Introduction to the Modern Zheng cover

Introduction to the Modern Zheng

Rating 3.6
Word count
4.7K words
Chapters
37
ISBN
9787566809834

Tags

Summary

The "Modern Zheng Series Tutorials" are mainly compiled based on the author Lü Chunqi's years of practical experience in modern zheng teaching, performance, and music composition, aiming to let learners fully understand and play this new type of instrument.

In terms of repertoire selection, it does not adhere to a single style; besides classic works, it adds many elements of modern music, meeting the diverse audiovisual needs of modern people. This "Introduction to the Modern Zheng (Modern Zheng Series Tutorials)" is one volume of the series.

Editor's review

"Introduction to the Modern Zheng," compiled by Mr. Lü Chunlin and published by Jinan University Press, is a systematic textbook for guzheng beginners. As a veteran folk music educator, Mr. Lü Chunlin combines traditional techniques with modern teaching concepts. The book has not received a large number of public ratings on mainstream platforms such as Douban, but this does not diminish its value as a professional textbook; it enjoys a certain reputation, especially within academic circles and traditional folk music teaching communities.

The book is clearly structured, starting from the history and construction of the guzheng and gradually progressing to basic finger techniques, music theory knowledge, and practice of classic pieces. Its "modern" aspect is reflected in the arrangement: it includes not only traditional pieces such as "Evening Song of the Fishing Boat" but also simplified adaptations of popular melodies suited to contemporary tastes, aiming to lower the entry threshold and increase learning interest. The textbook emphasizes solid training in fundamentals, with detailed requirements for hand shape, strength, and rhythm, and includes numerous exercises and illustrations, suitable for self-study or as classroom supplementary material.

In the editor's view, the book's core strength lies in its balance: it upholds the traditional essence of guzheng performance while reflecting modern adaptability in teaching sequence and repertoire selection. It avoids the pitfalls of some introductory textbooks that are overly flashy or rush for quick results; its step-by-step design helps cultivate correct playing habits. For serious beginners, this is a reliable, detailed "first zheng book" that can lay a solid foundation for further in-depth study.

Who it's for

A good fit for

  • Adults with zero foundation who wish to systematically learn guzheng performance
  • Amateur guzheng enthusiasts seeking a standard textbook to assist teaching
  • Beginner guzheng students needing supplementary basic training pieces
  • Readers interested in traditional instruments and hoping to understand their basic culture

Not a good fit for

  • Advanced players seeking advanced performance techniques or complex scores
  • Entertainment-oriented learners hoping to quickly play pop songs using only simple diagrams

Reading tips

  1. Study in chapter order; do not skip the basic finger technique exercises
  2. Imitate along with accompanying audio or video (if available), focusing on proper hand shape
  3. Practice fundamentals daily; alternate exercises with short pieces to maintain interest

About the publisher

Jinan University Press China · Founded in 1989

Jinan University Press is a comprehensive university press known for publishing in language and writing, history and culture, and medicine. Judging from the 2,481 titles in the database, its publishing focuses on language and writing research, the compilation of unearthed documents, Chinese culture and Eastern philosophy, traditional Chinese medicine, and grassroots medical standards. Representative books include the Chinese Dictionary (Second Edition), the series on the collected interpretation and modern translation of Warring States documents from the Language Services Series and the series on the language of unearthed documents, Chinese Cultural Psychology (6th Edition), Illustrated Compendium of Traditional Chinese Medicine Processing Techniques, and Construction and Technical Standards for Standardized Bronchoscopy Rooms in Primary-Level Pediatrics. In terms of authors, scholars such as Zhu Cheng, Zhang Yujin, Wang Fengyan, Zheng Hong, Cao Hui and Ma Zhiguo form its author base in language and documents, cultural psychology, and traditional Chinese medicine. In terms of publishing characteristics, the press emphasizes the collected interpretation and modern translation of unearthed documents and language service research, while also systematically organizing cultural psychology and medical techniques. Public information on specific matters such as overseas Chinese-language education is limited and is therefore not elaborated here.

Contents

  1. 版权信息
  2. 《现代筝系列教程》编委会
  3. 前言
  4. 第一课
  5. 一、基础知识
  6. 二、练习曲
  7. 第二课
  8. 一、基础知识
  9. 二、练习曲
  10. 第三课
  11. 巩固练习
  12. 第四课
  13. 一、基础知识
  14. 二、练习曲
  15. 第五课
  16. 一、基础知识
  17. 二、练习曲
  18. 第六课
  19. 一、基础知识
  20. 二、练习曲
  21. 第七课
  22. 一、基础知识
  23. 二、练习曲
  24. 第八课
  25. 一、基础知识
  26. 二、练习曲
  27. 第九课
  28. 一、巩固练习
  29. 二、乐理基础
  30. 三、练习曲
  31. 第十课
  32. 一、乐理基础
  33. 二、练习曲
  34. 第十一课
  35. 练习曲(双手同位八度单音练习)
  36. 第十二课
  37. 练习曲(同度、八度混合练习)

FAQ

Can I use this book without a music background?
Absolutely. The book starts from the most basic music theory and instrument knowledge and is designed for zero-foundation learners; simply follow the chapters and practice step by step to get started.
Does this book include performance demonstrations or audio?
According to the edition information, the book is mainly presented as an illustrated text. Learners are advised to find demonstration audio or video by professional players as supplementary reference.
What level can I reach after finishing this book?
After completing the book and practicing solidly, learners should be able to master basic guzheng finger techniques, read simple zheng scores, and independently perform several beginner traditional pieces and simple modern melodies, reaching an entry to lower-intermediate level.

Comments

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About the author

吕春麟 Author

Lü Chunlin is an author about whom limited public information is available; the identity details currently confirmable come mainly from a single music-related work, Introduction to the Modern Zheng. Belonging to the music category, the book can be judged from its title to center on introductory study of the modern zheng, likely covering basic finger techniques, performance essentials, and beginner exercises, offering systematic guidance for newcomers. Although details of Lü Chunlin's life, nationality, dates of birth and death, and educational background cannot be verified, the choice of the modern zheng as a subject suggests an interest in the teaching and popularization of this traditional instrument in a contemporary context. For readers wishing to understand or learn the modern zheng, the work provides an accessible entry point and reflects, to some extent, the trend in contemporary music education publications toward popularizing traditional instruments.

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