A Critical Biography of Wang Xizhi
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Summary
Editor's review
Who it's for
A good fit for
- Calligraphy enthusiasts who wish to learn about Wang Xizhi the person, his art, and his era
- Students of calligraphy history or cultural history seeking a biographical reference
- Readers interested in the powerful clans and literati culture of the Wei and Jin periods
- Readers practicing Wang Xizhi's calligraphy who wish to deepen their understanding of the works' background
Not a good fit for
- Pure technique learners looking only for copybooks to trace, with no interest in historical context
- Beginners expecting a systematic calligraphy technique tutorial; this book is a critical biography
- General leisure readers with no interest in Wei-Jin history or the clan system
Reading tips
- Read the chapter "Powerful Clans and Great Families" first to establish the historical background, then proceed to Wang Xizhi's life and calligraphic commentary
- While reading, refer to reproductions of Wang Xizhi's representative works to see how the commentary corresponds to the calligraphy
- Read alongside general knowledge of Wei-Jin history; when encountering clan figures, sketch out their relationships as you go
- After finishing, revisit the restored chapter to reflect on the connection between the powerful clans and the transmission of calligraphy
About the publisher
People's Fine Arts Publishing House focuses on professional art publishing, educational publishing, and lianhuanhua (Chinese picture-story books). Its 429 titles in the catalog span art theory, literary appreciation, and calligraphy rubbings. Representative publications include the Renmei Shupu series, which presents historical rubbings such as the Eastern Han clerical-script steles Li Qi Bei, Cao Quan Bei, and Yi Ying Bei, along with Northern Song Mi Fu's Shu Su Tie and Tiaoxi Shi Tie and Tang Lu Jianzhi's Wen Fu. Qi Baishi's Art of Painting (4 volumes) and Chen Chuanxi's History of Chinese Landscape Painting (2 volumes) reflect its strength in painting research and art-historical compilation. Alongside Wang Guowei's Renjian Cihua, its authors include scholars and artists such as Hua Rende, Sun Xiaoyun, Lou Shibai, and Lou Shude, giving the press a publishing profile that balances calligraphy rubbings, painting art, and art history and theory.
Contents
- 版权信息
- 再版小记
- 程大利序(第一版)
- 第一版自序
- 第一章 琅琊王氏
- 第二章 王与马 共天下
- 第三章 门阀与士族
- 第四章 宦海沉浮
- 第五章 退居生活
- 第六章 名士风流
- 第七章 琅琊王氏与道教
- 第八章 王羲之与佛教
- 第九章 王羲之交游考
- 第十章 书法艺术
FAQ
What are the main changes in the revised edition compared with the original?
Why restore "Powerful Clans and Great Families"?
Can this book replace a calligraphy technique tutorial?
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About the author
Luo Sangui is an author whose writing centers on traditional Chinese culture and classical literature. Public information about him is limited, and his biographical details remain incomplete. Three of his works are currently known, covering biography, theoretical discussion, and literary appreciation; though the range is modest, all revolve around classical Chinese culture. Among them, Zhao Mengfu (Stories of Chinese Sages) introduces the Yuan-dynasty painter and calligrapher Zhao Mengfu through biographical narrative, while A Critical Biography of Wang Xizhi offers an assessment of the life and artistic achievements of the calligraphy sage Wang Xizhi. Both reflect the author's sustained interest in calligraphy history and historical figures. Shijing Sanlun turns to the pre-Qin classic, discussing topics related to the Book of Songs in essay form and showing his interest in literary research. Overall, Luo Sangui's writing balances popularization with critical commentary in plain language, and is suitable for readers interested in traditional Chinese painting, calligraphy, and classical literature.