Zengzi on Regulating Words, Part Two
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Summary
Editor's review
Who it's for
A good fit for
- Scholars of pre-Qin Confucian ethics and the scholar's view of coming forth or staying in retirement
- Readers who like to copy ancient maxims of self-cultivation for daily reflection
- University students of Chinese and philosophy taking courses on the masters
- Professionals interested in "the way of advance and withdrawal" and the ethics of responsibility
Not a good fit for
- Readers expecting plot-driven narrative or popular history
- Beginners who rely entirely on modern vernacular translation and are unwilling to engage the original text
- Practical readers looking for modern management techniques
Reading tips
- Grasp the two questions "what merit in advancing, what kept in withdrawing," and list your own answers before comparing them with the text.
- Copy "shouldering his plow and walking the Way, enduring cold and hunger while keeping to benevolence" onto a card, and weigh its force against your daily circumstances.
- Read alongside passages such as "When employed, he acts; when set aside, he hides" in the Analects, comparing the formulations of Confucius's school and Zengzi.
- Read the middle chapter first, then go back to the upper and lower chapters, making overall notes along the thread of "advance—withdraw—keep."
About the publisher
Bashu Publishing House is a publisher centered on collating and publishing classical Chinese cultural texts, with its main publishing areas covering classical literature, Eastern philosophy, ancient poetry, and educational classics. Its library currently holds 1,075 titles, including representative works such as Dream of the Red Chamber, the Preface to the Orchid Pavilion Gathering, Renjian Cihua, and Out to the Frontier, involving authors such as Cao Xueqin, Wang Xizhi, Wang Guowei, Wang Changling, Liu Xie, and Yan Yu. These reflect the publisher's focus on literary classics, poetry criticism, and philosophical readings. Its publishing character lies in working around ancient texts and canonical works, with attention to textual collation and presentation. Public information on its more detailed publishing background and series plans is limited; this introduction is based only on the library's book information.
Contents
- 版权信息
- 曾子制言中第五十五
FAQ
What exactly are the "two things to observe" in advance and withdrawal?
What attitude does "shouldering his plow and walking the Way" express?
Is this chapter suitable as recitation material?
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About the author
Anonymous is not a real personal name but a general Chinese designation for authors whose names are unknown, lost, or unsigned. Neither nationality nor dates of birth and death can be verified, and available public information is limited, so the works attributed to this name are the only basis for description. The collection holds 2,078 works under Anonymous, spanning medicine, classics, historical readings, ancient poetry, classical literature, and philosophy. Representative works include The Yellow Emperor's Inner Canon: Lingshu, Mencius, The Book of Documents, Nineteen Old Poems, Complete Song Ci, and The Peacock Flies Southeast. Most of these works took shape through long transmission and editing, emerging either from collective folk creation or from authors whose names were lost over time. In ancient China, the Book of Songs, the Great Learning, and many popular storybooks and plays were signed Anonymous because their authors could not be traced. Anonymous works cross the classics, histories, philosophical writings, medical texts, and poetry; their subjects are broad, and their styles vary from archaic simplicity to clear naturalness, making them important and influential sources for understanding ancient Chinese thought, medicine, and literature.