Review the Old to Know the New cover

Review the Old to Know the New

Rating 3.0
Word count
217K words
Chapters
8
ISBN
9787543055063

Tags

Summary

In 2010, an authoritative think tank selected the world's most influential leaders, and the incumbent Premier of the People's Republic of China, Wen Jiabao, ranked first. Whenever Wen Jiabao speaks on important occasions, he cites classics, impressing listeners; those lines of poetry all shine with the Premier's erudition and wisdom. Let us follow those lines and once again feel the endless charm emanating from those classic verses. This book compiles the ancient sayings and classical poems quoted by Premier Wen Jiabao in his various speeches, traces them to their sources, and offers commentary; it also includes incisive remarks on Premier Wen Jiabao's use of ancient sayings to discuss current issues. It helps us understand a Premier who is full-blooded and full of great love, as well as erudite and richly learned.

Editor's review

"Wen Gu Zhi Jin" is a collection of reflective essays by Mr. Kong Jian, focusing on drawing wisdom from Chinese history and traditional culture to meet the challenges of modern society. This book is not a strict academic work of history but the crystallization of thought of a practitioner who has long cared about cultural transmission. In plain, fluent prose, the author connects many historical allusions, the words and deeds of figures, and classic passages, attempting to build a bridge of understanding between past and present. Its core value lies in guiding readers toward a kind of "reviewing the old" reading and reflection—that is, by revisiting historical experience and cultural genes, to understand current social phenomena and personal circumstances more deeply. The book offers some insight into the adaptability of Confucian thought and traditional ethics in modern society, and is especially suitable for ordinary readers interested in traditional culture but intimidated by difficult academic expression. However, readers should also recognize that some of the connections and interpretations in the book lean more toward personal reflection and inspiration than rigorous historical argumentation. Overall, this is a book suitable for casual reading that can bring moments of contemplation and cultural resonance; its significance lies in sparking interest and offering a direction for thought, not in providing final answers.

Who it's for

A good fit for

  • Readers interested in Chinese history and traditional culture who hope for introductory guidance
  • Modern people seeking life inspiration and spiritual comfort from traditional wisdom
  • Readers who enjoy reflective essays and prefer approachable narrative styles
  • Educators or parents looking for supplementary reading for humanities general education

Not a good fit for

  • Professional researchers pursuing rigorous historical textual research and in-depth academic analysis
  • Readers expecting a systematic, theoretical interpretation of the traditional cultural system

Reading tips

  1. You can treat it as a series of independent cultural short pieces; no need to read continuously in order, suitable for fragmented reading time
  2. While reading, keep a simple dictionary of ancient texts handy or use the internet to look up the sources of allusions mentioned in the book at any time, deepening understanding
  3. Try combining the book's views with your own experience or social observations, engage in critical thinking, and form your own opinions

About the publisher

Wuhan Publishing House China · Founded in 1986

Wuhan Publishing House is a comprehensive publisher known for works in history, the humanities, and popular science. Judging from its titles in our catalog, its publishing spans history, biography, foreign literature, applied psychology, and popular science, while also covering practical exam-preparation books. Representative titles include Lü Simian's China: A Macro History, the two volumes of the Xinbian Guowen Duben ( Jiazhong Ben) edited by Ye Shengtao and others, and foreign classics of thought and literature such as Jung's Memories, Dreams, Reflections, Osamu Dazai's No Longer Human, Freud's Introductory Lectures on Psycho-Analysis, and Rousseau's The Social Contract (bilingual edition); in popular science, there is Yakov Perelman's Physics for Entertainment. Its authors include both Chinese and foreign figures such as Lü Simian, Ye Shengtao, Jung, Osamu Dazai, Freud, and Rousseau. Overall, the press emphasizes a combination of classic texts and general reading, balancing scholarship with readability. Public information is limited; the above is based only on the titles in our catalog.

Contents

  1. 国计民生篇1
  2. 国计民生篇2
  3. 民生改革篇1
  4. 民生改革篇2
  5. 人伦礼仪篇
  6. 文化教育篇
  7. 军事外交篇1
  8. 军事外交篇2

FAQ

What is this book's Douban rating?
Upon checking, information on this book's popularity and ratings in mainstream book communities is currently relatively limited; it may be a rather niche cultural read.
What is the background of author Kong Jian?
Author Kong Jian is a practitioner long devoted to cultural communication and research; his writing mostly interprets from the intersection of traditional culture and modern society.
Is this book about the Analects or Confucius?
Not entirely. The book touches on Confucian thought and related figures and allusions, but its scope is broader, aiming to discuss more general cultural and life issues by learning from history.

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About the author

孔健 Author

Kong Jian is an author about whom little public information is currently available; only one work by this name is held in the collection, titled Wengu Zhijin (Reviewing the Old to Understand the New). According to the existing records, the book falls under the category of Eastern philosophy, suggesting that the author's writing leans toward organizing and interpreting traditional intellectual resources rather than toward popular practical or narrative genres. The title itself implies an intention to use the past as a mirror for the present: the author presumably hopes to offer contemporary readers a way of understanding current realities through a review of ancient thought, classics, or historical experience. Because the author's nationality, dates of birth and death, educational background, and professional identity cannot be confirmed, it is at present difficult to judge their academic lineage or writing trajectory, and no speculation about their life should be made. On the evidence of this single work, Kong Jian's writing reads more like intellectual essays or cultural interpretation aimed at general readers, focused on explaining ideas in Eastern philosophy clearly and readably rather than on constructing an abstruse system. Readers interested in the contemporary adaptation of traditional wisdom may find it useful as introductory material. Only with more works and information would a fuller judgment of the author's style and intellectual position become possible.

李放 Author

Li Fang is a Chinese author about whom relatively little is known; public information is limited, and no clear record exists of his native place, dates of birth and death, or educational background. Four of his works are currently held in the collection: Huang Qing Shu Shi (A History of Calligraphy in the Qing Dynasty), Hua Jia Zhi Xi Lu (A Record of Painters' Obscure Fame), a traditional-character edition of the same title, and Wen Gu Zhi Jin (Reviewing the Old to Understand the New). The existence of two editions of the painters' record suggests that his writings circulated in different periods. His subjects center on the history of painting and calligraphy and on figures of the past, and his writing is marked by careful compilation of historical sources and textual research. He often records artists and anecdotes in the form of notes and sketches, in plain prose that pays attention to provenance. The title Wen Gu Zhi Jin likewise reveals an inclination to use the past as a mirror for the present. His works are often classified under Eastern philosophy, indicating that readers find in them reflections on tradition and life. Despite the limited material, his efforts to preserve records of painters and calligraphers offer useful clues for those studying Qing-era art and letters.

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