The King and the Hegemon
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Summary
Editor's review
Who it's for
A good fit for
- Researchers interested in the ancient distinction between kingly and hegemonic rule and in thought on governance
- Literature and history students who need to analyze the argumentative structure of political texts
- General readers concerned with the historical lessons of "holding the Way" and "losing the Way"
- Readers collecting fine editions of ancient texts from Bashu Publishing House
Not a good fit for
- Beginners expecting complete annotation, translation, and vernacular paraphrase
- Casual readers who prefer light stories or biographies
- Readers seeking detailed textual research on the author's life and the book's background
Reading tips
- First mark key terms such as "state," "ruler," "Way," and "position" sentence by sentence, and clarify their relations.
- Look up the basic histories of King Min of Qi and Duke Xian of Song to understand the author's purpose in using them as counterexamples.
- Read this chapter alongside other chapters in the same book that discuss "kingly and hegemonic rule," and compare their angles of argument.
- After reading, restate in your own words the contrast between "holding it with the Way" and "holding it without the Way."
About the publisher
Bashu Publishing House is a publisher centered on collating and publishing classical Chinese cultural texts, with its main publishing areas covering classical literature, Eastern philosophy, ancient poetry, and educational classics. Its library currently holds 1,075 titles, including representative works such as Dream of the Red Chamber, the Preface to the Orchid Pavilion Gathering, Renjian Cihua, and Out to the Frontier, involving authors such as Cao Xueqin, Wang Xizhi, Wang Guowei, Wang Changling, Liu Xie, and Yan Yu. These reflect the publisher's focus on literary classics, poetry criticism, and philosophical readings. Its publishing character lies in working around ancient texts and canonical works, with attention to textual collation and presentation. Public information on its more detailed publishing background and series plans is limited; this introduction is based only on the library's book information.
Contents
- 版权信息
- 王霸第十一
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About the author
Anonymous is not a real personal name but a general Chinese designation for authors whose names are unknown, lost, or unsigned. Neither nationality nor dates of birth and death can be verified, and available public information is limited, so the works attributed to this name are the only basis for description. The collection holds 2,078 works under Anonymous, spanning medicine, classics, historical readings, ancient poetry, classical literature, and philosophy. Representative works include The Yellow Emperor's Inner Canon: Lingshu, Mencius, The Book of Documents, Nineteen Old Poems, Complete Song Ci, and The Peacock Flies Southeast. Most of these works took shape through long transmission and editing, emerging either from collective folk creation or from authors whose names were lost over time. In ancient China, the Book of Songs, the Great Learning, and many popular storybooks and plays were signed Anonymous because their authors could not be traced. Anonymous works cross the classics, histories, philosophical writings, medical texts, and poetry; their subjects are broad, and their styles vary from archaic simplicity to clear naturalness, making them important and influential sources for understanding ancient Chinese thought, medicine, and literature.