Laws and Prohibitions
Tags
Summary
Editor's review
Who it's for
A good fit for
- Undergraduate and graduate students studying pre-Qin philosophy, political thought, and intellectual history
- Readers interested in the relationship between early Legalism and Daoism
- Readers who want to understand the Guanzi through its original chapters
- Teachers designing thematic courses on the history of Chinese legal thought
Not a good fit for
- Readers who want only modern legal practice or contemporary legal provisions
- Readers seeking light, story-driven reading and lacking patience for classical Chinese
Reading tips
- Read the publication notes and chapter introduction first to clarify the place of "Fajin" in the Guanzi and the disputes over its classification.
- Compare the relevant entries in the Hanshu Yiwenzhi, Suishu Jingjizhi, and Siku Quanshu Zongmu to grasp the intellectual judgments behind the changing classifications.
- In close reading, mark recurring core terms such as prohibition, law, conduct, and custom, and trace their levels of argument and logical relations.
- Read alongside relevant chapters of the Xunzi to compare different formulations of law and conduct within Jixia scholarship.
About the publisher
Bashu Publishing House is a publisher centered on collating and publishing classical Chinese cultural texts, with its main publishing areas covering classical literature, Eastern philosophy, ancient poetry, and educational classics. Its library currently holds 1,075 titles, including representative works such as Dream of the Red Chamber, the Preface to the Orchid Pavilion Gathering, Renjian Cihua, and Out to the Frontier, involving authors such as Cao Xueqin, Wang Xizhi, Wang Guowei, Wang Changling, Liu Xie, and Yan Yu. These reflect the publisher's focus on literary classics, poetry criticism, and philosophical readings. Its publishing character lies in working around ancient texts and canonical works, with attention to textual collation and presentation. Public information on its more detailed publishing background and series plans is limited; this introduction is based only on the library's book information.
Contents
- 版权信息
- 法禁第十四
FAQ
Is "Fajin" an independent book?
Why is the Guanzi classified differently in catalogues?
Is the 2024 Bashu Press edition suitable for beginners?
Related on WeRead
Comments
Find this book
This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.
About the author
Anonymous is not a real personal name but a general Chinese designation for authors whose names are unknown, lost, or unsigned. Neither nationality nor dates of birth and death can be verified, and available public information is limited, so the works attributed to this name are the only basis for description. The collection holds 2,078 works under Anonymous, spanning medicine, classics, historical readings, ancient poetry, classical literature, and philosophy. Representative works include The Yellow Emperor's Inner Canon: Lingshu, Mencius, The Book of Documents, Nineteen Old Poems, Complete Song Ci, and The Peacock Flies Southeast. Most of these works took shape through long transmission and editing, emerging either from collective folk creation or from authors whose names were lost over time. In ancient China, the Book of Songs, the Great Learning, and many popular storybooks and plays were signed Anonymous because their authors could not be traced. Anonymous works cross the classics, histories, philosophical writings, medical texts, and poetry; their subjects are broad, and their styles vary from archaic simplicity to clear naturalness, making them important and influential sources for understanding ancient Chinese thought, medicine, and literature.