Lingering Fog
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who love satirical comedy and appreciate sharp, pungent humor
- Scholars and students studying the social reality and literary writing of the War of Resistance period
- Readers who wish to understand the satirical art in Lao She's plays
- Theater enthusiasts interested in satirical works in the history of modern Chinese spoken drama
Not a good fit for
- Readers who prefer positive, inspirational themes and dislike satirical or critical works
- General audiences expecting a complete stage performance rather than reading a script
- Readers with little interest in officialdom and traitor themes of the Republican era
Reading tips
- While reading, note the contradictions between Director Xi's words and deeds, and appreciate how Lao She achieves satire through contrast
- Read alongside background materials on Chongqing society during the War of Resistance to understand the real-life basis of the play's material
- Pay attention to the setup and fates of the female characters, and reflect on the social critique embedded in Lao She's satire
- After reading, try mapping the character relationships to grasp the dramatic conflicts woven among multiple figures
Contents
- 版权信息
- 第一幕
- 第二幕
- 第三幕
- 第四幕
FAQ
What does the satire in Withered Mist mainly target?
What are the features of the play's language style?
Do I need to read other works by Lao She before reading Withered Mist?
Related on WeRead
Comments
Find this book
This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.
About the author
Lao She, born Shu Qingchun with the courtesy name Sheyu, lived from 1899 to 1966. A Manchu from Beijing, he is a major modern Chinese writer. His writing long centered on urban life in Beijing and on ordinary people at the lower levels of society. His works are mostly social novels and folk literature, and he also wrote essays and miscellaneous prose. His style is plain yet marked by irony and compassion, and he was skilled at using colloquial Beijing-flavored language to portray characters and their fates. His representative works include Camel Xiangzi, Four Generations Under One Roof, and Teahouse, which have had wide influence. In 1951 he received the title "People's Artist." The library holds 488 of his works, commonly classified under social fiction, classics, folk literature, essays and miscellaneous writings, and exam books, showing that his writing continues to circulate among readers and in teaching.