Collection of Indiscriminate Pipe Playing
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Summary
The "Legendary Tale" Yuzhu Yuan (The Jade Bead Bond) is a tale spanning past and present, using a string of jade beads as its thread, telling a love story of joys and sorrows between a Han youth and a Dai girl. The songs section includes four original compositions, among them "Song of the Dala Fairy Valley" and "Panjiang March." The correspondence section collects 15 poems exchanged with fellow writers. The poetry criticism section includes seven pieces, such as "I Beat the Drum for the Autumn Poetry Contest," expressing the author's hopes for the poetry world and his explorations of criteria for evaluating poetry. The "Travelogues" section selects more than 20 pieces from the author's 100 travel writings on his journeys across many countries, recording exotic landscapes and cultural history. The works in this book span from the 1970s to the present, having weathered the changes of the times, chronicling the bittersweet years of a generation and pouring out love and deep feeling for the Party, the motherland, and the people.
Editor's review
In terms of content, the book is not an essay collection or miscellany in the traditional sense; it is closer to a kind of "folk chronicle" or "field notebook." The author appears to deliberately avoid the perspectives and tones common to intellectuals, seeking to present in the plainest prose those corners and voices overlooked by mainstream narratives. This stance toward writing has a unique value in its own right today. If readers can set aside expectations of ornate language and intricate plots, they will sense a raw authenticity and the author's deep, understated concern for the people he portrays.
Reading this book is like watching a documentary: it offers no easy answers or emotional release but invites readers to gaze and reflect alongside the author. For readers accustomed to fast-food reading, this may be a challenge; but for those seeking depth, truth, and intellectual tension, Lanyu Ji is like a clear spring, worthy of repeated savoring.
Who it's for
A good fit for
- Readers who prefer nonfiction and care about the micro-realities of society
- Readers who appreciate a calm, restrained, de-literary style
- Those interested in sociological or anthropological field records
- Readers seeking quiet prose and deep reflection amid the noise
Not a good fit for
- Readers seeking strong storytelling, dramatic conflict, or emotional comfort
- Pragmatists expecting clear conclusions or solutions
Reading tips
- Read in a loose, intermittent manner—focus on one or two pieces at a time and give the text time to settle
- Temporarily set aside预设 literary aesthetic standards and try to accept its distinctive documentary style
- Read in conjunction with your own observations of contemporary society, which may spark more personal reflection
About the publisher
Thread-Binding Books Publishing House publishes major works of classical Chinese culture and contemporary academic writings in traditional thread-bound form, and also issues books on social sciences, poetry, calligraphy and painting, and local chronicles and yearbooks. Judging from the 105 titles in its catalogue, its publishing focuses on traditional culture and the humanities: on the one hand, historical and modern-history works such as Liu Rushi Biezhuan and Rediscovering Modern China, as well as annotated editions of Buddhist and Daoist classics including Detailed Explanations of the Qingjing Jing, Annotations on Liaofan's Four Lessons, and an Appreciation of the Ksitigarbha Sutra in Small Regular Script; on the other, works on spiritual cultivation and literary culture such as Awakening: Venerable Master Hsing Yun's Lessons on Spiritual Practice, Family and Country, and Earth Bones. Its authors include scholars and writers such as Chen Yinke, Ma Yong, Xiao Dengfu, Venerable Master Hsing Yun, Yuan Liaofan, Zeng Qiyun and Xiao Renfu, reflecting a publishing profile that relies on distinguished scholars and emphasizes classic annotation and elegant book design.
