Baudolino cover

Baudolino

Rating 4.0
Word count
325K words
Chapters
41
ISBN
9787532766284

Tags

Summary

Baudolino is Umberto Eco's fourth novel. Its hero, Baudolino, is a brilliant liar who claims that everything he tells is false—yet, amusingly, his lies have a way of turning true the moment they leave his lips... From the Crusades and the legend of the Holy Grail to the rise of the Christian city and the power struggle between pope and emperor, this is a remarkable book that probes the nature of ambiguity, truth, and falsehood.

Editor's review

Umberto Eco's Baudolino is a literary marvel that fuses history, lies, imagination, and the search for identity into one. It is not an easy novel to enter, but its rich intellectual pleasures and narrative charm are enough to reward the patient reader with a thoroughly exhilarating reading adventure. Set against the backdrop of the Crusades, the book has its hero, Baudolino, recount his legendary experiences to a historian, weaving a dense, layered web of story in which fact and fiction intertwine. With his signature erudition, Eco seamlessly joins authentic historical detail to wildly inventive fiction, exploring the unreliability of memory, the constructive power of narrative, and humanity's enduring longing for relics, power, and self-identity. Reading this book is like wandering through a labyrinth built of language and fantasy, where every turn may bring you face to face with a fragment of history or a flash of philosophy. It is not merely a story about the Middle Ages but a mirror held up to humanity's narrative instinct and cognitive limits. For readers who love intellectual challenge and revel in historical atmosphere and metafictional play, Baudolino offers a satisfaction that is unique and profound.

Who it's for

A good fit for

  • Readers with a strong interest in medieval history and the Crusades
  • Seasoned novel lovers who enjoy literary historical fiction or metafictional structures
  • Those who relish intellectual exploration and philosophical reflection while reading
  • Admirers of other works by Umberto Eco, such as The Name of the Rose

Not a good fit for

  • Readers looking for light, fast-paced entertainment
  • Readers completely unfamiliar with the European Middle Ages who are unwilling to consult supplementary materials

Reading tips

  1. A basic acquaintance with medieval history—especially the era of Frederick I (Barbarossa) and the legends of the Eastern Christian kingdoms—will make for a smoother reading experience.
  2. Pay attention to the variations on legends such as the Holy Grail and Prester John; they are one of the keys to understanding the story's central metaphors.
  3. Be patient: the early historical groundwork and character relationships are the solid foundation for the later fantastical journey, so don't give up because the opening seems a little intricate.

About the publisher

Shanghai Translation Publishing House China · Founded in 1978

Shanghai Translation Publishing House is a Chinese publisher oriented mainly toward translation and publishing. Its publications cover foreign literature, world classics and classic works, as well as social culture, folk literature and classical poetry. The database contains 2,618 titles, including Never Let Me Go, Les Misérables (2 volumes), Don Quixote (illustrated collector's edition), The Complete Comedies of Molière (4 volumes), The Complete Novels of Kafka (3 volumes), The Collected Works of Dostoevsky (9-volume set), Reason and Persons, and Oedipus Rex (Translation Classics). Its author resources include foreign writers such as Kazuo Ishiguro, Victor Hugo, Cervantes and Molière, as well as translators such as Zheng Kelu, Sun Jiameng, Li Jianwu and Zhang Kun. The publisher has brands such as "Translation Classics Selections" and "Translation Documentary," and emphasizes translated works in foreign literature and the humanities and social sciences, while also publishing bilingual dictionaries and foreign-language educational books. Public information is limited; the above is based on the book information in the database.

