The Hidden Cat cover

The Hidden Cat

Rating 3.2
Word count
278K words
Chapters
18
ISBN
9787535661388

Tags

Summary

The Third Criminal Investigation Unit is handling the cultural relics case. Under Captain Du Yin are two undercover operatives: the Lynx, whose real name is unknown, a veteran ace with countless achievements who works the front line; and the newcomer Han Bei, whose mission is to play it straight as a rich, foolish wastrel gathering intelligence in the antique market, codenamed Golden Cat.

A Western Han silk painting surfaces in antique circles, tied to the tomb of the Nanyue kingdom. The captain orders Han Bei to contact the Lynx and follow the trail, but before the Lynx appears, Han Bei is dragged by Qiu Zhengxia into a tomb-raiding crew heading for the burial site.

From the very start, the mission is plagued by strange events... a key organizer dies suddenly, twin sisters are mysteriously poisoned, a vital informant vanishes, and a swarm of snakes leaves them at death's door—Han Bei's undercover road is destined to be fraught with danger!

Editor's review

Qian Mao braids cultural-relic crime, undercover work, and the streetwise atmosphere of the antique market into one thread, reading with the tightness of genre fiction while also sketching the ecology of the underground trade. The dual-undercover setup is the book's most engaging hook: on one side the Lynx, a veteran operative of mysterious identity and illustrious record; on the other Han Bei, a rookie told to "play it straight" as a wastrel. Before the two can formally meet, Han Bei is pulled into a tomb-raiding crew, and the mission goes off-plan from the outset. This sense of dislocation keeps the narrative in constant, uneasy tension. Elements such as the Western Han silk painting and the Nanyue royal tomb give the story a concrete antiquarian backdrop, while the snake swarm, the poisoning, and the missing informant drive the suspense at a dense pace. Best read in a concentrated sitting over a weekend or on the commute, following Han Bei's perspective to gradually map the hidden currents of feeling inside and outside the tomb; readers interested in both the antique trade and the criminal-undercover genre will find the experience more complete.

Who it's for

A good fit for

  • Genre-fiction readers who enjoy criminal-undercover and cultural-relic-crime themes
  • Readers curious about antique markets and tomb-raiding adventure elements
  • Readers who like dual-male-lead partnerships and identity-displacement narratives
  • Office workers who want a tight suspense rhythm in light reading

Not a good fit for

  • Readers who prefer pure literature or slow-paced psychological writing
  • People sensitive to frightening scenes such as snake swarms and corpses
  • Readers expecting hardcore archaeological scholarship or realistic criminal-procedure detail

Reading tips

  1. Start by following Han Bei's perspective, and note the misunderstandings and suspense created by the information gap between him and the Lynx.
  2. Don't stop to look up antique jargon when you hit it; note it down and revisit after finishing for a smoother read.
  3. Make a small list of each strange event in order of occurrence; it helps clarify the shifting relationships within the tomb-raiding crew.
  4. If the Nanyue royal tomb sparks your interest afterward, seek out public-domain popular archaeology material for comparison.

About the publisher

Hunan Fine Arts Publishing House China · Founded in 1980

Hunan Fine Arts Publishing House focuses on art education and art theory, with publishing directions spanning art, design, architecture, social sciences, and popular science. In architecture and garden studies, works such as Chen Congzhou's The Art of Chinese Gardens, Wang Shu's Building a House, and Tong Jun's Villas in Southeast China combine scholarly depth with readability. In art history and popular art, it offers Huang Binhong's A Minimalist History of Chinese Painting: Subtle Insights into Ancient Paintings (Annotated Edition), along with distinctive titles such as Letters to a Friend and 99 Ways to Tell a Story. Botanical notes in Forest Flowers: Margaret Mee's Botanical Notes and the popular science book Feeding Time at the Zoo expand its publishing scope beyond art, while authors such as Matt Madden, Huang Yuanfan, and Li Yongxue further enrich its content resources. The collection available here contains 21 related books; as public information is limited, the above summary of its publishing characteristics is based only on these titles.

Contents

  1. 版权信息
  2. 第一章 古墓帛画
  3. 第二章 意外凶杀
  4. 第三章 线人失踪
  5. 第四章 武器抵达
  6. 第五章 无端见鬼
  7. 第六章 午夜暗杀
  8. 第七章 群蛇险战
  9. 第八章 队长驾到
  10. 第九章 姑获迷阵
  11. 第十章 致幻药丸
  12. 第十一章 生死命数
  13. 第十二章 真假猞猁
  14. 第十三章 谁是许睿
  15. 第十四章 追击图刚
  16. 第十五章 番外1
  17. 第十六章 番外2
  18. 后记

FAQ

I haven't read the author's previous works. Can I start with this one?
Yes. The story stands relatively on its own, centered on the cultural-relic case and the undercover operation, and does not depend on prior setups. Just follow Han Bei's perspective into the plot; character relationships and mission goals are laid out gradually in the narrative.
Are the tomb-raiding and relic episodes based on real history?
The story draws on elements such as the Western Han silk painting and the Nanyue royal tomb as background material, but the specific plot is fictional. If the related history interests you, seek out proper archaeology or popular history books for comparison; don't treat this as a historical source.
How are the scenes split between Han Bei and the Lynx?
Han Bei is the main viewpoint character, and readers follow his actions into the tomb-raiding crew; the Lynx, as a veteran undercover operative, enters with an air of mystery, and the mission shifts before the two can formally meet. This arrangement keeps the tension of the partnership running through the first half; watch for the suspense created by the information gap between them.

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About the author

恩顾 Author

En Gu is an author with limited publicly available information, and two works by this author are currently included in the collection. Representative titles include Childhood Sweetheart Like a Dog, Leaves Right After Eating and Hidden Cat, with common categories covering modern romance and suspenseful mystery. Judging from the existing bibliography, En Gu's writing spans both urban romance and suspenseful mystery, addressing everyday emotions in modern relationships while also attempting narrative structures with mystery elements. Because basic details such as nationality, dates of birth and death, and English name are unknown, it is difficult to trace the author's creative development and personal history further; readers can only approach the style through these two works. Overall, En Gu is an author with a small body of work and little public background, whose creative profile awaits more disclosure.

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