The Radiance of Ashes cover

The Radiance of Ashes

Rating 4.3
Word count
28K words
Chapters
149
ISBN
9787201154695

Tags

Summary

Starting with Sappho, the "tenth Muse" of ancient Greece, poet Xi Chuan has selected 44 representative poets and 103 classic lyric works from the history of poetry, paired with 44 exclusive poet portraits, forming this distinctive anthology of world lyric poetry. It breaks the traditional Euro-American-centric limitation, extending poetry's reach to Persia, India, Vietnam, and Japan, striving to sketch a more comprehensive map of world poetry for Chinese-language readers. Spanning from the 6th century BCE to the 20th century, it bears witness through poetic sensitivity to the beauty and sorrow, passion and unease of our era over two millennia. - Rumi: "Let the soul speak, with a silent face." Hafez: "Tonight's topic is love, and tomorrow night too, and the night after as well." Joyce: "Sing only of lovers now asleep in death, love so weary, all love in the grave asleep." T.S. Eliot: "Love is a stranger's name, with hands that weave flame, weaving with fire no one can bear a garment no one can unlace." Dylan Thomas: "Do not go gentle into that good night. Rage, rage against the dying of the light." - In a world that could be destroyed tomorrow, poetry is the light glimmering amid ashes and ruins, always giving us love and strength.

Editor's review

This is an anthology of lyric poetry with a clear editorial vision. Starting from Sappho, Xi Chuan selects 44 poets and 103 poems, reaching from Europe and America to Persia, India, Vietnam, and Japan in an attempt to present Chinese readers with a broader map of world poetry. Spanning the 6th century BCE to the 20th century, the selection leans toward the lyric tradition, placing Rumi, Hafez, Eliot, Dylan Thomas, and others side by side; reading them, one senses how different civilizations have asked similar questions about love, death, and light. The 44 portraits of poets accompanying the poems add to the edition's distinctiveness. It works well as an introductory anthology of foreign poetry, and also for readers with some reading experience who wish to broaden their horizons and follow the guide. It should be noted that any anthology inevitably reflects the editor's taste and cannot replace a single poet's collected works; for readers who prefer a systematic history of poetry or extensive annotations, this book is more a door than a dictionary.

Who it's for

A good fit for

  • general readers new to world poetry who want a place to start
  • readers curious about non-European traditions such as Persian, Indian, and Japanese poetry
  • those who enjoy short lyric poems and like to read a few before bed or on the commute
  • literary enthusiasts with some poetry-reading experience who want to broaden their anthology horizons

Not a good fit for

  • readers who need detailed notes, poet chronologies, and systematic literary history
  • deep researchers devoted to a single poet who want that poet's complete collection
  • readers sensitive to differences in translated poetic style who may struggle with an anthology's renderings

Reading tips

  1. Start with the table of contents and jump to poets by country or era rather than reading straight through.
  2. After finishing one poet's selections, pause to consider recurring images, then move to the next.
  3. Read alongside the poet portraits, comparing visual impressions with the lines, and keep your own reading notes.
  4. When you find a poet you love, seek out their individual collection or compare different translations to read beyond the anthology.

About the publisher

Tianjin People's Publishing House China · Founded in 1950

Tianjin People's Publishing House publishes across such fields as classic works, foreign literature, architecture, social culture and social sciences, with 749 relevant titles in the collection. In the areas of classics and scholarship, works such as Wang Guowei's Renjian Cihua and Fei Xiaotong's From the Soil and Fertility and Reproduction reflect a sustained attention to social culture and classic texts of thought. Architectural books are represented by Liang Sicheng's Annotated Yingzao Fashi and A History of Chinese Architecture, showing an emphasis on architectural heritage and building traditions. In foreign literature, translations of Sholokhov's And Quiet Flows the Don and Tolstoy's War and Peace and The Death of Ivan Ilyich, through the work of translators such as Li Gang and Yu Dawei, form a substantial series of translated works. Overall, the press combines classic texts, scholarly works and fine translations, with a publishing character oriented toward humanistic depth and the dissemination of knowledge.

