Li Yumei
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers interested in Qing water-control history and river-engineering techniques
- Readers of history and literature studying Qing officials' lives and local administration
- Students needing note-style sources for biographical research
- General readers interested in stories of capable officials in premodern China
Not a good fit for
- Readers expecting a detailed, chronological full biography
- Engineering researchers seeking a systematic treatise on river-engineering techniques
- Beginners impatient with classical Chinese note style
Reading tips
- Learn the basic background of Yellow River management in the Qing first for easier understanding of the achievements
- Compare the book's account with the official biography of Li Yumei, noting differences in detail and selection
- Pay attention to specific river-works measures and consult basic information on brick dams as needed
- After reading, sort out the author's praise and blame to avoid treating the account as definitive
About the publisher
Nanhai Publication Company is a comprehensive publisher known for its literature and arts titles, covering fields such as classical poetry, martial arts fiction, and folk literature. Judging from the more than 1,600 books in the database, the company has released classical poetic works including the Nineteen Old Poems and the Nine Songs, as well as multiple volumes of Huanzhulouzhu's series The Swordsmen of Mount Shu, along with related writings by authors such as Guan Hanqing, Qu Yuan, Zuo Si, and Wang Zhihuan. Its publishing character lies in balancing the organization of classic texts with the dissemination of popular literature, placing poetry anthologies alongside long martial arts novels and presenting a relatively diverse literary profile. Public information is limited, and further details about its editorial practices and series planning remain to be supplemented.
Contents
- 版权信息
- 栗毓美
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About the author
Mao Xianglin's biographical details remain unknown, and publicly available information is limited. Judging from the nineteen works held in the collection, his writing draws largely on folk legends and local lore, including titles such as The Embroidered Shoe in the Stone Cave, The Black-and-White Tale, The Huang Daopo Shrine, Wutong Shen, and The Tale of Tian Yu, as well as note-style miscellanies like Duishan Yumo and Pingyuan Wenshi Ji. His subjects move between the supernatural, anecdotes, and historical and geographical observations. The narratives are concise and carry the plain flavor of traditional notebook literature, valuing complete and engaging stories while occasionally reflecting on human affairs. His works are classified under classics, folk literature, and Eastern philosophy, showing their value in preserving folk narrative and traditional culture. Owing to the lack of biographical material, his life and associations await further study, and the existing works are the main basis for understanding his writing.