Quenching cover

Quenching

Rating 2.8
Word count
31K words
Chapters
245
ISBN
9787550055957

Tags

Summary

Quenching is a personal collection of modern poetry, featuring more than two hundred poems written by the poet Bofan between 2018 and 2022. In these poems, the author depicts natural landscapes and marvels at the grandeur of mountains and rivers; reflects on the past and present, taking in the depth of time; records plant ecology and discovers the beauty of nature; experiences local customs and connects with every inch of the land; and explores personal emotions and the inner world. Every word and line comes from the author's own genuine observations, experiences, thoughts, and feelings—sometimes rising and falling in cadence, sometimes rendered with abandon, sometimes sketched in bold strokes, sometimes left spare and suggestive—turning life into poetry that resonates with readers.

Editor's review

Quenching is a concentrated presentation of Bofan's modern poetry from 2018 to 2022. Across more than two hundred works, natural landscapes, mountains and rivers, plant ecology, local customs, and personal emotions serve as the threads, forging five years of observations, experiences, thoughts, and feelings into poetry. The collection's strength lies in the openness of its subject matter and the variety of its technique: there is both bold, expressive rendering and restrained, spare treatment, with rises and falls in cadence that create rhythmic variation and keep readers from tiring of a single tone. The author consistently starts from lived experience rather than piling up obscure imagery, letting mountains, rivers, plants, and customs become vehicles for emotion; as a result, the lines feel present and easily echo the life memories of ordinary readers. For readers accustomed to reading a few short poems during commutes, before bed, or on weekend afternoons, this book offers flexible reading units; for readers interested in how contemporary Chinese poetry writes about local experience and everyday feeling, it also reveals a plain and sincere path of writing. Overall, this is a collection suited to slow reading and rereading; its value lies not in grand conclusions but in reminding readers, through minute observations, to look again at the world around them.

Who it's for

A good fit for

  • Ordinary readers who enjoy modern poetry and like to read a few poems in fragmented moments
  • Poetry enthusiasts interested in nature writing and local customs
  • People seeking a quiet reading experience amid a fast-paced life
  • Readers interested in personal expression in contemporary Chinese poetry

Not a good fit for

  • Readers of genre fiction who prefer strong plots and fast-paced narratives
  • Academic readers expecting systematic poetic theory or literary history research
  • Readers impatient with lyrical, image-driven language

Reading tips

  1. You need not read straight through in order; open to any page, read three or five poems, and let the impressions settle naturally.
  2. When a line moves you, pause and note in the margin the scene or feeling of that moment, creating your own annotations.
  3. You can reread in groups by theme—nature, customs, emotions—to appreciate changes in technique within the same subject.
  4. Read only a small section at a time before bed or during commutes to avoid aesthetic fatigue from reading too much in one sitting.

About the publisher

Baihuazhou Literature and Art Publishing House is a professional literature and art publisher. Judging from the books in the database, its publishing focus is on foreign literature, world classics, prose and miscellaneous writings, and classic works, while also covering literary appreciation and cultural reading. Representative titles include The Painter of Modern Life, Jane Eyre, Six Chapters of a Floating Life, The Moon and Sixpence, Selected Prose of Ji Xianlin, A Sportsman's Sketches, and Collected Prose of Famous Masters, involving Chinese and foreign authors such as Charles Baudelaire, Charlotte Brontë, Shen Fu, and W. Somerset Maugham, as well as translators including Guo Hong'an, Chen Jinhui, Jing Xing, and Jiao Haili. Overall, the press emphasizes the introduction of classic texts and the compilation of prose works, presenting a publishing profile centered on literary reading and cultural accumulation. As public information is limited, other aspects are not elaborated here.

