The Decade of the Large Field cover

The Decade of the Large Field

Rating 4.4
Word count
1.6K words
Chapters
12

Tags

Summary

The Decade of Futian, from the Minor Odes of the Book of Songs, is a group often poems and consists of Han Chinese poetry from the pre-Qin era.

Editor's review

The Decade of Futian belongs to the Minor Odes section of the Book of Songs, arranged in groups of ten poems and covering farming, feasting, corvée and military service, and political satire, making it one of the more varied groups in the Minor Odes. Compared with the solemn exhortations of the Major Odes, this decade more often presents concrete scenes of life and shifts of feeling, its language ranging from ceremonial elaboration to laments over real circumstances. This edition, printed by Shanghai Jinzhang Book Company, preserves the traditional text and is suited to recitation and consultation of the original. Readers should note how the pieces within the Minor Odes are arranged: comparing the farming poems, feasting poems, and works of complaint and satire side by side makes clearer how pre-Qin poetry adjusted tone and structure for different occasions. For those studying ancient literature or ritual and music institutions, or wishing to go deeper into the text of the Book of Songs, this decade is a suitable selection for understanding the diversity of the Minor Odes.

Who it's for

A good fit for

  • Students of ancient literature studying the original text of the Minor Odes in the Book of Songs
  • Readers interested in pre-Qin farming, feasting, and ritual culture
  • Teachers and students needing the text of this poem group for teaching or research

Not a good fit for

  • Readers expecting vernacular stories or a modern novel-like reading experience
  • Beginners who prefer to read straight through without consulting annotations

Reading tips

  1. Group the ten poems by theme—farming, feasting, complaint and satire—and then compare changes in tone group by group.
  2. Choose two or three poems and read them aloud repeatedly, noting the pauses in four-character lines and the effect of repeated stanzas and refrains.
  3. Read alongside an annotated edition of the Book of Songs, first resolving the meanings of names and terms and then discussing the main purport of each poem.

About the publisher

Jinzhang Book Company (Jinzhang Shuju) China · Founded in 1901

Jinzhang Book Company (Jinzhang Shuju) was a private publishing and distribution house in Shanghai during the late Qing and early Republican periods, issuing traditional works by lithographic printing. Judging from the 1,194 titles in the collection, its publishing focused on classical poetry, Eastern philosophy, historical reading, traditional Chinese medical texts, and canonical works, along with books on literary appreciation. Representative titles include the poetry and prose collections of Du Fu and Ouyang Xiu; historical works such as the Book of Han and Zizhi Tongjian; classical texts such as the Book of Documents and Mencius; and specialized and literary classics such as Treatise on Cold Damage and Li Sao. Its author resources cover major figures across the ages, including Du Fu, Ban Gu, Sima Guang, Zhang Zhongjing, Qu Yuan, Ouyang Xiu, and Tang Shenwei, reflecting the house's characteristic reliance on traditional scholarship and medical literature while serving general readers. Public information on its early history and operational details is limited, so no conjecture is offered here.

Contents

  1. 版权信息
  2. 序
  3. 甫田
  4. 大田
  5. 瞻彼洛矣
  6. 裳裳者华
  7. 桑扈
  8. 鸳鸯
  9. 頍弁
  10. 车舝
  11. 青蝇
  12. 宾之初筵

FAQ

What is the difference between the Decade of Futian and the Decade of Shengmin?
They belong to different parts of the Book of Songs: the Decade of Futian is in the Minor Odes, the Decade of Shengmin in the Major Odes. The Major Odes are generally considered more solemn and admonitory, while the Minor Odes are more varied in subject and tone; the specific differences, however, require close reading of individual poems and should not be simply summarized.
Is this book suitable as an introductory text to the Book of Songs?
As an original text, it is better suited to readers who already have some grounding in classical Chinese or are systematically studying the Book of Songs. Complete beginners are advised to start with a popular edition with detailed annotations and translation, then use this edition for comparison and recitation, so as not to give up because of difficulties with names, terms, and archaic language.
Does the order of the poems in the decade affect understanding of the content?
The decade is a traditional grouping in the Book of Songs, with ten poems to a group. The order itself does not necessarily form a continuous narrative, but the adjacency of subjects and tones within a decade is worth noting. When reading, one may first read through in order and then rearrange by theme, comparing the different understandings the two approaches bring.

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About the author

Anonymous Author

Anonymous is not a real personal name but a general Chinese designation for authors whose names are unknown, lost, or unsigned. Neither nationality nor dates of birth and death can be verified, and available public information is limited, so the works attributed to this name are the only basis for description. The collection holds 2,078 works under Anonymous, spanning medicine, classics, historical readings, ancient poetry, classical literature, and philosophy. Representative works include The Yellow Emperor's Inner Canon: Lingshu, Mencius, The Book of Documents, Nineteen Old Poems, Complete Song Ci, and The Peacock Flies Southeast. Most of these works took shape through long transmission and editing, emerging either from collective folk creation or from authors whose names were lost over time. In ancient China, the Book of Songs, the Great Learning, and many popular storybooks and plays were signed Anonymous because their authors could not be traced. Anonymous works cross the classics, histories, philosophical writings, medical texts, and poetry; their subjects are broad, and their styles vary from archaic simplicity to clear naturalness, making them important and influential sources for understanding ancient Chinese thought, medicine, and literature.

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