, through the perspective of the protagonist Prince Myshkin—an epileptic figure as pure in heart as a "Christ-like" person—profoundly dissects the complex interweaving of human nature, faith, morality, and madness. The label "idiot" attached to Prince Myshkin is in truth the author's compassionate inquiry into "pure humanity" in a utilitarian society: in a world ruled by money, vanity, and lust, is goodness and innocence doomed to be reduced to a kind of pathology? The tragedy of Nastasya Filippovna, the passion of Rogozhin, and the nihilism of Ippolit together form a magnificent panorama of souls in struggle. This edition from Shanghai Translation Publishing House offers an accurate and fluent translation that does a good job of preserving Dostoevsky's hurried, psychologically tense prose style, giving Chinese readers a reading experience close to the original. Reading this book is not only an immersion in a story but also a severe examination of the depths of one's own soul.

Who it's for

A good fit for

  • Readers with a strong interest in Russian literature and philosophical speculation
  • Thinkers who wish to explore in depth the complexity of human nature and moral dilemmas
  • Literature lovers who appreciate psychological realist writing and are not daunted by long, massive works
  • People seeking spiritual resonance that transcends eras and who care about the conflict between faith and modern society

Not a good fit for

  • Casual readers seeking light entertainment and fast-paced plots
  • Readers lacking patience for dense psychological description and philosophical discussion

Reading tips

  1. When reading, it is advisable to pay some attention to Dostoevsky's life, especially his experience of epilepsy and his intellectual transformations, which helps in understanding the portrayal of Prince Myshkin.
  2. You may consult materials on the social and historical background of Russia in the mid-to-late nineteenth century to better grasp the social roots of the characters' behavior.
  3. The first half of the novel lays out the character relationships at length, so patience is required; in the middle and later sections, the emotional and psychological conflicts gradually reveal their power.

About the publisher

Shanghai Translation Publishing House China · Founded in 1978

Shanghai Translation Publishing House is a Chinese publisher oriented mainly toward translation and publishing. Its publications cover foreign literature, world classics and classic works, as well as social culture, folk literature and classical poetry. The database contains 2,618 titles, including Never Let Me Go, Les Misérables (2 volumes), Don Quixote (illustrated collector's edition), The Complete Comedies of Molière (4 volumes), The Complete Novels of Kafka (3 volumes), The Collected Works of Dostoevsky (9-volume set), Reason and Persons, and Oedipus Rex (Translation Classics). Its author resources include foreign writers such as Kazuo Ishiguro, Victor Hugo, Cervantes and Molière, as well as translators such as Zheng Kelu, Sun Jiameng, Li Jianwu and Zhang Kun. The publisher has brands such as "Translation Classics Selections" and "Translation Documentary," and emphasizes translated works in foreign literature and the humanities and social sciences, while also publishing bilingual dictionaries and foreign-language educational books. Public information is limited; the above is based on the book information in the database.

Contents

  1. 版权信息
  2. “描绘人内心的全部深度”——总序
  3. 第一部
  4. 一
  5. 二
  6. 三
  7. 四
  8. 五
  9. 六
  10. 七
  11. 八
  12. 九
  13. 十
  14. 十一
  15. 十二
  16. 十三
  17. 十四
  18. 十五
  19. 十六
  20. 第二部
  21. 一
  22. 二
  23. 三
  24. 四
  25. 五
  26. 六
  27. 七
  28. 八
  29. 九
  30. 十
  31. 十一
  32. 十二
  33. 第三部
  34. 一
  35. 二
  36. 三
  37. 四
  38. 五
  39. 六
  40. 七
  41. 八
  42. 九
  43. 十
  44. 第四部
  45. 一
  46. 二
  47. 三
  48. 四
  49. 五
  50. 六
  51. 七
  52. 八
  53. 九
  54. 十
  55. 十一
  56. 结尾
  57. 译后记

FAQ

Why is the book titled The Idiot? Is Prince Myshkin really an idiot?
The title "The Idiot" is strongly ironic. Prince Myshkin is not intellectually deficient; on the contrary, he is kind, sincere, and compassionate, an almost Christ-like figure of perfect moral goodness. But in a hypocritical, calculating secular society, this "extraordinary" moral purity is seen by others as inappropriate, unworldly "idiotic" behavior. The author uses this to explore the predicament of truth, goodness, and beauty in reality.
What core themes does this novel mainly explore?
The novel's core themes include: the fate of Christ-like love and sacrifice in secular society, the boundary between madness and holiness, the conflict between free will and fate, the destructive power of beauty (Nastasya), and the spiritual crisis of Russian society during its transition. Through extreme emotional and ideological collisions among the characters, Dostoevsky probes these philosophical and religious questions in depth.
What are the features of this edition (Shanghai Translation Publishing House)?
The Shanghai Translation Publishing House edition generally uses Rong Rude's classic translation, which is faithful to the original style, concise in language, and rich in literary quality. This edition belongs to the "Collected Works of Dostoevsky" series, with relatively standardized binding and typesetting, and is recognized in the Chinese-speaking world as one of the authoritative translations, suitable for serious literary reading and research.

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About the author

Fyodor Mikhailovich Dostoevsky Author · Russian · 1821–1881

Fyodor Mikhailovich Dostoevsky (1821–1881) was a nineteenth-century Russian writer born in Moscow. In 1849 he was arrested for joining a radical group and later served hard labor in Siberia. This experience deeply shaped his writing, which consistently explores the spiritual struggles of people in extreme circumstances. His major works include Crime and Punishment, The Idiot, Demons, and The Brothers Karamazov, and they reach Chinese readers chiefly as foreign literature and world classics. His novels are known for probing characters' inner lives and, through tense plots and clashes of ideas, examining faith, freedom, guilt, and redemption; his psychological insight is especially profound and has had a lasting influence on modernist literature. This site holds 106 of his works, including several editions of The Brothers Karamazov and a collected works set, reflecting his enduring presence among Chinese readers.

荣如德 Author

Rong Rude is an important Chinese translator of Russian and English literature. Publicly available information about his life is limited, yet his many years of sustained and extensive translation work are enough to outline his contribution. The collection includes twenty-one of his works, covering full-length masterpieces as well as classic novellas and short stories. Representative translations include Dostoevsky's The Brothers Karamazov and Notes from Underground, a collection of Dickens's works, and Animal Farm and Vanity Fair. In terms of subject matter, he focused on nineteenth-century Russian and British realist fiction, with some satirical fables as well. His translations are rigorous and fluent, attentive to preserving the intellectual depth and narrative rhythm of the originals, with dialogue that reads naturally. These translations have long circulated in the categories of foreign literature, world classics, and classic works, serving as an important bridge for Chinese readers to Russian and English literature and exerting a lasting influence on the popularization of the relevant authors.

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