Contents

  1. 版权信息
  2. 淬过火的方可重生
  3. 辑一 2018诗选
  4. 黎明
  5. 瓷器
  6. 水乡寻踪
  7. 走过荒野
  8. 参半
  9. 黑与白
  10. 空巷
  11. 随遇
  12. 无题
  13. 谷雨
  14. 无名寺
  15. 老宅
  16. 残缺
  17. 夜,静思
  18. 姿势
  19. 怡园
  20. 窄门
  21. 对于动静的揣摩
  22. 无题
  23. 长廊
  24. 夜游
  25. 初冬,一些物象
  26. 边缘
  27. 残缺,固有谕意
  28. 呼吸,似一条古道
  29. 局限性
  30. 落日时分
  31. 雪兆
  32. 对光阴的一些认知
  33. 有些缘,莫过于虚词
  34. 乍暖还寒
  35. 别在乎一些假设
  36. 把桥,视为父亲
  37. 抱陶罐的女孩
  38. 岁末辞
  39. 辑二 2019诗选
  40. 蕴意
  41. 无题
  42. 又一阵风刮过来
  43. 遐思,于凝香之外
  44. 清明辞
  45. 生活,是一个丢捡的过程
  46. 置若罔闻
  47. 小城追忆
  48. 芒种以后
  49. 倾斜的风
  50. 散落的香
  51. 从麦芒里取出火焰
  52. 年轮
  53. 寻找迷惘的出口
  54. 改变,在于勤勉
  55. 闭月羞花
  56. 此处,恬静依然
  57. 秋分辞
  58. 一片落叶的弧线
  59. 一隅静谧的院落
  60. 寒露
  61. 速写
  62. 绸都浅忆
  63. 由雾形成的盲区
  64. 十月
  65. 叙白
  66. 何为时间
  67. 暗器
  68. 隐忍
  69. 季候
  70. 立冬
  71. 鸷距
  72. 泡沫
  73. 等一场雪
  74. 又默忆那个磨刀人
  75. 逆风知劲草
  76. 未知,藏于拐点以后
  77. 零,即圆
  78. 佯装
  79. 辑三 2020诗选
  80. 与枫叶的告白
  81. 偶然性
  82. 淋湿的思绪
  83. 墙
  84. 追光者
  85. 凝视
  86. 伎俩
  87. 踏青
  88. 闲游桃花坞
  89. 失踪
  90. 镜像的趣味
  91. 悬崖
  92. 界限
  93. 疑惑,一些表象
  94. 初夏
  95. 各有说辞
  96. 铁匠铺
  97. 辨识
  98. 夜的恐惧
  99. 小满贴
  100. 知了
  101. 难逃一劫
  102. 时光易碎
  103. 麦子熟了
  104. 给
  105. 飞蛾
  106. 沙家浜
  107. 抽象的隐义
  108. 匍匐,都为求一条生路
  109. 暗处,总有提灯的人
  110. 悲伤书
  111. 初秋
  112. 我不知道风往哪去
  113. 季节的絮语
  114. 秋风里的秕谷
  115. 摇曳的秋菊
  116. 寻找释怀的出口
  117. 雨的印记
  118. 黑洞
  119. 被秋雨涂改的意象
  120. 预兆
  121. 凛冽,即将来袭之前
  122. 风刮来20世纪的气息
  123. 冬至贴
  124. 信仰
  125. 辑四 2021诗选
  126. 沐浴,一米阳光里
  127. 来路
  128. 另类
  129. 旅人
  130. 春天叙事
  131. 燃烧
  132. 碗莲
  133. 树洞
  134. 寻趣
  135. 起风了
  136. 入夜
  137. 光
  138. 麦地
  139. 田园
  140. 六月的音符
  141. 导线
  142. 一切,皆有谢幕的仪式
  143. 距离
  144. 绝望者的赞歌
  145. 炎夏,若沐桑拿
  146. 窗外
  147. 雨后
  148. 由萤火虫联想到的
  149. 忘不掉的一些事物
  150. 吹口琴的人
  151. 裂变
  152. 持烟斗者
  153. 火车
  154. 野簃
  155. 禅机
  156. 月盈时
  157. 白露
  158. 浅秋的修辞
  159. 凌乱
  160. 一道诗意的轩景
  161. 古老的陶器
  162. 奇迹
  163. 一幅画的诞生
  164. 季节,从勿诌谎
  165. 秋意浓
  166. 正反逻辑
  167. 钟,亦有哑噤的时候
  168. 消逝之物
  169. 路,无止境
  170. 喧哗
  171. 审判
  172. 掩饰不了的寒
  173. 寂静
  174. 牵手
  175. 小雪帖
  176. 大雪,是春天的伏笔
  177. 对比
  178. 从大运河的断章中取义
  179. 2021
  180. 处于时光的节点
  181. 辑五 2022诗选
  182. 新旧,在此刻兑换
  183. 门
  184. 用歌声复述寂静
  185. 关于光的浅析
  186. 慢下来的时光
  187. 指纹
  188. 风骨
  189. 家园
  190. 故乡
  191. 读,一幅沙画
  192. 尘埃之下
  193. 捕风捉影
  194. 化石
  195. 倒叙时光
  196. 隔岸
  197. 蒲公英
  198. 春水谣
  199. 爱是具体的
  200. 抽屉
  201. 宁谧的夏夜
  202. 窗
  203. 落日
  204. 五月,携一缕浅夏
  205. 内在的秩序
  206. 良夜
  207. 时间是一条游动的木船
  208. 沉浮之间
  209. 如酒可温的黄昏
  210. 平衡于红绿之间
  211. 宝塔
  212. 夜雨
  213. 壳
  214. 酷暑
  215. 一段尘封的记忆
  216. 一场雨以后
  217. 一张空白纸
  218. 与桥有关
  219. 青铜杯
  220. 空白的地址
  221. 后花园
  222. 无尽夏,盛开
  223. 烟蒂
  224. 时光的馈赠
  225. 霜飔
  226. 酕醄
  227. 隔墙有耳
  228. 空间思维
  229. 未知
  230. 秋日独白
  231. 某种虚构的脚本
  232. 昙花一现
  233. 太湖拾贝
  234. 夏天,渐行渐远
  235. 黄昏辞
  236. 流水是隐喻的词
  237. 小城秋韵
  238. 与影子交谈
  239. 梦
  240. 渔歌唱晚
  241. 运河闲叙
  242. 光阴,如白驹过隙
  243. 雪中的悬念
  244. 静待花开
  245. 后记

