Dream Traveler
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who enjoy psychological suspense and case-within-a-case structures
- Readers who prefer a romance line in which both protagonists carry trauma and redeem each other
- Readers interested in the professional backgrounds of lawyers and psychological counselors
- Adult readers comfortable with a bleak atmosphere and complex character relationships
Not a good fit for
- Readers who prefer lighthearted romance or fast-paced wish-fulfillment fiction
- Readers expecting rigorous whodunit deduction and clear puzzle solutions
- Readers sensitive to heavy themes such as psychological trauma and suicide
Reading tips
- Read continuously by chapter, paying attention to information gaps and contradictions in dialogue.
- Keep pen and paper handy to record character relationships in the case, making nested-case clues easier to sort out.
- Focus on the two protagonists' psychological motives, not just the case's outcome.
- If you are easily affected by heavy themes, read in segments with breaks.
About the publisher
Jiangsu Phoenix Literature and Art Publishing House focuses on literary publishing while also covering the humanities, social sciences, and books on art and daily life. Its approximately 1,535 titles in the database span social novels, world history, design, science fiction, classic works, and film and television: they include modern Chinese literary classics by Lu Xun such as A Madman's Diary: The Complete Short Stories of Lu Xun, Call to Arms, Four Generations Under One Roof, and Teahouse, as well as foreign literary memoirs like Stefan Zweig's The World of Yesterday. In science fiction it offers Asimov's Galactic Empire series, while in architecture and art it publishes Liu Dunzhen's Classical Gardens of Suzhou and design titles from Phoenix Space. Its authors are concentrated among classic writers such as Lu Xun, Zweig, and Asimov, with translators including Liang Xijiang, Zhong Haonan, and Ye Lihua. Its overall character is built on classic works while embracing genre fiction and visual culture. Public information is limited, and this introduction is based on the titles in the database.
Contents
- 版权信息
- 前言
- Intro ：Whale 52
- Chapter 1
- 血色婚礼（1）
- 血色婚礼（2）
- 血色婚礼（3）
- 血色婚礼（4）
- 血色婚礼（5）
- 血色婚礼（6）
- 血色婚礼（7）
- 血色婚礼（8）
- 血色婚礼（9）
- 血色婚礼（10）
- 血色婚礼（11）
- 血色婚礼（12）
- 血色婚礼（13）
- 血色婚礼（14）
- 血色婚礼（15）
- 血色婚礼（16）
- 血色婚礼（17）
- 血色婚礼（18）
- 血色婚礼（19）
- 血色婚礼（20）
- 血色婚礼（21）
- 血色婚礼（22）
- 血色婚礼（23）
- 血色婚礼（24）
- 血色婚礼（25）
- 血色婚礼（26）
- 血色婚礼（27）
- 血色婚礼（28）
- 血色婚礼（29）
- 血色婚礼（30）
- 血色婚礼（31）
- Interlude：两个世界
- Chapter 02
- Omelas（1）
- Omelas（2）
- Omelas（3）
- Omelas（4）
- Omelas（5）
- Omelas（6）
- Omelas（7）
- Omelas（8）
- Omelas（9）
- Chapter 3
- 残暴的欢愉（1）
- 残暴的欢愉（2）
- 残暴的欢愉（3）
- 残暴的欢愉（4）
- 残暴的欢愉（5）
- 残暴的欢愉（6）
- 残暴的欢愉（7）
- 残暴的欢愉（8）
- 残暴的欢愉（9）
- 残暴的欢愉（10）
- 残暴的欢愉（11）
- Outro：两个世界：结束与新生（1）
- Outro：两个世界：结束与新生（2）
- Outro：两个世界：结束与新生（3）+彩蛋【大结局】
- 后记
FAQ
Is this book pure suspense or more romance-oriented?
Can I read this directly without having read the author's other works?
Are the depictions of mental illness in the book professionally accurate?
Comments
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About the author
Liangfeng Bomu is a Chinese online-fiction author about whom limited public information is available. Two of the author's works are currently on record: Wait for the Wind to Kiss Me and Dream Traveler. Her writing generally falls into the categories of modern romance and youth literature, with stories centering on young people's emotional encounters and the worries of growing up. The atmosphere of her work tends toward the fresh and delicate, and she is skilled at using gentle, unhurried narration to unfold her characters' inner fluctuations and shifting relationships. As its title suggests, Wait for the Wind to Kiss Me shows a tender, soft-toned style, while Dream Traveler continues in the direction of youth writing and carries imagery of travel and dreams. Overall, Liangfeng Bomu's works are aimed at readers who enjoy youthful emotional stories and maintain a relatively consistent lyrical style within a limited range of themes. Because the author has not disclosed further biographical information, this introduction is based only on the works and categories recorded in the database.
