The Great Declaration, Part II
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers of classical learning history studying the textual layers and New Text/Old Text problems of the Shangshu
- Researchers of pre-Qin political thought concerned with discourses of the Mandate of Heaven and the people's hearts
- University teachers and students needing short Classical Chinese oath texts for classroom close reading
- Classical enthusiasts with basic familiarity with Mei Ze's Old Text Shangshu system
Not a good fit for
- Beginners with no Classical Chinese foundation who need word-by-word vernacular translation
- Popular history readers who want to quickly understand the full historical event of King Wu's campaign against Zhou through a single chapter
- Those expecting a self-contained complete plot and unwilling to read the three chapters as a whole
Reading tips
- Read together with the upper and lower "Great Declaration" chapters, noting the middle chapter's transitional role in tone and argument.
- Mark paragraph by paragraph the statements concerning the Mandate of Heaven and the people's hearts, and compare their similarities and differences with related New Text Shangshu chapters.
- Read with an awareness of authenticity, informed by discussions of Mei Ze's presentation of the text in the history of classical learning, rather than accepting it wholesale.
- Try restating in your own words the argumentative points of each oath paragraph to test whether you have truly understood it.
About the publisher
Bashu Publishing House is a publisher centered on collating and publishing classical Chinese cultural texts, with its main publishing areas covering classical literature, Eastern philosophy, ancient poetry, and educational classics. Its library currently holds 1,075 titles, including representative works such as Dream of the Red Chamber, the Preface to the Orchid Pavilion Gathering, Renjian Cihua, and Out to the Frontier, involving authors such as Cao Xueqin, Wang Xizhi, Wang Guowei, Wang Changling, Liu Xie, and Yan Yu. These reflect the publisher's focus on literary classics, poetry criticism, and philosophical readings. Its publishing character lies in working around ancient texts and canonical works, with attention to textual collation and presentation. Public information on its more detailed publishing background and series plans is limited; this introduction is based only on the library's book information.
Contents
- 版权信息
- 周书·泰誓中第二
FAQ
What is the relationship between the "Great Declaration, Part Two" and the upper and lower chapters?
How credible is this chapter, and can it be used as historical material?
Where is the greatest difficulty for beginners reading this chapter?
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About the author
Anonymous is not a real personal name but a general Chinese designation for authors whose names are unknown, lost, or unsigned. Neither nationality nor dates of birth and death can be verified, and available public information is limited, so the works attributed to this name are the only basis for description. The collection holds 2,078 works under Anonymous, spanning medicine, classics, historical readings, ancient poetry, classical literature, and philosophy. Representative works include The Yellow Emperor's Inner Canon: Lingshu, Mencius, The Book of Documents, Nineteen Old Poems, Complete Song Ci, and The Peacock Flies Southeast. Most of these works took shape through long transmission and editing, emerging either from collective folk creation or from authors whose names were lost over time. In ancient China, the Book of Songs, the Great Learning, and many popular storybooks and plays were signed Anonymous because their authors could not be traced. Anonymous works cross the classics, histories, philosophical writings, medical texts, and poetry; their subjects are broad, and their styles vary from archaic simplicity to clear naturalness, making them important and influential sources for understanding ancient Chinese thought, medicine, and literature.