FAQ

Is this book suitable for readers with no prior experience reading poetry?
Yes. Most works in the book start from concrete natural scenes, plant ecology, and everyday feelings, and the language is not deliberately obscure; ordinary readers can enter through their own life experience. It is best not to parse every word but first to feel the rhythm and imagery of the lines, then return to savor the emotions within.
Do the more than two hundred poems need to be read in one go?
No. A poetry collection is better read slowly in installments, a few poems at a time, leaving time for reflection. Reading it all at once can cause impressions of different works to overlap and dull the impact of individual poems.
What subjects does the collection mainly cover?
According to the introduction, the works encompass natural landscapes and mountains and rivers, reflections on past and present across the depth of time, the beauty of plant ecology, experiences of local customs, and exploration of personal inner emotions; all of it stems from the author's genuine observations, experiences, thoughts, and feelings over five years.

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About the author

博凡 Author

Bo Fan is an author for whom only limited public information is available. What can be confirmed is that Bo Fan writes mainly in modern poetry, and the library holds one work by this author, Quenching (Cuihuo). Judging from the genre to which this work belongs, Bo Fan's writing sits within the tradition of contemporary Chinese poetry, using verse to work through personal experience and a sense of language rather than relying on narrative exposition. The title Quenching evokes the metalworking image of sudden cooling after intense heat, suggesting a texture that has been tempered and then cooled—an image that can resonate with the condensed, restrained aesthetic of poetic language. Because no clear records of the author's life, nationality, or chronological body of work are available, the existing material is not enough to trace a full writing trajectory or to judge how the poetic style may have evolved over time. For readers who wish to understand Bo Fan's poetry, the most direct route at present remains reading Quenching itself, sensing its rhythms and choice of imagery from within the text, and forming an initial impression of the author's style on that basis.

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