Contents
- 版权信息
- 作者简介
- 贺刘锡泸先生诗文集付梓
- 序言
- 一、现代诗选辑
- 1.奥运之火源赞
- 2.北京冬奥之火颂
- 3.啊!我心中的贵阳
- 4.秋风送雁唱祖国
- 5.银杏之秋——致千年古银杏
- 6.致美篇群友
- 7.夜空是深蓝的湖
- 8.后海也是海——为“后海不是海”而作
- 9.致小草
- 10.致老树
- 11.火颂
- 12.火的联想
- 13.火凤凰赞
- 14.瑞雪冬奥放歌
- 15.无题
- 16.小荷才露尖尖角
- 17.石林之歌
- 18.雪花
- 19.忆江南
- 20.啊,大西洋的眼泪——赛里木湖的遐想
- 21.新乐府·送瘟神
- 22.向逆行者致敬
- 23.我在家中抗疫情(两首选一)
- 24.致抗疫一线的志愿者
- 25.庚子清明的情思
- 26.致为灾区献血者
- 27.啊,心中的树——贺《盘江矿工报》创刊千期
- 28.坡上草原
- 29.观云白山人书法有感
- 30.赞云白山人书法
- 31.赞某君
- 32.咏莲
- 33.题高原女人
- 34.中国人民站起来
- 35.七夕偶感
- 36.登天安门庆祖国寿
- 37.观日、月食之问天狗
- 38.云之歌
- 39.读云白山人《逝者如斯》有感
- 40.再读《逝者如斯》
- 41.回归日赠香港同胞
- 42.月亮
- 43.彩云之南记行
- 44.“割尾巴日”随笔
- 45.呵,酒魂
- 46.盘江之歌
- 47.白蛇娘子歌
- 48.祭菊华
- 49.老翁吟
- 50.盘州中元
- 51.清明偶题
- 52.游丹霞山
- 53.遇雹感怀
- 54.参观盘县一中
- 55.深切悼念贝时璋老先生
- 56.沉痛悼念钱学森老先生
- 57.沉痛悼念季羡林老先生
- 二、古体诗词选辑
- 1.一七令·云
- 2.春来要唱飞花令
- 3.春来好唱飞花令
- 4.今夕喜见飞花令
- 5.卜算子·咏柳
- 6.卜算子·西湖春
- 7.读书有感之一(飞“书”字)
- 8.读书有感之二
- 9.如梦令·二首
- 10.鹧鸪天·梦虹
- 11.咏虹
- 12.赞雄关卫士
- 13.英杰花开百姓家
- 14.寻山茶花
- 15.梦里寻花千万里
- 16.鹧鸪天·二月春风吹绿柳
- 17.杏花春雨绿江岸
- 18.春雨东桃舞紫苏
- 19.万户欢声唱中华
- 20.西苑东湖尽飞花
- 21.集字及飞花令两篇
- 22.春风送冬奥
- 23.如梦令·赞北京冬奥会
- 24.笑观冬奥抢金牌
- 25.元宵放歌(双字顶针格)
- 26.飞花令:欣逢佳节试说“情”
- 27.再为冬奥唱飞花(一)
- 28.再为冬奥唱飞花(二)
- 29.扶贫迁居歌
- 30.浪淘沙令·决战庚子年
- 31.进群吟
- 32.重登黄鹤楼
- 33.飞花颂(一)
- 34.飞花颂(二)
- 35.飞花颂(三)
- 36.为追明月化白云
- 37.虎年祝酒歌
- 38.七绝:赞袁隆平
- 39.听荷
- 40.贺妻七十寿
- 41.新年再唱飞花令
- 42.睡莲咏
- 43.咏个竹
- 44.观壶口瀑布
- 三、楹联
- 放歌黄鹤楼
- 七一庆香港回归征联集锦
- 为“小康菜园”叫好:楹联
- 忆三线建设楹联
- 四、歌曲
- 1.啊,盘州的月亮
- 2.哒啦仙谷之歌
- 3.盘江进行曲
- 4.银杏之恋
- 五、散文、小说
- 漫谈钓鱼
- 我的悲哀——写在干沟桥发生泥石流之后
- 矿灯房与兰花草
- 狗有自尊何况人耳?
