White Sand
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who love literary nonfiction, especially writing that blends genres
- Readers with higher expectations of travel literature, who seek spiritual wandering rather than scenic description
- Existing fans of Geoff Dyer who wish to delve deeper into his literary universe
- Readers with a contemplative habit who enjoy thoughts that grow out of solitude and blankness
Not a good fit for
- Readers expecting a clear storyline, strong plot, or conventional guidebook-style travel content
- Pragmatists seeking a fast reading experience and definite conclusions
Reading tips
- There is no need to rush through it in one sitting; read intermittently by chapter, matching your own moods of contemplation or mental drift.
- While reading, you might pair the book with Edward Hopper's paintings or images of the American Southwest to enhance immersion in the setting.
- Pay attention to how the author connects seemingly trivial observations with vast frames of cultural and artistic reference, and appreciate the leaps and reconciliations of his thought.
About the publisher
Zhejiang Literature and Art Publishing House is a Chinese publisher specializing in literary publishing. Judging from the 808 titles in the database, its publishing areas cover world classics, foreign literature, social novels, folk literature and classic works, as well as modern and contemporary literature and prose. Representative titles include foreign literary translations such as Anna Karenina, The Temple of the Golden Pavilion, In Praise of Shadows and The Complete Tragedies and Comedies of Shakespeare, alongside classic works by Lao She and Lu Xun such as Camel Xiangzi, Teahouse and Wandering. Its authors and translators include Leo Tolstoy, Cao Ying, Lao She, Yukio Mishima, Jun'ichirō Tanizaki and Zhu Shenghao. The press emphasizes the translation and introduction of classic texts and the compilation of native literary works, giving equal weight to Chinese and foreign literature. Owing to limited public information, its specific series and editorial policies are not elaborated here.
Contents
- 版权信息
- 序言
- 一
- 故宫
- 二
- 哪里?什么?哪里?
- 三
- 时间中的空间
- 四
- 空间中的时间
- 五
- 北极黑
- 六
- 白沙
- 七
- 朝圣
- 八
- 吉米·加里森的叙事曲
- 九
- 开始
- 十
- 致谢
FAQ
Is this book a novel or a travelogue?
Can I understand this book without having read other works by Geoff Dyer?
Do I need to know about Edward Hopper and his paintings beforehand?
Comments
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About the author
Geoff Dyer is a British writer born in Cheltenham in 1958. He studied English literature at Oxford University. His books include But Beautiful: A Book About Jazz, Out of Sheer Rage: Wrestling with D. H. Lawrence, Yoga for People Who Can't Be Bothered to Do It, White Sands, The Missing of the Somme, Zona: A Book About a Film About a Journey to a Room, and The Encyclopedia of the Human Condition: Selected Essays. Blending fiction, travel writing, criticism, biography, and memoir, his work resists easy classification and ranges across jazz, literature, film, history, and travel. He has received the Somerset Maugham Award, the W. H. Smith Travel Book of the Year Award, and the National Book Critics Circle Award.
Publicly available information about Wang Xiaoying is limited, and the existing sources are not enough to confirm her nationality, dates of birth and death, or personal background. Judging from the eight titles held in the collection, her editorial and translation work mainly covers two areas: foreign literature and modern poetry. Representative works include the complete four-volume set of Ali Smith's Seasonal Quartet, as well as individual volumes such as Autumn, Winter, and White Sand, which shows a sustained interest in contemporary English-language literature, especially narrative works organized around seasons and nature. In addition, the reading assessment guide to Ai Qing's poetry belongs to the category of modern-poetry reading and evaluation materials, while The God of War and The Mistress of the Ritz touch on other foreign-literary subjects. Overall, her work leans toward title selection, translation and introduction, and reading promotion rather than personal creative writing.