The Complete Ci Poems of Yang Wanli
Tags
Summary
Editor's review
Who it's for
A good fit for
- Researchers who have read Yang Wanli's poetry and wish to see his ci writing
- Readers interested in the overall landscape of Southern Song ci who want extended reading on a specific topic
- Students of classical literature who need to search ci by author as beginners
- Ordinary poetry lovers who enjoy a fresh, natural, less polished ci style
Not a good fit for
- Advanced researchers seeking detailed annotations, textual collation, and dating evidence
- Readers who only want an anthology of famous Song ci and do not wish to read through an author piece by piece
- Beginners unfamiliar with the Southern Song literary background who need a guided, popular introduction
Reading tips
- Read through once, marking pieces close to Yang Wanli's poetic style, then return to savor the differences
- Read alongside the Yang Wanli portion of the Complete Song Ci, checking whether the pieces are complete and forming your own table of contents
- After every few pieces, note one instance of wordcraft or syntax to build an intuitive impression of Chengzhai-style ci
- Read with the relevant chapters of Southern Song literary history, placing the ci back in their historical context
Contents
- 版权信息
- 归去来兮引
- 念奴娇
- 好事近
- 昭君怨
- 武陵春
- 水调歌头
- 忆秦娥
FAQ
Does this book include all of Yang Wanli's ci?
Without annotations, will it be hard to read?
Is it suitable for academic citation?
Comments
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About the author
Quan Song Ci (Complete Song Ci) is not a single ci poet but the compiler name used for the dynastic anthology of Song ci; this site lists 114 works under that author entry. Public information is limited, so no personal biography can be confirmed. The titles indicate edited collections of individual Song poets, including complete ci by major figures such as Xin Qiji and Li Qingzhao, as well as works by Chao Buzhi, Zhang Lei, Chen Shidao, Liu Kezhuang, Jiang Kui, and Liu Chenweng from various periods of the Song. These editions generally aim to preserve, collate, recover, and annotate the surviving ci, keeping the original character of the texts while making each poet's works accessible for reading and for research on themes, tonal patterns, and stylistic change. The series reflects the philological approach of dynastic compilations and serves as a bridge between popular access to classical texts and scholarly study of ci, and is commonly classified under ancient poetry.