Contents

  1. 版权信息
  2. 序
  3. 萨福
  4. 谢谢你,亲爱的
  5. 没有听她说一个字
  6. 痛苦穿透我
  7. 维吉尔
  8. 牧歌(第四首)
  9. 鲁米
  10. 静默之脸
  11. 在两个世界戴的帽子
  12. 彼特拉克
  13. 此刻万籁俱寂
  14. 我过去曾经爱过一个生命
  15. 爱挑衅的心上人
  16. 哈菲兹
  17. 你会不会觉得奇怪
  18. 如果神邀请你参加舞会
  19. 今夜的话题就是爱
  20. 卡比尔
  21. 所有呼吸的呼吸
  22. 一架秋千
  23. 身体之舟
  24. 松尾芭蕉
  25. 俳句选
  26. 小林一茶
  27. 俳句选
  28. 歌德
  29. 重逢(节选)
  30. 浪游者之夜歌
  31. 威廉·布莱克
  32. 病玫瑰
  33. 老虎
  34. 胡春香
  35. 白昼酣睡的少女
  36. 未婚有孕
  37. 三叠坡
  38. 华兹华斯
  39. 生之颂
  40. 我孤独地漫游,像一朵云
  41. 拉马丁
  42. 蝴蝶
  43. 湖(节选)
  44. 密茨凯维奇
  45. 晚安
  46. 林中幽会
  47. 在狂风暴雪来临之前
  48. 惠特曼
  49. 自我之歌(节选)
  50. 波德莱尔
  51. 永远这样
  52. 我爱你,犹如爱夜间的苍穹
  53. 情侣之死
  54. 艾米莉·狄金森
  55. 如果你在秋天光临
  56. 痛苦的面容
  57. 魏尔伦
  58. 成为孩子
  59. 苍白的晨星
  60. 月光
  61. 兰波
  62. 感觉
  63. 醉舟 (节选)
  64. 泰戈尔
  65. 吉檀迦利(节选)
  66. 离群诸鸟(节选)
  67. 卡瓦菲斯
  68. 墙
  69. 肉体,请记住……
  70. 蜡烛
  71. 吉卜林
  72. 如果
  73. 手艺人(节选)
  74. 叶芝
  75. 湖中的茵尼希弗利岛
  76. 柯尔的野天鹅
  77. 鲁文·达里奥
  78. 东方三博士
  79. 忧郁
  80. 夜曲致玛利亚诺·德·卡维亚
  81. 罗伯特·弗罗斯特
  82. 最多
  83. 雨蛙溪
  84. 道中记
  85. 里尔克
  86. 杜伊诺哀歌第一首(节选)
  87. 阿波利奈尔
  88. 蜜腊波桥
  89. 镜子
  90. 乔伊斯
  91. 室内乐(节选)
  92. 纪伯伦
  93. 沙与沫(节选)
  94. 蒂斯代尔
  95. 我不是你的
  96. 离群者
  97. 忘了它
  98. 庞德
  99. 在地铁车站
  100. 七湖诗章(《诗章》第49章)
  101. 萩原朔太郎
  102. 心
  103. 猫
  104. 腐烂的蛤蜊
  105. 特拉克尔
  106. 喃喃到午后
  107. 夜的罗曼曲
  108. 佩索阿
  109. 春夜里,月亮高悬
  110. 葡萄牙海
  111. 我是一个牧羊人
  112. T. S.艾略特
  113. 空心人 (五)
  114. 小吉丁(四)
  115. 曼德尔施塔姆
  116. 我在屋外的黑暗中
  117. 我也想对着世界
  118. 你消瘦的双肩
  119. 索德格朗
  120. 色彩的渴望
  121. 罗兰色黄昏
  122. 现代处女
  123. 艾吕雅
  124. 共度深宵,我执手未眠
  125. 我爱你
  126. 由明而暗的浴女
  127. 阿赫玛托娃
  128. 爱情
  129. 傍晚的光线金黄而辽远……
  130. 他手上戴着许多闪光的戒指……
  131. 茨维塔耶娃
  132. 约会
  133. 窃取过去
  134. 普赛克(组诗二首选一)
  135. 马雅可夫斯基
  136. 月夜即景(二首)
  137. 爱?不爱?我折断我的双手
  138. 你大概躺下了……
  139. 加西亚·洛尔迦
  140. 风景
  141. 哑孩子
  142. 最初的愿望小曲
  143. 狄兰·托马斯
  144. 不要温顺地走进那个良宵
  145. 假如我被爱的抚摸撩得心醉(节选)
  146. 普拉斯
  147. 晨歌
  148. 对手
  149. 图注

FAQ

Which regions' poets are included in this anthology?
It begins with Sappho of ancient Greece and covers European and American poets as well as poets from Persia, India, Vietnam, Japan, and elsewhere—44 in all, spanning the 6th century BCE to the 20th century, deliberately breaking away from a Euro-American-centered selection.
Does every poem have detailed notes?
The available information indicates the book centers on poems and poet portraits and does not emphasize detailed annotations. It is better suited to reading as an anthology and as an introduction; for deeper background, consult individual poet collections or literary histories.
Can people who don't read much poetry get into it?
Worth a try. Most selections are short lyrics, and the arrangement by poet lets readers take just a few at a time. Starting with a familiar poet or a region of interest lowers the threshold.

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About the author

西川 Author

Xi Chuan is one of the representative poets in contemporary Chinese poetry, whose creative writing is interwoven with translation and research, forming a distinctive profile. Four of his works are held in this collection: the poetry collections The Light of Ashes and The Behemoth, and The Great River Turns a Great Bend: A Poetic Thought Exploring Possibilities, included in the New Poetry Studies series, which shows his sustained reflection on poetics; there is also Borges Interviews, a work involving foreign literature that reflects his translation and attention to literary resources beyond China. Within the classifications used here, his works are often placed under modern poetry and foreign literature. Public information on Xi Chuan's nationality, dates of birth and death, educational background, and awards is limited, so no inferences are made here. Through these works, readers can observe his poetic exploration and cross-linguistic literary vision.

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