The Xiang Consorts
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who like short, pithy classical-style verse and prose with a cautionary message
- Readers who hope to find reminders about conducting themselves and prompts for self-reflection in fragmented time
- General readers interested in traditional ballad-and-proverb style language and reasoning through metaphor
Not a good fit for
- Readers expecting a complete story, characters and plot, or long-form narrative
- Researchers needing systematic scholarly annotation or detailed background textual criticism
- Readers who prefer modern vernacular and light, entertaining reading
Reading tips
- First read the whole piece to grasp the progression from outward poison to poison of the heart and then to self-possession, then go back couplet by couplet to the key metaphors.
- Keep a pen ready and circle words such as "fair words," "a thousand-fathom pit," and "shut the gate and sit," writing down your own real-life associations.
- Read only one or two couplets at a time, and reread after a few days, to experience the lingering flavor that short pieces produce through repeated chewing over.
- If the archaic language feels remote, first look at a paraphrase of the general sense, then return to the original and read it aloud several times to feel the rhythm.
About the publisher
Jinzhang Book Company (Jinzhang Shuju) was a private publishing and distribution house in Shanghai during the late Qing and early Republican periods, issuing traditional works by lithographic printing. Judging from the 1,194 titles in the collection, its publishing focused on classical poetry, Eastern philosophy, historical reading, traditional Chinese medical texts, and canonical works, along with books on literary appreciation. Representative titles include the poetry and prose collections of Du Fu and Ouyang Xiu; historical works such as the Book of Han and Zizhi Tongjian; classical texts such as the Book of Documents and Mencius; and specialized and literary classics such as Treatise on Cold Damage and Li Sao. Its author resources cover major figures across the ages, including Du Fu, Ban Gu, Sima Guang, Zhang Zhongjing, Qu Yuan, Ouyang Xiu, and Tang Shenwei, reflecting the house's characteristic reliance on traditional scholarship and medical literature while serving general readers. Public information on its early history and operational details is limited, so no conjecture is offered here.
Contents
- 版权信息
- 【掩关铭】卢仝
- 【逢病军人】卢仝
- 【山中】卢仝
- 【除夜】卢仝
- 【李凭箜篌引】李贺
- 【残丝曲】李贺
- 【还自会稽歌】李贺
- 【出城寄权璩、杨敬之】李贺
- 【示弟】李贺
- 【竹】李贺
- 【同沈驸马赋得御沟水】李贺
- 【始为奉礼忆昌谷山居】李贺
- 【七夕】李贺
- 【过华清宫】李贺
- 【送沈亚之歌】李贺
- 【咏怀二首】李贺
- 【追和柳恽】李贺
- 【春坊正字剑子歌】李贺
- 【贵公子夜阑曲】李贺
- 【雁门太守行】李贺
- 【大堤曲】李贺
- 【蜀国弦】李贺
- 【苏小小墓】李贺
- 【梦天】李贺
- 【唐儿歌(杜豳公之子)】李贺
- 【绿章封事(为吴道士夜醮作)】李贺
- 【河南府试十二月乐词?正月】李贺
- 【河南府试十二月乐词?二月】李贺
- 【河南府试十二月乐词?三月】李贺
- 【河南府试十二月乐词?四月】李贺
- 【河南府试十二月乐词?五月】李贺
- 【河南府试十二月乐词?六月】李贺
- 【河南府试十二月乐词?七月】李贺
- 【河南府试十二月乐词?八月】李贺
- 【河南府试十二月乐词?九月】李贺
- 【河南府试十二月乐词?十月】李贺
- 【河南府试十二月乐词?十一月】李贺
- 【河南府试十二月乐词?十二月】李贺
- 【河南府试十二月乐词?闰月】李贺
- 【天上谣】李贺
- 【浩歌】李贺
- 【秋来】李贺
- 【帝子歌】李贺
- 【秦王饮酒】李贺
- 【洛姝真珠】李贺
- 【李夫人歌】李贺
- 【走马引】李贺
FAQ
What is Xiang Fei mainly about?
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About the author
Anonymous is not a real personal name but a general Chinese designation for authors whose names are unknown, lost, or unsigned. Neither nationality nor dates of birth and death can be verified, and available public information is limited, so the works attributed to this name are the only basis for description. The collection holds 2,078 works under Anonymous, spanning medicine, classics, historical readings, ancient poetry, classical literature, and philosophy. Representative works include The Yellow Emperor's Inner Canon: Lingshu, Mencius, The Book of Documents, Nineteen Old Poems, Complete Song Ci, and The Peacock Flies Southeast. Most of these works took shape through long transmission and editing, emerging either from collective folk creation or from authors whose names were lost over time. In ancient China, the Book of Songs, the Great Learning, and many popular storybooks and plays were signed Anonymous because their authors could not be traced. Anonymous works cross the classics, histories, philosophical writings, medical texts, and poetry; their subjects are broad, and their styles vary from archaic simplicity to clear naturalness, making them important and influential sources for understanding ancient Chinese thought, medicine, and literature.