The First Family of the Martial World
Tags
Summary
Editor's review
Who it's for
A good fit for
- Veteran fans of traditional wuxia fiction, especially readers partial to the Hong Kong–Taiwan new-school wuxia style
- Literary researchers or enthusiasts interested in the history of wuxia literature and hoping to learn about a representative work by Jin Tong (Zhang Menghuan)
- Readers who enjoy family epics, the ups and downs of fate, and stories of complex character relationships
- Readers seeking, beyond flashing blades and flying swords, to appreciate human depth and the meaning of chivalry
Not a good fit for
- Readers seeking extremely fast pacing and web-novel-style gratification, lacking patience for a more classical style and buildup
- Readers with no interest in traditional wuxia setups (such as sects, clans, and contests over secret manuals)
Reading tips
- Read it as a wuxia family epic, following the flow of fate and the shifts in Jianghu standing of several generations of the Nangong clan
- Pay attention to the author Jin Tong's descriptions of martial techniques and their moods, appreciating the imaginative martial world he builds under the influence of Huanzhulouzhu
- As you read, consider the glory, responsibility, and shackles borne by the title "the first family of the martial world," and its profound influence on the choices of the characters
About the publisher
Founded in 1984, Anhui Literature and Art Publishing House is a professional literary and art publisher. Its collection of 389 titles spans classic works, essays and miscellaneous writings, Eastern philosophy, folk literature, classical literature and design. Representative books include Lao She's Camel Xiangzi, Laozi's Dao De Jing, Luo Guanzhong's Romance of the Three Kingdoms, and the Shakespeare drama collection featuring Hamlet, King Lear, Macbeth and Othello, with Zhu Shenghao's translations adding luster to the series. Its author resources range from classic Chinese and foreign writers such as Lao She, Laozi, Luo Guanzhong and William Shakespeare to translators and authors including Zhu Shenghao, Li Chensen and Liang Sicheng. The publisher is characterized by its balance of Chinese and foreign literary classics with traditional culture titles, combining scholarly value with popular reading. Public information is limited, and the above is based mainly on the books in the collection.
Contents
- 版权信息
- 第一章 三个圆圈
- 第二章 法眼无双
- 第三章 鞭下丧命七高手
- 第四章 悟通神功丧敌胆
- 第五章 花言巧语藏毒计
- 第六章 独坐小楼娇容瘦
- 第七章 天下第一帮
- 第八章 急现天星旗
- 第九章 预卜先知
- 第十章 巫山得真经
- 第十一章 一柱擎天
- 第十二章 舌灿莲花起风云
- 第十三章 夜盗续命散
- 第十四章 英雄重逢
- 第十五章 重九之约
- 第十六章 天星蒙尘
- 第十七章 枭雄远扬
- 第十八章 鲤鱼奇阵
- 第十九章 血战太行山
- 第二十章 人蛇大战
- 第二十一章 藏宝成灰
- 第二十二章 烈火飞血
- 第二十三章 血战钓魂堡
- 第二十四章 敌踪渺渺
FAQ
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About the author
Jin Tong is a Chinese author known for wuxia (martial arts) fiction. Reliable public information about the author's real name, dates of birth and death, nationality, and educational background remains limited and awaits further verification. Judging from the three works held in the collection—The Foremost Family in the Martial World (Wulin Di Yi Jia), Loyal Heart and Fair Lady (Chidan Hongyan), and The Divine Dragon Swordswoman (Shenlong Jiannü)—Jin Tong's writing centers on traditional wuxia themes. The titles feature typical martial-arts imagery such as the martial world, fair ladies, and swordswomen, suggesting an interest in Jianghu conflicts, chivalric love and hatred, and female knight-errant figures. Although the number of works is small, they show a clear orientation toward genre writing and have gained a degree of recognition among wuxia readers. Because of the lack of author statements and external reviews, the specific features of the writing style and the full course of the author's creative development are difficult to outline completely; nonetheless, the works can be understood within the popular reading tradition of Chinese wuxia fiction.