Strange Things
Tags
Summary
Editor's review
Who it's for
A good fit for
- General readers interested in ancient legends and the culture of the Luo River Chart and Nine Categories
- Readers who want to approach traditional numerological ideas through a short classical text
- Readers of history and literature who need material on ancient governance and Mandate of Heaven narratives
- Readers who enjoy slow reading and note-taking with fragmentary texts
Not a good fit for
- Specialist researchers expecting systematic academic textual criticism or detailed annotation
- Readers who prefer narrative works with complete plots and rich characters
- Beginner readers impatient with classical Chinese expression and symbolic narration
Reading tips
- Read the original text through once, then consult the Nine Categories entries in the "Great Plan" chapter of the Book of Documents to understand their numerical order.
- Read the divine turtle bearing markings as symbolic narrative, and note the repeated appearance of the number nine.
- After reading, use a single page to lay out the layers of the story: regulating the waters, emerging from the Luo, bearing markings, ordering the Categories.
- If it feels obscure, read a vernacular summary first and then return to the original; there is no need to force a word-by-word explanation.
About the publisher
Jinzhang Book Company (Jinzhang Shuju) was a private publishing and distribution house in Shanghai during the late Qing and early Republican periods, issuing traditional works by lithographic printing. Judging from the 1,194 titles in the collection, its publishing focused on classical poetry, Eastern philosophy, historical reading, traditional Chinese medical texts, and canonical works, along with books on literary appreciation. Representative titles include the poetry and prose collections of Du Fu and Ouyang Xiu; historical works such as the Book of Han and Zizhi Tongjian; classical texts such as the Book of Documents and Mencius; and specialized and literary classics such as Treatise on Cold Damage and Li Sao. Its author resources cover major figures across the ages, including Du Fu, Ban Gu, Sima Guang, Zhang Zhongjing, Qu Yuan, Ouyang Xiu, and Tang Shenwei, reflecting the house's characteristic reliance on traditional scholarship and medical literature while serving general readers. Public information on its early history and operational details is limited, so no conjecture is offered here.
Contents
- 版权信息
- 卷十 物异
FAQ
What background knowledge should one have before reading this book?
Is the content more story or more numerology?
Is it suitable to read in one sitting?
Comments
Find this book
This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.
About the author
Chao Yi is an author with limited publicly available information, and only one work by this name can currently be verified: the representative novel Wu Yi. Judging from its common classification, the work belongs to the otherworld-continent genre, suggesting that the author's writing tends toward narratives set in imagined worlds. Because the author's nationality, dates of birth and death, English name, and other biographical details are not clearly recorded, it remains difficult to assess their background, creative development, or literary influences, and both their true identity and the full scope of their work await further disclosure. On the basis of the available information, readers' understanding of Chao Yi rests mainly on this single work, Wu Yi, which is also the primary window into the author's writing style. Overall, Chao Yi is an author with a small body of work and insufficient public information, whose creative direction is concentrated in the otherworld-continent genre.