Fireworks Collection cover

Fireworks Collection

Rating 2.8
Word count
21K words
Chapters
205
ISBN
9787541158063

Tags

Summary

Yanhuo Ji (Collection of Fireworks) is a typical personal poetry collection, belonging to the poetry category of literary reading. The author is currently a high school student who loves history and poetry literature, and has published poems and fiction in platforms and publications such as Chinese Poetry Network and Qidian. Centered on the author's own experiences and emotions, the collection contains both vast, star-like reflections on worldly affairs and depictions of the warmth of everyday life. The book is divided into two parts whose contents intertwine and merge: modern-style poetry and classical-style verse. The former mostly expresses insights into and understanding of worldly affairs, while the latter focuses more on lyrical expression. All poems in this book are original and have a certain reading and reference value. The manuscript is divided into two parts, modern poetry and classical-style verse, and collects more than 180 of the author's poems.

Editor's review

Yanhuo Ji is a collection of original poems written by a high school student, containing more than 180 modern poems and classical-style verses, presented in two interwoven parts. The modern poems lean toward insights into and understanding of worldly affairs, while the classical-style verses focus more on lyrical expression; together they revolve around the author's own experiences and emotions, offering both vast, star-like reflections on worldly affairs and depictions of the warmth of everyday life. Its value lies not in mature, polished technique but in the sincerity of a young perspective and a commendable creative self-awareness: a young writer who loves history and poetry literature places everyday observations, emotional ups and downs, and classical forms in the same collection as practice in expression, allowing readers to clearly see the echoes and differences between the two modes of language. It suits quiet afternoons or bedtime, flipping through a few poems at random without reading straight through. For campus poetry clubs and poetry-writing instruction in Chinese language classes, the book can also serve as a reference sample of peers' creative work, helping discussion of how modern poetry and classical-style verse differ in material, tone, and structure.

Who it's for

A good fit for

  • Readers who enjoy modern poetry and classical-style verse and are willing to read original work by peers
  • High school and university students attempting poetry writing who need reference samples
  • Chinese language teachers and campus poetry clubs using it to discuss poetry-writing instruction
  • General readers who want to read a few short poems in fragmented time and feel the details of life

Not a good fit for

  • Veteran poetry readers who prefer mature works by established poets and have high demands on literary technique
  • Readers hoping for complete narratives or long prose
  • Classical literature researchers with strict expectations of classical-style verse prosody

Reading tips

  1. Read the modern poetry section first, then the classical-style verse, comparing the differences between the same author's two modes of language
  2. Read only three to five poems at a time, noting in the margins the lines that move you, rather than reading straight through
  3. Select pieces about the warmth of everyday life and pieces about reflections on worldly affairs for comparative reading, observing where the emotion lands
  4. After reading, try imitating the sentence patterns or structure of one poem and write your own short poem as practice

About the publisher

Sichuan Literature and Art Publishing House is a professional literary and art publishing institution. It mainly publishes books on contemporary and modern literature, foreign literature, poetry and prose, music and art, and literary theory. Judging from the books in the database, the house places considerable emphasis on classic works and foreign literature. Representative titles include Lu Xun's Call to Arms and Dawn Blossoms Plucked at Dusk, Lao She's Camel Xiangzi, Xiao Hong's The Story of Hulan River, J.R.R. Tolkien's The Hobbit, William Shakespeare's Hamlet, and Hermann Hesse's Siddhartha. Its translator resources include Deng Jiawan, Shi Zhongge, Du Yunci, and Zhu Shenghao. Common categories include social fiction, classic works, foreign literature, world classics, literary appreciation, and classical poetry, reflecting a publishing profile that balances Chinese and foreign literary classics with literary appreciation.

