Line Drawing from Beginner to Mastery
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Summary
Editor's review
Compared with some general painting textbooks on the market, the professionalism of this book lies in its adherence to the core principle of "bone-method brushwork." It does not rush readers into completing a painting immediately, but instead emphasizes honing hand skills through extensive, targeted basic practice and cultivating sensitivity to and control of lines. This solid, step-by-step approach is far more valuable to enthusiasts who truly wish to master this traditional craft than a fast-food collection of techniques. The book's modern presentation and demonstration of traditional line-drawing categories such as the "Eighteen Strokes" also make ancient techniques easier for modern learners to understand and apply. Overall, this is a sincere and comprehensive guide that can serve both as a beacon for absolute beginners and as a reference for those with some foundation to deepen and reflect on their practice.
Who it's for
A good fit for
- Absolute beginners or early-stage enthusiasts with a strong interest in traditional Chinese painting, especially the line foundation of gongbi and figure painting
- Art students or art professionals who wish to systematically study and standardize their baimiao technique and strengthen their expressive use of line
- Readers who love classical Chinese art and hope to improve their appreciation and aesthetic judgment by copying classic baimiao works
- People working in illustration or design who hope to draw inspiration and nourishment from traditional line-drawing art
Not a good fit for
- Readers expecting to learn Western drawing techniques such as sketching and rapid drawing centered on the expression of light, shadow, and volume
- Learners seeking quick secrets to painting who lack patience for the long-term investment in extensive basic line practice
Reading tips
- It is recommended to follow the chapter order strictly, starting with the basic exercises of holding and moving the brush, and not to skip the seemingly dull early line training
- When copying model paintings, first draft lightly in pencil, focusing on the starting, stopping, turning, and pressure changes of the original brushwork, then outline with a brush
- Read the appreciation text on classic works together with the corresponding line illustrations, trying to understand their artistic value rather than merely copying shapes
About the publisher
Posts & Telecom Press is known for its strengths in science and technology, computing, and information and communications titles, and has extended its publishing into photography, art, software learning, and inspirational growth, giving it a fairly diverse range. Its catalog includes computing and communications works such as Refactoring and Patterns (Revised Edition) and Huawei Switch Learning Guide (Second Edition), alongside bilingual collector's editions such as The Little Prince (Chinese-English-French illustrated collector's edition), The Great Gatsby, and Three Days to See. Beijing Ten Years: 1980-1990 and Ghost Blade: WLOP Personal Illustration Collection reflect its presence in photography and art. Its authors include Antoine de Saint-Exupéry, Helen Keller, Joshua Kerievsky, Wang Da, Zhang Zhaozeng, and WLOP.
Contents
- 版权信息
- 第一章 入门
- 1.概念
- 2.起源
- 3.发展
- 4.特点
- 5.分类
- 6.十八描
- 7.工具和材料
- 第二章 鱼虫
- 1.蝉
- 2.蜜蜂
- 3.蝴蝶
- 4.蜻蜓
- 5.天牛
- 6.纺织娘
- 7.蝈蝈
- 8.蟋蟀
- 9.螳螂
- 10.金鱼
- 11.龙鱼
- 12.鲤鱼
- 13.鳊鱼
- 第三章 鸟禽
- 1.黄鹂
- 2.太平鸟
- 3.鹰
- 4.鸽子
- 5.绶带鸟
- 6.锦鸡
- 7.鸳鸯
- 8.欣赏
- 第四章 走兽
- 1.狗
- 2.猫
- 3.羊
- 4.欣赏
- 第五章 花卉
- 1.牵牛花
- 2.荷花
- 3.美人蕉
- 4.牡丹
- 5.木芙蓉
- 6.菊花
- 7.水仙
- 8.绣球花
- 9.天竺葵
- 10.大丽花
- 11.大岩桐
- 12.欣赏
- 第六章 人物
- 1.不同形态的嘴、鼻、耳
- 2.正面眉眼
- 3.四分之三侧面
- 4.侧面脸
- 5.服饰
- 6.不同样式的古代服装
- 7.不同姿态的手
- 8.不同形状的女性发髻
- 9.仕女图
- 10.欣赏
FAQ
I have no painting foundation at all. Can I start learning baimiao from this book?
Is learning baimiao helpful for subsequently learning gongbi painting?
Are the model paintings provided in the book sufficient for practice?
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About the author
Liang Xue is a Chinese author whose books span the fields of art and medicine; available public information about her is limited, and her nationality, dates of birth and death, and educational background are not clearly recorded. Judging from the three works held in the collection, her writing crosses two areas: painting techniques and traditional Chinese medicine scholarship. In art, Baimiao from Beginner to Mastery and Self-Taught Gongbi: Peonies (2nd Edition) are both aimed at beginners, emphasizing step-by-step breakdowns and technique demonstrations, reflecting a practical approach designed for self-study readers. In medicine, Gui School Renowned Veteran Chinese Medicine Practitioners: Academic Volume: Zhou Deli turns to the organization and presentation of local Chinese medicine academic experience, with the character of academic summary and transmission. The two kinds of works differ markedly in subject, but share an emphasis on practicality and clarity in conveying knowledge, making them suitable for introductory learning and reference.