The Complete Ci Poems of Li Haogu
Tags
Summary
Editor's review
Who it's for
A good fit for
- Scholars of classical literature researching Southern Song ci and the textual tradition of the Complete Song Ci
- Enthusiasts with some grounding in Song ci who wish to extend their reading to lesser-known poets
- Teachers and students needing Li Haogu's ci texts for classroom teaching or thesis writing
- Those interested in textual compilation who are curious about the format of single-author collections extracted from comprehensive anthologies
Not a good fit for
- Complete beginners to Song ci hoping to start with famous works by major poets
- Readers who need detailed annotations, appreciation, and vernacular translations to assist their reading
- Readers who prefer long-form monographs over primary ci texts
Reading tips
- Read through once to grasp the overall character, then examine rare characters, words, and allusions poem by poem.
- Read Li Haogu's ci alongside works in the same tunes by famous contemporaries, comparing differences in conception and diction.
- After reading, consult the relevant volumes of the Complete Song Ci to confirm that the selected pieces match the comprehensive anthology.
- Take brief notes on the historical context of the Southern Song to help understand the emotional orientation of the ci.
Contents
- 版权信息
- 八声甘州
- 江城子
- 水调歌头
- 酹江月
- 贺新郎
- 清平乐
- 浣溪沙
- 菩萨蛮
FAQ
Does Li Haogu have a large number of ci works?
Is this book suitable for beginners to Song ci?
What is the relationship between this book and the Complete Song Ci?
Comments
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About the author
Quan Song Ci (Complete Song Ci) is not a single ci poet but the compiler name used for the dynastic anthology of Song ci; this site lists 114 works under that author entry. Public information is limited, so no personal biography can be confirmed. The titles indicate edited collections of individual Song poets, including complete ci by major figures such as Xin Qiji and Li Qingzhao, as well as works by Chao Buzhi, Zhang Lei, Chen Shidao, Liu Kezhuang, Jiang Kui, and Liu Chenweng from various periods of the Song. These editions generally aim to preserve, collate, recover, and annotate the surviving ci, keeping the original character of the texts while making each poet's works accessible for reading and for research on themes, tonal patterns, and stylistic change. The series reflects the philological approach of dynastic compilations and serves as a bridge between popular access to classical texts and scholarly study of ci, and is commonly classified under ancient poetry.