One Classical Poem a Day
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who wish to cultivate a daily reading habit and seek a sense of ritual in life
- Beginners interested in classical poetry but intimidated by difficult annotations
- Modern urban readers seeking spiritual comfort and emotional resonance
- Teachers or parents looking for reading material to guide young people into classical literature
Not a good fit for
- Professional scholars or students pursuing in-depth academic research and rigorous textual study
- Writing learners seeking systematic guidance on poetic meter and composition techniques
Reading tips
- Do not feel bound by date order; choose passages at random according to your mood or the solar term of the day
- While reading, first savor the original poem on your own, then compare it with the author's interpretation to form your own first impression
- Try copying out lines that particularly move you, or combine them with current life scenes and add brief annotations
About the publisher
Sichuan Literature and Art Publishing House is a professional literary and art publishing institution. It mainly publishes books on contemporary and modern literature, foreign literature, poetry and prose, music and art, and literary theory. Judging from the books in the database, the house places considerable emphasis on classic works and foreign literature. Representative titles include Lu Xun's Call to Arms and Dawn Blossoms Plucked at Dusk, Lao She's Camel Xiangzi, Xiao Hong's The Story of Hulan River, J.R.R. Tolkien's The Hobbit, William Shakespeare's Hamlet, and Hermann Hesse's Siddhartha. Its translator resources include Deng Jiawan, Shi Zhongge, Du Yunci, and Zhu Shenghao. Common categories include social fiction, classic works, foreign literature, world classics, literary appreciation, and classical poetry, reflecting a publishing profile that balances Chinese and foreign literary classics with literary appreciation.
Contents
- 版权信息
- 自序
- 关雎——我爱你，只是因为爱你
- 蒹葭——漂洋过海来看你
- 汉广——爱情，也可以是一个人的事
- 桃夭——今天我要嫁给你
- 召南——如果爱，请大声说出来
- 采薇——我在他乡，思念故里
- 木瓜——请问，你愿不愿意和我在一起
- 采葛——思念是病，你是药
- 绿衣——我爱的人，她葬在这里
- 燕燕——送君千里，终须一别
- 新台——一个荒唐的故事
- 有女同车——你长得美，你做什么都对
- 硕人——论女人的颜值巅峰
- 载驰——红颜女儿，乱世巾帼
- 柏舟——你遭人嫌弃，我怀才不遇
- 子衿——记住我们的约定，不见不散
- 蜉蝣——如果你的寿命只有一天
- 白驹——风里雨里，我都去送你
- 淇奥——有匪君子，这就是君子
- 风雨——你可知我在思念你
- 绸缪——只是想歌颂一下洞房花烛夜
- 黍黎——亡国之哀，丧国之痛
- 伯兮——他是春闺梦里人
- 七月——所谓日出而作，日落而息
- 株林——一个更荒唐的故事
- 月出——她与东家之子，谁美？
- 九歌·湘夫人——香草美人的奇幻世界
- 九歌·山鬼——她是山间的精灵
- 易水歌——秦时明月的故事，由此开始
- 大风歌——从此，我就是真正的孤家寡人了
- 垓下歌——说英雄，谁是英雄
- 怨歌行——班婕妤和她的团扇
- 行行重行行——是生离，是死别
- 青青河畔草——是离愁，是别绪
- 青青陵上柏——人生得意时，及时行乐
- 西北有高楼——若无高山流水，何处觅知音
- 生年不满百——知足，而后常乐
- 秦山吟——纪咏絮才女谢道韫
- 感离诗——一入深宫，深似海
- 自谴——宁求一死，不屑为上阳白发人
- 长门怨——对你最好的爱，是生死相随
- 彩书怨——如果有来世，愿为思妇
- 相思——最肯忘却古人诗，最不屑一顾是相思
- 相思怨——人生是一场百年孤独
- 牡丹——扫眉才子，红颜校书，一生殇
- 梦游天姥吟留别——诗仙的人生态度
- 长相思——谁人不会唱相思
- 古朗月行——从古至今的那一个月亮
- 古有所思——我想，仙人在大概在海的那一边
- 蜀道难——真正难的，岂止是脚下的路
- 将进酒——喝了这一杯，我们珍惜当下
- 宣州谢朓楼饯别校书叔云——有些忧愁，无药可解
- 庐山谣寄卢侍御虚舟——归隐吧，从此一生逍遥
- 清平调——一首诗引发的冤案
- 行路难——你要去向何方
- 叶上题诗从苑中流出——遇见你是我最美丽的意外
- 梦江南——抹不去的家乡记忆
- 节妇吟——对不起，这辈子我们可能无法在一起了
- 谢赐珍珠——既然无情，此生何必再相见
- 江南逢李龟年——似是故人来
- 江畔独步寻花——曾与花比邻而居
- 春夜喜雨——也曾听过最美的雨
- 赠花卿——琵琶弦上的声色犬马
- 咏怀古迹·王昭君——千年前，明妃辞汉去
- 登高——一个人的重阳节
- 写情——我本多情，你本无情
- 长相思——想你时，月夜正好
- 长恨歌——对于你，究竟是爱还是恨
- 琵琶行——偶然邂逅，成就千古名篇
- 燕子楼——一首诗，一段情，一条命
- 燕歌行——烽火狼烟中，我心怀家国天下
FAQ
What is the range of poems included in this book? Are they all famous works?
Is the interpretation section a word-for-word translation? How deep does it go?
Following the 'one poem a day' arrangement, will I have mastered these poems after a year?
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About the author
Yun Jia is a Chinese author whose work spans a notably wide range of subjects; the library currently holds 18 of her titles. Public information about her is limited, and no clear records of her nationality, dates, or educational background are available, yet the distribution of her works suggests where her interests lie. She writes popular introductions to classical poetry, such as the Daily Classical Poem volumes, which lead readers into traditional verse one poem a day. She also turns to accessible history writing: in the 100 Days with the Ancients series she sets her scenes in the Song and Southern Song dynasties, depicting daily life through perspectives such as moving house and the diaries of ordinary townsfolk. At the same time, works such as Zui Liunian show her writing youth fiction in the time-travel and alternate-world genres. Overall, her prose is approachable and readable, balancing knowledge with storytelling, and suits beginning readers.