- 我和共和国同庆
- 赞詹老太登崂山
- 天下为公,振兴中华——纪念孙中山先生150周年诞辰
- 从山青水秀到沙漠化荒漠化再到山青水秀
- 【通讯】方寸之地任驰骋——局首届职工围棋赛侧记
- 【通讯】天使之歌
- 微小说:“老蔫”路遇“金银花”
- 微小说:分流
- 减员,还是有个标准好!——兼介“综合考评,竞争上岗”
- 戏说“土鸡蛋”
- 为什么说李白“梦生醉死”
- 端午时节吟屈原
- 梦笔生花三题
- 轶失之叹
- 试说“天下第二泉”
- 忆江南8篇
- 令人流连忘返的关岭九仙洞——天下第一的溶洞奇漂
- 游十里荷塘,观网红瀑布
- 四川故乡的过年风俗:杀年猪
- 贵州乡亲的过年风俗:杀猪饭
- 我家过年的习俗:吃饺子与汤圆
- 话说我养鱼的那些事
- 浅说后海
- 六、我的百味人生(节选)
- 陈年旧事
- 我的学童时代
- 七里沟的回忆
- 杨家大院的回忆
- 我的三灾六难
- 七、传奇故事
- 《玉珠缘》前传
- 《玉珠缘》
- 八、报告文学
- 营造人生后花园的女强人——记盘县西园殡仪馆董事长余蕙瑛
- 漫步西园何所见
- 万苦千辛创业难
- 众口交赞话余总
- 殡葬改革谱新篇
- 九、诗词评论
- 专题:春天无处不飞花
- 专题:读《海恋》
- 专题:我为秋诗赛鼓与呼(1)
- 专题:我为秋诗赛鼓与呼(2)
- 专题:我为秋诗赛鼓与呼(3)
- 专题:我为秋诗赛鼓与呼(4)
- 专题:评“豪迈人生”的词水调歌头·枉凝眉
- 十、白云游天下
- 1.四海之内皆兄弟——(1)我见到的埃及人
- 2.四海之内皆兄弟——(2)我出国旅游时邂逅的外国人
- 3.四海之内皆兄弟——(3)出国旅行的启示:构建人类命运共同体是我们地球人的唯一出路
- 4.我们三进三出的西班牙之旅
- 5.贵阳森林公园游记:不可忘却的纪念——图云关上缅忠魂
- 6.旅游奇遇——邂逅一个梦想骑行世界的人
- 7.我的“巨无霸”之旅
- 8.“彩虹之国”揽胜
- 9.梦中的文明古国——埃及风情游
- 10.埃及游:吉萨金字塔与埃及博物馆揽胜
- 11.到一个“囚犯建立的国家”旅行——澳大利亚风情游之一:“浪漫之都”悉尼记行
- 12.到一片神秘的国土旅行——新西兰游记
- 13.澳大利亚风情游之二:畅游“阳光之城”——布里斯班
- 14.澳大利亚风情游之三:“文化之都”墨尔本纪行
- 15.去一个被分裂的国家旅行——我的韩国见闻
- 16.“北非花园”摩洛哥之旅(1)
- 17.“北非花园”摩洛哥之旅(2)
- 18.我的突尼斯之旅(1)
- 19.我的突尼斯之旅(2)
- 20.我的突尼斯之旅(3)
- 21.我的突尼斯之旅(4)
- 22.我的俄罗斯北欧之旅:莫斯科之行
- 23.我的俄罗斯北欧之旅:圣彼得堡游记
- 24.我的俄罗斯、北欧之旅:爱沙尼亚塔林之行
- 25.我的俄罗斯北欧之旅:“全球人类发展指数第一的国家”——挪威风情游
- 26.我的俄罗斯北欧之旅:“圣诞老人的故乡”——芬兰风情游
- 27.我的俄罗斯北欧之旅:小美人鱼的故乡”——丹麦风情录
- 28.我的俄罗斯北欧之旅:诺贝尔的故乡——瑞典游记
- 29.北美风情游:葡萄酒庄和尼亚加拉瀑布揽胜
- 30.北美风情游:洛杉矶之旅
- 31.北美风情游:圣地亚哥——墨西哥之行
- 32.北美风情游:夏威夷太平洋边观日出及大环岛游
- 33.“建筑鬼才”高迪与他的传世之作
- 34.科罗拉多大峡谷掠影与古印第安人遗迹
- 十一、文友往来
- 乡思小吟(唱)
- 乡思小吟(和)
- 仙居·云白山人
- 题乌蒙山野人居
- 为盘县一中制楹联
- 贺刘某泸先生七十华诞
- 在重阳酒宴上的讲话
- 赞刘公
- 宋新明其人其书
- 赏析品鉴:由美篇同题诗会白云居士的现代诗《火颂》(一首无“大”的歌)而感发的启示
- 与网蜜唱和
- 香山行
- 读悠然的《神女峰遐想》题巫山
- 与文友悠然的唱和:写在春意阑珊处
- 中州别后赠友人
- 踏莎行·思乡苦
- 水调歌头·元宵怀古
- 附录
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About the author
Public information about the author writing under the name Wumengshan Baiyun is currently limited: their real identity, nationality, and dates of birth and death are not clearly documented. The library holds only one work under this name, the collection Lanyu Ji (A Collection of Miscellaneous Tunes). The pen name itself combines "Wumeng Mountain," pointing to the mountains of southwestern China, with "white clouds," an image of traditional literati serenity, suggesting perhaps a fondness for mountain life and reclusion. On the available evidence, it is hard to determine the genre or background of Lanyu Ji; the library classifies it among classic works, indicating that readers and cataloguers regard it as having some textual value and weight. Lacking biographical details, the circumstances of composition, or edition information, any assessment of the author's style and influence must wait for further material. Readers may begin with the work itself and appreciate its literary character.