Forbidden Words from the Wooden Heaven

范德机Jul 2024

3.2

Word count: 4.4K words
Chapters: 9

Summary

Traditional Chinese thought and culture have a long history and are highly original, inventive, and literary. Early intellectual forms are particularly distinctive: religious theology, classical Chinese medical texts, ancient military strategy, Confucian, Daoist, Buddhist, and Hundred Schools thought, feng shui and metaphysics, the Twenty-Four Histories, customs and local gazetteers—all are profound and extensive. This "Essence of Classical Chinese Culture: Original Texts" series preserves the appearance of the original books, with the goal of conserving and transmitting traditional Chinese thought and culture. By reading the literary essence left by ancient sages, readers cultivate character and imperceptibly come to appreciate the classics of Chinese learning.

Editor's review

Mushi (A History of Ink) was compiled by Lu You of the Yuan dynasty. It is devoted to recording famous ink makers of successive eras and the origins and development of ink products, making it one of the more specialized works in the literature on traditional studio crafts. Organized around individuals and also covering the forms, materials, and evaluation of ink, the book preserves much material on ink making that is now scattered and lost, and it is valuable for research on traditional studio objects and the transmission of craft. This edition belongs to the "Essence of Classical Chinese Culture: Original Texts" series and preserves the appearance of the original book, focusing on conserving and transmitting traditional thought and culture rather than on popularizing rewriting. Its pleasure lies in seeing, through a single cake of ink, the craftsmanship and literati taste of the ancients; it is suited to readers interested in studio curios and the history of traditional crafts, who should read it slowly and savor it. Because its format tends toward itemized records rather than continuous narrative, readers should treat it as a reference work, consulting it as needed or browsing in sections; reading it alongside works on craft history and cultural history will make the value of its materials more apparent.

Who it's for

A good fit for

Readers interested in the Four Treasures of the Study and traditional ink-making crafts
Scholars and enthusiasts researching the history of ancient crafts and material culture
Readers of Chinese studies who enjoy browsing specialized historical sources and accumulating material

Not a good fit for

General readers expecting narrative storytelling or an introductory overview
Ink-making practitioners seeking modern technical instruction

Reading tips

Begin with the table of contents and browse selected entries by person or ink product; do not feel obliged to read straight through.
Jot down ink makers and ink products of interest as you go, building your own research notes.
Read alongside illustrated catalogs of studio objects or works on craft history to deepen your understanding of the physical objects.

版权信息
木天禁语
内篇
六关
七言长古篇法
绝句篇法
句法
字法
结句

FAQ

Does Mushi discuss the history of ink or methods of making ink?

Judging by the title and format, the book mainly records ink makers of successive eras and the origins of ink products. It is a specialized source that treats both people and objects, not a systematic craft manual. It touches on materials, forms, and evaluation, but readers should not expect a step-by-step ink-making tutorial. It is better read as historical material for understanding ancient ink-making traditions and studio culture.

Can I understand this book without knowledge of studio objects?

You can read it, but your understanding will be limited. The book involves terminology for the forms, materials, and evaluation of ink; without any familiarity with studio lore, you may grasp only the surface. It is advisable first to acquire some basic knowledge of brushes, ink, paper, and inkstones, or to consult illustrated catalogs of the objects' forms, before reading this book; you will gain more from it.

Is this book suitable for reading straight through from beginning to end?

The book's format tends toward itemized records, and the entries are not necessarily linked by a tight narrative, so reading straight through can be tiring. A better approach is to skim the table of contents first, then read selectively according to interest or research needs, taking notes as you go. For systematic research, you can survey the whole and then organize it by person and ink product to form your own脉络 of materials.

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About the author

范德机 Author

Fan Deji was a writer on poetics in the Yuan dynasty. His life is now unknown, and available public information is limited: his native place, birth and death dates, and official career cannot be reliably established. Two works bearing his name survive, Mutiān jìnyǔ (Prohibited Words of the Wooden Heaven) and Shīxué jìnluán (Choice Morsels of Poetics), together with two editions under the same titles, four items in all in this catalogue. Both works belong to the genre of poetic rules and poetic form, concerned with the polishing of wording, the structure of pieces, and tonal and parallel patterning; they often use concrete poems to guide beginners, and have a clear instructional character. His discussion of poetry values rules without neglecting genuine feeling, and holds a place in the Yuan dynasty's transmission of earlier poetics, being occasionally quoted in later poetry talks. Readers today studying the craft of classical poetry and literary appreciation can still glimpse in them a Yuan critic's systematic thinking on the art of poetry.