Blazing Kiss
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Summary
Rumor also has it that President Jiang is aloof, noble, and so cold that standing near him could freeze you for three years. Having been near him, Shi Xu privately disagrees: when this man turns up the heat, she can't handle it at all.
Three months ago, Shi Xu racked her brains to refuse an arranged marriage with Jiang Weicheng, wishing she could crawl into the still-in-development medical pod and enter deep sleep on the spot.
Three months later, to make Jiang Weicheng marry her, Shi Xu wished she could tie herself up with a bow and deliver herself to him.
Later, with her revenge fulfilled, Shi Xu plans to "run away," only to be blocked by Jiang Weicheng in the research lab: "You're done 'using' me and now you toss me aside?"
Carried back to the Jiang estate, Shi Xu cannot for the life of her figure out: where did that rumor come from—that Jiang Weicheng is aloof, noble, and ascetic?
Editor's review
Who it's for
A good fit for
- Romance readers who like arranged-marriage reversals and reject-then-pursue setups
- Readers drawn to the contrast pairing of an aloof CEO and a researcher heroine
- Those wanting fast-paced urban romance with many reversals and light comedy
- Easygoing readers who can accept a "run away after revenge" plot
Not a good fit for
- Readers expecting hardcore research detail or serious workplace narrative
- Those who dislike arranged-marriage, CEO, and wealthy-family tropes
- Readers uninterested in repeated romantic reversals and sweet-doting pacing
Reading tips
- Accept the "rumor vs. real person" contrast premise first; the romance will flow more smoothly after that.
- Watch Shi Xu's psychological shift from refusing the marriage to wanting it—it's where the book's fun lies.
- Best for concentrated weekend reading; with many reversals, reading in segments works fine too.
About the publisher
Guizhou People's Publishing House is a comprehensive publisher based in Guizhou, with publishing directions covering architecture, foreign literature, Eastern philosophy and history. Its library currently holds 232 titles, including representative works such as Liang Sicheng's A History of Chinese Architecture, Yasunari Kawabata's Snow Country, The Old Capital, The Izu Dancer and Thousand Cranes, Mou Zongsan's Nineteen Lectures on Chinese Philosophy, Jiang Tingfu's Modern Chinese History and Rashomon. Its author resources span architecture, foreign literature and philosophical studies. These titles show that the press both introduces foreign literary classics, including Japanese literature, and continues to publish academic and general-interest works on Chinese architectural history, Chinese philosophy and modern history, reflecting a publishing profile that balances Chinese and foreign works and combines classics with accessible reading. Public information on its fuller publishing history and key series is limited, so no speculation is offered here.
Contents
- 版权信息
- 第一章 她可不是什么“灰姑娘”
- 第二章 孤注一掷
- 第三章 好的，她打脸了
- 第四章 “过来。”
- 第五章 百媚千娇
- 第六章 向我太太道歉
- 第七章 吃醋
- 第八章 蒋舒窈的墓碑
- 第九章 过去
- 第十章 冰山融化
- 第十一章 带你回家
- 番外一 我们谈恋爱吧
- 番外二 星星的孩子
- 后记
FAQ
Is there a big difference between the "rumors" in the story and the real characters?
Is the heroine just a character who only falls in love?
Does the heroine succeed in running away at the end?
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About the author
Chi Mu is a Chinese author who writes mainly in the fields of youth literature and contemporary romance. Public information about the author is limited: their real name, nationality, dates of birth and death, and English name are not confirmed. What can be confirmed is a total of three works, namely Yuan Nuan Yi Ren Xin (Willing to Warm One Heart), Zhao Re (Provoke), and Chi Wen (Blazing Kiss). Judging from these titles and the common categories they fall into, Chi Mu's writing tends to focus on emotional relationships set in modern urban life, telling stories of approach and hesitation, tenderness and passion in love, with the delicate sensibility typical of youth literature and the emotional tension common to romance fiction. The themes are close to the reading tastes of young contemporary readers, with attention to the development of emotional interaction between characters and to atmosphere, giving the author a fairly clear place within the youth romance genre. Because little personal information about the author is public, nothing more can be verified about their background or views on writing, and readers' understanding of Chi Mu still comes mainly from these three works.
