The Birth of Water Margin
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Summary
The book is divided into three parts—"The Origins of Water Margin," "People and Events Inside and Outside Water Margin," and "Mindset and Art"—and devotes extensive space to examining the relationships between the novel's characters, places, and events and real history and geography, to recounting the heroic deeds of the novel's prototype figures, and to analyzing the artistic features of Water Margin, further demonstrating that real historical people and events cast a great many shadows across the novel.
Editor's review
Who it's for
A good fit for
- Deep literature lovers with a strong interest in the genesis and evolution of classical Chinese novels
- Readers who wish to go beyond plot and understand Water Margin from the perspectives of social and intellectual history
- Students and scholars engaged in the study of premodern literature, history, or folk literature
- Readers who enjoy exploring the historical prototypes and construction of collective memory behind classic texts
Not a good fit for
- Entry-level readers seeking only a plot summary or simple character introductions to Water Margin
- Readers expecting a light, entertaining, and highly narrative interpretation of Water Margin
Reading tips
- It is advisable to have some grounding in the original Water Margin before reading this book, so as to better understand the author's arguments and analysis.
- While reading, combine it with knowledge of the history of the Song, Yuan, and Ming periods, especially the social and military conditions of the early Southern Song, to deepen your understanding.
- The book is fairly academic and some chapters involve textual research; there is no need to finish it in one sitting. Read it patiently chapter by chapter and reflect on its arguments.
About the publisher
China Friendship Publishing Company is a comprehensive publisher known for its literary titles, covering classical Chinese literature, foreign literature, folk literature and cultural appreciation. According to the books in the database, its classical list includes celebrated dramas and novels such as The Peony Pavilion, The Romance of the Western Chamber and Strange Tales from a Chinese Studio, as well as note-style classics like Hong Mai's Rongzhai Suibi. In foreign literature it offers translations of Dostoevsky's Crime and Punishment, Kawabata Yasunari's Snow Country and Anne Frank's The Diary of a Young Girl, involving translators such as Zeng Siyi. It also publishes The Complete Literary Works of Lu Xun and titles associated with the "Xue'er Shuguan" editorial group, balancing the collation and popularization of classic texts. Public information on its publishing features and plans is limited; the above is summarized only from the books in the database.
Contents
- 版权信息
- 新版自序
- 导言
- 第一部 《水浒传》的来历
- 第一章 《水浒传》:强人说给强人听的故事?
- 第二章 南宋民众抗敌与梁山英雄报国
- 第三章 梁山好汉归顺朝廷的意义
- 第四章 曾头市与晁天王
- 第五章 忠义堂为什么建在梁山上?
- 第六章 《水浒传》与道教
- 第七章 三十六人故事的演进
- 第二部 《水浒传》内外的人与事
- 第一章 岳飞
- 第二章 宋江
- 第三章 燕青与卢俊义
- 第四章 关胜与林冲
- 第五章 生辰纲、大名府、李天王、闻大刀
- 第六章 鲁智深与五台僧
- 第七章 呼延灼与杨志
- 第八章 一丈青扈三娘
- 第九章 玄女娘娘
- 第三部 心态与艺术
- 第一章 江湖上的义气
- 第二章 红颜祸水
- 第三章 家室之累
- 第四章 大碗酒、大块肉
- 第五章 黄金若粪土?
- 第六章 有仇不报非丈夫
- 附录
- 附录一 龚开《宋江三十六赞》
- 附录二 《大宋宣和遗事》中的水浒故事片段
- 附录三 元代水浒杂剧摘要
- 本书所引书籍论文举要
- 出版后记
FAQ
How does this book differ from ordinary interpretations of Water Margin?
What is author Sun Shuyu's academic background?
Does the book have a high barrier to entry? Does it require a lot of historical knowledge?
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About the author
Sun Shuyu: publicly available information is limited, and all that is currently known is that one work by this author, The Birth of Water Margin, is listed among books in the category of literary appreciation. Judging by its subject, the author is concerned not with the plot or character criticism of Water Margin but with how this classical novel came into being and took its present form, an approach that involves textual criticism and study of the work's compositional history. Writing of this kind generally requires close reading, comparison of different editions, and careful judgment among existing views, so the prose tends to emphasize argument rather than general appreciation. On the basis of the available information, it is difficult to establish the author's background or other writings, yet even this single work shows a willingness to return to the original text and the sources and to ask where a famous novel came from. For general readers such writing can serve as supplementary material for understanding how Water Margin was formed; for researchers it offers a point of entry into specific questions.