Contents

  1. 版权信息
  2. 一 波多里诺开始动笔写字
  3. 二 波多里诺遇见尼塞塔·柯尼亚特
  4. 三 波多里诺对尼塞塔解释小时候的文章
  5. 四 波多里诺和皇帝对谈,并爱上皇后
  6. 五 波多里诺给予腓特烈明智的建议
  7. 六 波多里诺前往巴黎
  8. 七 波多里诺为贝阿翠丝写情书,为“诗人”撰诗词
  9. 八 伊甸园里的波多里诺
  10. 九 波多里诺训斥大帝,并诱惑皇后
  11. 一○ 波多里诺寻获东方贤士,并为查理曼列圣
  12. 一一 波多里诺为祭司王约翰建造皇宫
  13. 一二 波多里诺撰写祭司王约翰的信函
  14. 一三 波多里诺目睹一座城市的诞生
  15. 一四 波多里诺用父亲的牛救了亚历山大
  16. 一五 莱尼亚诺战役当中的波多里诺
  17. 一六 波多里诺上了左西摩的当
  18. 一七 波多里诺发现祭司王约翰给太多人写了信
  19. 一八 波多里诺和柯兰迪娜
  20. 一九 波多里诺改变他那座城市的名称
  21. 二○ 波多里诺找到左西摩
  22. 二一 波多里诺与拜占庭的恬逸
  23. 二二 波多里诺失去父亲,找到“葛拉达”
  24. 二三 第三次十字军东征的波多里诺
  25. 二四 波多里诺来到阿祖鲁尼的城堡
  26. 二五 波多里诺目睹腓特烈丧命两回
  27. 二六 波多里诺与东方贤士之旅
  28. 二七 波多里诺在阿布卡西亚的黑暗当中
  29. 二八 波多里诺横渡森巴帝翁河
  30. 二九 波多里诺抵达彭靼裴金
  31. 三○ 波多里诺拜见助祭约翰
  32. 三一 波多里诺等候动身前往祭司王约翰的王国
  33. 三二 波多里诺看到一名带独角兽的女子
  34. 三三 波多里诺遇见了伊帕吉雅
  35. 三四 波多里诺找到了真正的爱情
  36. 三五 波多里诺对抗白汉斯人
  37. 三六 波多里诺和洛克鸟
  38. 三七 波多里诺丰富了拜占庭的宝藏
  39. 三八 波多里诺进行清算
  40. 三九 柱头隐士波多里诺
  41. 四○ 波多里诺已经离去

FAQ

How difficult is this book to read compared with The Name of the Rose?
Both are full of rich intellectual references and complex narrative structures. Baudolino has a more concentrated historical background (the medieval Holy Roman Empire) but a stronger fantastical element, and the narrative perspective—an possibly unreliable narrator telling his own story—creates greater uncertainty, so for some readers the challenge of understanding it may be no less than that of The Name of the Rose.
Is the story adapted from real history?
The novel uses a real historical period and real figures (such as Emperor Frederick I) as its framework, but the hero Baudolino and his core adventures are fictional. Eco masterfully interweaves historical fact, period legend, and pure imagination to create a world that seems possible yet is in fact fantastical—and that is precisely where its artistic charm lies.
Why is this called a novel about 'lies'?
The hero Baudolino calls himself a brilliant forger and liar, and the entire long story he tells may itself be an elaborate construction. The novel explores, at a deeper level, how lies create reality, how narrative shapes identity and history, and the blurred, fascinating boundary between truth and fiction.

Comments

Find this book

This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.

About the author

Umberto Eco Author · Italian · 1932–2016

Umberto Eco was an Italian writer, semiotician and philosopher, born in Alessandria in 1932 and died in Milan in 2016; he was a professor at the University of Bologna. He combined the roles of scholar and novelist: his academic works include A Theory of Semiotics, The Open Work and The Limits of Interpretation, which explore signs, texts and the boundaries of interpretation, while his novels are best known for The Name of the Rose, published in 1980, which has been translated into many languages and has won several literary prizes. He later wrote such works as Foucault's Pendulum and The Prague Cemetery, often blending history, mystery and philosophical reflection. In the Chinese-speaking world his books are classified under foreign literature, mystery and philosophy, and twenty-five of his works are included in the collection.

More by the same author

Top rated in the same category