The Book of Sand
Tags
Summary
Editor's review
Who it's for
A good fit for
- Contemplative readers with a strong interest in philosophical and metaphysical questions
- Readers who love short stories and appreciate intricate literary structures and narrative experimentation
- Literature enthusiasts eager to encounter the origins of Latin American magical realism and its classic works
- Seasoned readers seeking intellectual challenge and mental expansion through reading
Not a good fit for
- Readers expecting a continuous novelistic plot and traditional character development
- Casual readers seeking light entertainment or emotional comfort
Reading tips
- There is no need to grasp the full meaning of every story at once; read them one by one and savor their conception and language over repeated readings
- It helps to read alongside Borges's life and other works (such as The Garden of Forking Paths) to better understand his system of thought
- Keep a notebook handy to record associations and questions about time, infinity, knowledge, and related concepts that arise while reading
About the publisher
Shanghai Translation Publishing House is a Chinese publisher oriented mainly toward translation and publishing. Its publications cover foreign literature, world classics and classic works, as well as social culture, folk literature and classical poetry. The database contains 2,618 titles, including Never Let Me Go, Les Misérables (2 volumes), Don Quixote (illustrated collector's edition), The Complete Comedies of Molière (4 volumes), The Complete Novels of Kafka (3 volumes), The Collected Works of Dostoevsky (9-volume set), Reason and Persons, and Oedipus Rex (Translation Classics). Its author resources include foreign writers such as Kazuo Ishiguro, Victor Hugo, Cervantes and Molière, as well as translators such as Zheng Kelu, Sun Jiameng, Li Jianwu and Zhang Kun. The publisher has brands such as "Translation Classics Selections" and "Translation Documentary," and emphasizes translated works in foreign literature and the humanities and social sciences, while also publishing bilingual dictionaries and foreign-language educational books. Public information is limited; the above is based on the book information in the database.
Contents
- 版权信息
- 另一个人
- 乌尔里卡
- 代表大会
- 事犹未了
- 三十教派
- 奇遇之夜
- 镜子与面具
- 翁德尔
- 一个厌倦的人的乌托邦
- 贿赂
- 阿韦利诺·阿雷东多
- 圆盘
- 沙之书
- 后记
FAQ
What is The Book of Sand actually about?
I have never read Borges. Can I start directly with The Book of Sand?
How does this book differ from common magical realist novels?
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About the author
Jorge Luis Borges was an Argentine poet, fiction writer, essayist and translator. Born in Buenos Aires in 1899 and died in Geneva in 1986, he served as director of the National Library and held a post at the University of Buenos Aires. His short stories, notably those collected in The Garden of Forking Paths, The Aleph and The Book of Sand, often explore labyrinths, infinity, dreams and metaphysical themes, with intricate structures and a strong speculative bent. He was also a master of essays and criticism, writing in a concise, intellectually charged style. His works are widely classified as foreign literature and modern classics, and 53 titles are available in this collection.
Wang Yongnian is a translator known to Chinese readers chiefly for his renderings of Borges's works. Public information about him is limited, and his dates of birth and death and educational background are not clearly documented. The collection includes twenty-three works associated with him, centered mainly on the Argentine writer Jorge Luis Borges, such as Ficciones: The Garden of Forking Paths and Artifices, The Complete Works of Borges, Series One (16 volumes), The Garden of Forking Paths, The Aleph, A Universal History of Iniquity, The Book of Sand, Borges Interviews, and Shakespeare's Memory. These translations span short stories, essays, interviews, and lectures, and fall under the categories of foreign literature and classic works. His translations strive to preserve the labyrinthine narrative structures and philosophical density of Borges's texts, with concise yet fluent language that gives Chinese readers comparatively full access to the writer's imaginative world and speculative style.