Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who love classical poetry and want to read Tang poems by image
- Literature enthusiasts who hope to feel Tang poetic sensibility through the plum blossom theme
- General readers who need poetry material for recitation or excerpting
- Leisure readers interested in object-description poetry who are willing to savor it closely
Not a good fit for
- Researchers who need systematic Tang poetry history and in-depth annotations
- Readers expecting novel-like plot or continuous narrative
- Readers who hope for detailed author biographies and background textual research
Reading tips
- Read three to five poems at a time, savoring them slowly in light of the season and situation in each poem.
- Excerpt favorite lines while reading to accumulate imagery expressions in object-description poetry.
- Try comparing different poets' emphases in writing about plum blossoms to feel differences in technique and emotion.
- Read aloud to appreciate the rhythm and musical beauty of Tang poetry.
About the publisher
Jinzhang Book Company (Jinzhang Shuju) was a private publishing and distribution house in Shanghai during the late Qing and early Republican periods, issuing traditional works by lithographic printing. Judging from the 1,194 titles in the collection, its publishing focused on classical poetry, Eastern philosophy, historical reading, traditional Chinese medical texts, and canonical works, along with books on literary appreciation. Representative titles include the poetry and prose collections of Du Fu and Ouyang Xiu; historical works such as the Book of Han and Zizhi Tongjian; classical texts such as the Book of Documents and Mencius; and specialized and literary classics such as Treatise on Cold Damage and Li Sao. Its author resources cover major figures across the ages, including Du Fu, Ban Gu, Sima Guang, Zhang Zhongjing, Qu Yuan, Ouyang Xiu, and Tang Shenwei, reflecting the house's characteristic reliance on traditional scholarship and medical literature while serving general readers. Public information on its early history and operational details is limited, so no conjecture is offered here.
Contents
- 版权信息
- 【癸卯岁毗陵登高会中贻同志】章碣
- 卷669_25【上元夜建元寺观灯呈智通上人】章碣
- 卷669_26【变体诗(蔡宽夫《诗话》:碣诗平侧各一韵,自号变体)】章碣
- 卷六百七十
- 卷670_1【长安书怀】秦韬玉
- 卷670_2【桧树】秦韬玉
- 卷670_3【读五侯传】秦韬玉
- 卷670_4【春雪】秦韬玉
- 卷670_5【贫女】秦韬玉
- 卷670_6【题竹】秦韬玉
- 卷670_7【鹦鹉】秦韬玉
- 卷670_8【寄李处士】秦韬玉
- 卷670_9【对花】秦韬玉
- 卷670_10【寄怀】秦韬玉
- 卷670_11【题刑部李郎中山亭】秦韬玉
- 卷670_12【八月十五日夜同卫谏议看月】秦韬玉
- 卷670_13【亭台】秦韬玉
- 卷670_14【边将】秦韬玉
- 卷670_15【塞下】秦韬玉
- 卷670_16【织锦妇】秦韬玉
- 卷670_17【钓翁】秦韬玉
- 卷670_18【曲江】秦韬玉
- 卷670_19【隋堤】秦韬玉
- 卷670_20【天街】秦韬玉
- 卷670_21【紫骝马】秦韬玉
- 卷670_22【问古】秦韬玉
- 卷670_23【豪家】秦韬玉
- 卷670_24【陈宫】秦韬玉
- 卷670_25【送友人罢举授南陵令】秦韬玉
- 卷670_26【投知己】秦韬玉
- 卷670_27【牡丹】秦韬玉
- 卷670_28【春游】秦韬玉
- 卷670_29【仙掌】秦韬玉
- 卷670_30【燕子】秦韬玉
- 卷670_31【奉和春日玩雪】秦韬玉
- 卷670_32【独坐吟】秦韬玉
- 卷670_33【采茶歌(一作紫笋茶歌)】秦韬玉
- 卷670_34【贵公子行】秦韬玉
- 卷670_35【吹笙歌】秦韬玉
- 卷670_36【咏手】秦韬玉
- 卷670_37【句】秦韬玉
- 卷六百七十一
- 卷671_1【逢韩喜】唐彦谦
- 卷671_2【夜坐示友】唐彦谦
- 卷671_3【梅亭】唐彦谦
- 卷671_4【岁除】唐彦谦
- 卷671_5【咏月】唐彦谦
- 卷671_6【闻应德茂先离棠溪】唐彦谦
- 卷671_7【松】唐彦谦
FAQ
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About the author
Anonymous is not a real personal name but a general Chinese designation for authors whose names are unknown, lost, or unsigned. Neither nationality nor dates of birth and death can be verified, and available public information is limited, so the works attributed to this name are the only basis for description. The collection holds 2,078 works under Anonymous, spanning medicine, classics, historical readings, ancient poetry, classical literature, and philosophy. Representative works include The Yellow Emperor's Inner Canon: Lingshu, Mencius, The Book of Documents, Nineteen Old Poems, Complete Song Ci, and The Peacock Flies Southeast. Most of these works took shape through long transmission and editing, emerging either from collective folk creation or from authors whose names were lost over time. In ancient China, the Book of Songs, the Great Learning, and many popular storybooks and plays were signed Anonymous because their authors could not be traced. Anonymous works cross the classics, histories, philosophical writings, medical texts, and poetry; their subjects are broad, and their styles vary from archaic simplicity to clear naturalness, making them important and influential sources for understanding ancient Chinese thought, medicine, and literature.