Making Enemies
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers with a strong interest in Umberto Eco's thought and writing style
- Knowledge lovers who enjoy interdisciplinary essays rich in wide-ranging references
- Observers concerned with contemporary media culture, social currents, and political rhetoric
- Those seeking deep thinking and intellectual challenge amid fragmented reading
Not a good fit for
- Readers expecting a long narrative novel by Eco (such as The Name of the Rose)
- Readers who prefer short commentaries or social-science arguments with a clear structure and a single thesis
Reading tips
- Treat the book as an intellectual ramble; there is no need to read it in order—start from topics that interest you.
- Keep pen and paper or a digital notebook handy to record the books, figures, and concepts Eco mentions, and follow the threads to expand your own map of knowledge.
- Try setting the book's ideas—especially the analyses of "creating enemies" and "mass media"—against phenomena in today's online society; the contrast will deepen your understanding.
About the publisher
Shanghai Translation Publishing House is a Chinese publisher oriented mainly toward translation and publishing. Its publications cover foreign literature, world classics and classic works, as well as social culture, folk literature and classical poetry. The database contains 2,618 titles, including Never Let Me Go, Les Misérables (2 volumes), Don Quixote (illustrated collector's edition), The Complete Comedies of Molière (4 volumes), The Complete Novels of Kafka (3 volumes), The Collected Works of Dostoevsky (9-volume set), Reason and Persons, and Oedipus Rex (Translation Classics). Its author resources include foreign writers such as Kazuo Ishiguro, Victor Hugo, Cervantes and Molière, as well as translators such as Zheng Kelu, Sun Jiameng, Li Jianwu and Zhang Kun. The publisher has brands such as "Translation Classics Selections" and "Translation Documentary," and emphasizes translated works in foreign literature and the humanities and social sciences, while also publishing bilingual dictionaries and foreign-language educational books. Public information is limited; the above is based on the book information in the database.
Contents
- 版权信息
- 序
- 树敌
- 绝对与相对
- 火之炫
- 寻宝
- 发酵的美味
- 天堂之外的胚胎
- 四十年后的六三学社
- 雨果,唉!论其对极致的崇尚
- 电视女郎与保持缄默
- 虚构的天文学
- 既入乡,且随俗
- 我是爱德蒙·唐泰斯!
- 《尤利西斯》:我们的惦念
- 岛屿缘何总难寻
- 关于“维基解密”之反思
FAQ
How does this book differ from Eco's other works, such as The Name of the Rose and Foucault's Pendulum?
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What themes does this book mainly discuss?
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About the author
Umberto Eco was an Italian writer, semiotician and philosopher, born in Alessandria in 1932 and died in Milan in 2016; he was a professor at the University of Bologna. He combined the roles of scholar and novelist: his academic works include A Theory of Semiotics, The Open Work and The Limits of Interpretation, which explore signs, texts and the boundaries of interpretation, while his novels are best known for The Name of the Rose, published in 1980, which has been translated into many languages and has won several literary prizes. He later wrote such works as Foucault's Pendulum and The Prague Cemetery, often blending history, mystery and philosophical reflection. In the Chinese-speaking world his books are classified under foreign literature, mystery and philosophy, and twenty-five of his works are included in the collection.
Li Jingjing: publicly available information is limited, and this name appears mainly in Chinese translations of foreign literature. The library holds four related works, including the twelve-volume collection of Umberto Eco's major representative works, The Minerva Matchbox, Inventing the Enemy, and Pape Satan Aleppe: Chronicles of a Liquid Society. These works are largely connected with the writings of the Italian author Umberto Eco and span foreign literature, essays and miscellaneous writings, and social-science discussion, while also offering the pleasure of suspenseful reading. Judging from the titles and categories, the translated content leans toward intellectual essays, cultural commentary, and social observation, with a style balanced between the lightness of the essay and the rigor of argument, giving Chinese readers accessible texts for understanding Eco's familiar essays and speculative writing.