The One-Handed Beggar (Part 2) cover

The One-Handed Beggar (Part 2)

Rating 3.8
Word count
328K words
Chapters
30

Tags

Summary

Wuxia novel. Installments 1–12 were published by Shanghai Yuanchang Printing House, and installments 13–14 by Wuxun Publishing House; installments 1–3 carry no publication date, installment 4 was published in April 1950, and installment 14 in May 1951. Complete.

Editor's review

The One-Handed Beggar (Part Two) is the second half of Huanzhulouzhu's wuxia novel The One-Handed Beggar, continuing the plot of the first volume and bringing the whole work to a close. Huanzhulouzhu is known for gorgeous, bizarre imagination and dramatic, upsurging narrative; this book dwells on key turns in the characters' fates and the final settlement of jianghu grudges, letting readers experience the chapter-based rhythm and storyteller's voice typical of Republican-era old-school wuxia. The 2017 Nanhai Publishing House reprint is based on the original editions and preserves the appearance of the work as published in fourteen installments, giving it some textual value for studying Huanzhulouzhu's late style and the publishing history of old-school wuxia. Read it in sequence with the first volume, or character relationships and plot foreshadowing will easily come adrift. It suits wuxia fans as extended reading and readers interested in how Republican-era popular literature circulated in editions. Note that the book was written in the early 1950s, so its language habits and narrative rhythm differ markedly from contemporary fiction; first-time readers should slow down.

Who it's for

A good fit for

  • Wuxia readers who have finished Part One and want the ending
  • Old-school wuxia fans who enjoy Huanzhulouzhu's sword-immortal fantasy style
  • Scholarly readers interested in Republican-era popular literature editions and publishing history

Not a good fit for

  • First-time readers without Part One's characters and plot
  • Readers who prefer modern, fast-paced narrative and short sentences
  • Readers unused to chapter-based storyteller language who need strong plot momentum

Reading tips

  1. Finish Part One before starting this book to avoid gaps in relationships and foreshadowing.
  2. Read in chapter order, noting end-of-chapter suspense and the narrator's commentary.
  3. Compare with other Huanzhulouzhu works to see how his fantastical style continues.
  4. When you meet classical or old-fashioned expressions, infer from context rather than stopping over every word.

About the publisher

Nanhai Publication Company China · Founded in 1988

Nanhai Publication Company is a comprehensive publisher known for its literature and arts titles, covering fields such as classical poetry, martial arts fiction, and folk literature. Judging from the more than 1,600 books in the database, the company has released classical poetic works including the Nineteen Old Poems and the Nine Songs, as well as multiple volumes of Huanzhulouzhu's series The Swordsmen of Mount Shu, along with related writings by authors such as Guan Hanqing, Qu Yuan, Zuo Si, and Wang Zhihuan. Its publishing character lies in balancing the organization of classic texts with the dissemination of popular literature, placing poetry anthologies alongside long martial arts novels and presenting a relatively diverse literary profile. Public information is limited, and further details about its editorial practices and series planning remain to be supplemented.

Contents

  1. 版权信息
  2. 第三十回 惊喜交集
  3. 第三十一回 风雪空山 忽来良友
  4. 第三十二回 围炉煮酒 共结情鸳
  5. 第三十三回 庆芳辰 欢宴白莲磴 急父仇 初试碧雷针
  6. 第三十四回 小双侠再遇王鹿子
  7. 第三十五回 传剑诀 再见王鹿子
  8. 第三十六回 武功真谛
  9. 第三十七回 古洞飞身 凌空歼巨寇
  10. 第三十八回 孤篷夜话 截浪驶轻舫
  11. 第三十九回 临大敌 独挥双铁桨
  12. 第四十回 江心大战
  13. 第四十一回 人鱼的神威
  14. 第四十二回 截江开铁锁 浪花如雪火龙飞
  15. 第四十三回 小双侠初会童天保
  16. 第四十四回 黑店疑云
  17. 第四十五回 一个凶险的隐名老人
  18. 第四十六回 月夜渡江 欣逢异士 鲸波剪寇 快述奇情
  19. 第四十七回 珍重短长亭 良友殷勤 分飞劳燕
  20. 第四十八回 涉长途 小侠追异士 投旅店 黑夜矢同俦
  21. 第四十九回 颊有紫葡萄的异人
  22. 第五十回 入荆门 欣逢奇女子 谒三老 小住寿星坪
  23. 第五十一回 练水性 初学双剪手
  24. 第五十二回 岳阳搂上的遇合
  25. 第五十三回 独手丐大闹洞庭湖
  26. 第五十四回 双侠倒反湖心洲
  27. 第五十五回 丽景幻繁霞 锦仗画船 迎来祸水 深宵飞白刃 华堂红烛 变起萧墙
  28. 第五十六回 桑盆子大斗地趟刀
  29. 第五十七回 巧除双害 小侠立功 变起非常 群贼大乱
  30. 第五十八回 破君山 群凶授首 纠史实 总结全书

FAQ

Can I read this second volume without having read the first?
Not advisable. This is the second half of The One-Handed Beggar; character relationships, grudge threads, and key foreshadowing are all developed in the first volume, so starting here can leave you confused about identities and motivations. Best to finish Part One first, then continue straight into this book.
What if the language style is hard going?
Huanzhulouzhu uses the chapter-based storyteller method, with old-fashioned and classical elements mixed into the sentences. Slow down at first, read section by section according to the chapter headings, and when you meet unfamiliar expressions infer the general meaning from context rather than checking every word; after a few chapters the rhythm becomes noticeably easier.
What is special about this edition?
According to the sources, installments 1–12 were published by Shanghai Yuanchang Printing House and installments 13–14 by Wuxun Publishing House; early installments had varying publication dates, with installment 4 in April 1950 and installment 14 in May 1951. The 2017 Nanhai edition is based on these, preserving the appearance of the original serial publication and offering reference value for textual research.

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About the author

Huanzhulouzhu (Li Shoumin) Author · Chinese · 1902–1961

Huanzhulouzhu, originally named Li Shanji and later renamed Li Shoumin, was a native of Changshou, Sichuan (now part of Chongqing). Living from 1902 to 1961, he was a master of Republican-era wuxia fiction. He rose to fame in 1932 with The Legend of the Shu Mountain Swordsmen, a series he continued for years; the library holds more than four hundred related works. His novels blend sword immortals, strange tales, and Confucian, Buddhist, and Daoist thought into a singular vision, marked by bold imagination and vast scope. As one of the Five Masters of the Northern School, he wrote over forty million characters in his lifetime and left a profound mark on the history of wuxia fiction. Public information about his life is limited, and many biographical details remain uncertain; readers may best approach him through his works and their distinctive narrative style and fantastical worlds.

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