Contents

  1. 版权信息
  2. 少年闲愁都几许
  3. 提笔
  4. 秋冬
  5. 偶然
  6. 诗人
  7. 寂寞
  8. 秉烛
  9. 搁笔
  10. 夜
  11. 画
  12. 酿
  13. 疏
  14. 漫
  15. 冬至
  16. 圣诞
  17. 终章
  18. 迎
  19. 缄
  20. 戏
  21. 尘
  22. 距离
  23. 拟
  24. 亲爱(赠外婆)
  25. 承
  26. 归旅
  27. 遣怀
  28. 望檐外
  29. 续梦
  30. 偶书
  31. 临赠恩师
  32. 谢安石
  33. 锦官有怀
  34. 忆旧友
  35. 朝寒有感
  36. 夜吟
  37. 暮思
  38. 观史
  39. 记应天故宫
  40. 醉花阴·沉
  41. 清平乐·寐
  42. 小重山·追忆
  43. 踏莎行·遣怀
  44. 临江仙·岁末
  45. 浣溪沙·思归
  46. 青玉案·陈词
  47. 鬓云松令·梦阑
  48. 念奴娇·长安
  49. 永遇乐·鸿雁
  50. 贺新郎·辗梦
  51. 望海潮·横笛
  52. 一剪梅·晓梦
  53. 临江仙·小雪
  54. 唐多令·忆昔
  55. 柳梢青·故
  56. 踏莎行·闲愉
  57. 满庭芳·观雨
  58. 南柯子·月夜
  59. 蝶恋花·寒辞
  60. 六州歌头·怀古
  61. 八声甘州·柳郎
  62. 沁园春·秋
  63. 行香子·闲题
  64. 木兰花慢·追忆
  65. 念奴娇·八月廿六
  66. 永遇乐·八月廿三
  67. 贺新郎·释卷感怀
  68. 千秋岁引·中秋
  69. 八声甘州·与曹卿饯别
  70. 江宁曲·庆湖
  71. 锦官引·遣怀
  72. 木兰花慢·建邺
  73. 蝶恋花·遣怀
  74. 临江仙·记淮阴侯
  75. 玉蝴蝶·追忆
  76. 水调歌头·琼华
  77. 定风波·晚春
  78. 临江仙·醉书
  79. 望海潮·锦官
  80. 木兰花·觞怀
  81. 少年游·忆昔
  82. 小重山·偶书
  83. 暮春辞
  84. 清平乐·深梦
  85. 闲辞·怀刘伶
  86. 满庭芳·夜思
  87. 锦官辞
  88. 一剪梅·感怀
  89. 临江仙·辞岁
  90. 浪淘沙·梦怀
  91. 苏幕遮·画
  92. 鹧鸪天·别辞
  93. 念奴娇·贺己寿辰
  94. 天仙子·思归
  95. 青玉案·赋少游
  96. 八声甘州·江城
  97. 御街行·忆昔
  98. 素明扇
  99. 郗别
  100. 元夕
  101. 停
  102. 外人
  103. 浪淘沙令·清明
  104. 夜半
  105. 八声甘州·闲居
  106. 乌夜啼·锦城夜
  107. 鹧鸪天·苏烈
  108. 蔽
  109. 止
  110. 玉楼春·陈墨
  111. 星期八
  112. 临江仙·隐
  113. 麻木
  114. 小重山·寒更
  115. 混迹
  116. 踏莎行·遣怀
  117. 黄昏
  118. 惊觉
  119. 还好吧
  120. 阮郎归·锦城夜
  121. 若
  122. 嘘
  123. 踏莎行·忆昔
  124. 干枯
  125. 若
  126. 清平乐·庚子四月
  127. 守候
  128. 暗示
  129. 行香子·小集
  130. 远
  131. 菩萨蛮·自遣
  132. 刚刚好
  133. 清平乐·闲吟
  134. 红利
  135. 二十五点半
  136. 另类
  137. 择
  138. 写残章序
  139. 南柯子·廿五
  140. 七点半
  141. 满庭芳·庚子三月
  142. 明说
  143. 十点一刻
  144. 点绛唇·寄怀
  145. 觅
  146. 周记
  147. 采桑子·凭栏
  148. 十六度
  149. 青玉案·愠词
  150. 抛开
  151. 四楼
  152. 旁观
  153. 玉楼春·遣怀
  154. 逡巡
  155. 小说
  156. 渔家傲·酉时
  157. 混杂
  158. 定风波·庚子
  159. 缄
  160. 六月
  161. 忆江南·啖
  162. 破阵子·怀古
  163. 谈及
  164. 遥赠曹卿
  165. 临江仙·忖
  166. 待
  167. 少年游·廿二
  168. 无
  169. 浣溪沙·欲眠
  170. 耽搁
  171. 清平乐·初晨
  172. 感冒
  173. 鹧鸪天·遣辞
  174. 故事
  175. 太常引·赠家君
  176. 择
  177. 诉衷情令·蓦
  178. 南歌子·端午
  179. 婪
  180. 菩萨蛮·临书
  181. 慵
  182. 唯
  183. 临江仙·无题
  184. 七点
  185. 掩
  186. 行香子·小笺
  187. 鹧鸪天·薄暮
  188. 祝好
  189. 蝶恋花·辰时
  190. 相识
  191. 虞美人·听雨
  192. 观
  193. 察觉
  194. 浪淘沙令·承前序
  195. 十五日晚
  196. 清平乐·生辰
  197. 扰
  198. 小重山·遣怀
  199. 望
  200. 十九日
  201. 点绛唇·无题
  202. 适
  203. 尽
  204. 得之
  205. 致

FAQ

Is this book suitable for middle school students?
Yes. The author is a high school student, and the poems revolve around emotions related to school and daily life; the language is not obscure, and middle school students can easily relate. While reading, pay attention to how the author turns small everyday matters into poetic lines; it can also serve as a reference for poetry writing, though the works in the book should not be treated as prosodic models.
What is the difference between the modern poetry and classical-style verse sections?
According to the materials, modern-style poetry mostly expresses insights into and understanding of worldly affairs, while classical-style verse focuses more on lyrical expression. The two parts intertwine and merge rather than being separate. While reading, note the changes in material and tone between the same author's two forms; this is also one of the book's highlights.
Can readers without a poetry background read it?
Yes. The poems are mostly short, and the language stays close to everyday experience; readers are not required to have a background in prosody or poetic theory. It is suggested to start with pieces about the warmth of everyday life, first feeling the emotions and images, then going back to the more lyrical classical-style section; the threshold for reading is not high.

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About the author

高若栋 Author

Gao Ruodong is an author whose main creative focus is modern poetry. Publicly available information about him is limited, and details such as his nationality, dates of birth and death, and educational background have not been clearly recorded. Judging from the two works included in the library, With the Long Night and A Collection of Fireworks, his writing centers on the field of modern poetry. The titles suggest an attention to time, night, and everyday people and events, and the overall tone tends toward introspection and lyricism. Because verifiable material is scarce, it is difficult to give a complete account of his creative development and stylistic evolution, or to confirm how his works have been received among readers and in poetry circles. The available information can only indicate that Gao Ruodong is a writer who continues to express himself in the form of modern poetry; although his output is small, his works offer a reference point for observing the personal and everyday tendencies in contemporary Chinese poetry.

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