Warmth
Tags
Summary
Editor's review
Who it's for
A good fit for
- Literary readers who value truth revealed in the ordinary and relish close attention to life's details
- Those seeking emotional solace and inner calm through reading
- Readers interested in family ethics and intergenerational relationships
- Readers who appreciate a plain, restrained Chinese prose style that lingers in the mind
Not a good fit for
- Readers who crave strong plotting, fast pacing, and violent dramatic conflict
- Readers drawn to experimental or avant-garde literature
Reading tips
- Read it in a quiet, undisturbed setting, preferably in long sittings, to better immerse yourself in its atmosphere and rhythm.
- Pay attention to how the author reveals character and relationships through everyday dialogue and small gestures—this is where the book's essence lies.
- After finishing, pause to reflect on the choices the characters face and how they mirror your own life; you may find something extra.
About the publisher
Founded in 1984, Anhui Literature and Art Publishing House is a professional literary and art publisher. Its collection of 389 titles spans classic works, essays and miscellaneous writings, Eastern philosophy, folk literature, classical literature and design. Representative books include Lao She's Camel Xiangzi, Laozi's Dao De Jing, Luo Guanzhong's Romance of the Three Kingdoms, and the Shakespeare drama collection featuring Hamlet, King Lear, Macbeth and Othello, with Zhu Shenghao's translations adding luster to the series. Its author resources range from classic Chinese and foreign writers such as Lao She, Laozi, Luo Guanzhong and William Shakespeare to translators and authors including Zhu Shenghao, Li Chensen and Liang Sicheng. The publisher is characterized by its balance of Chinese and foreign literary classics with traditional culture titles, combining scholarly value with popular reading. Public information is limited, and the above is based mainly on the books in the collection.
Contents
- 版权信息
- 自序：暖
- 小说
- 暖
- 罟老师，你缺席了
- 网
- 吻
- 心声
- 散文
- 致母亲
- 退休
- 感动在，希望在，未来在
- 青春做伴真好
- 你好吗
- 忍冬
- 老屋
- 像与不像
- 思念有声
- 最后的陪伴
- 想家
- 立碑
- 生日
- 让
- 不想他长大
- 听歌
- 脸与手
- 偶得
- 枕芯
- 风筝
- 紫色的小花
- 杨花
- 落叶
- 天籁
- 银杏
- 文竹
- 喷泉
- 雪
- 筛时光
- 炒锅
- 棒槌声声
- 火塘记忆
- 野菊花
- 她有错吗
- 一朵别样的花
- 致敬老兵
- 终未与其合影
- 山那边有海
- 请到天涯海角来
- 雅丹
- 可遇不可求
- 日落日出
- 众沙恋月
- 天空之镜
- 抬眼望到美
- 梦幻乡村
- 枇杷花开
- 蟹爪兰
- 脚下有乾坤
- 味蕾上的哲学
- 惊蛰
- 空
- 不止梅花
- 看花
- 石
- 酝酿
FAQ
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Comments
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About the author
Ye Moju is an author about whom relatively limited public information is currently available; only one work by this author, Nuan (Warmth), is included in the collection. Judging from the existing information, this work is classified as a classic, suggesting that its subject matter and style carry a distinct literary quality rather than pursuing length or topical appeal through popular writing. The title Nuan itself conveys a gentle, restrained temperament, hinting that the work may revolve around human relationships, everyday life, or emotional experience, conveying warmth through delicate strokes. Because the author's biography, nationality, and creative background are not clearly recorded, it is difficult to trace the writing career in more detail, and it would be inappropriate to speculate about identity or experience. As for the surviving work, what deserves attention is the calm style and emotional restraint presented in the text: it does not rely on intense plot conflicts but tends to leave an aftertaste within plain narration. For readers, Ye Moju currently appears more like a writer represented by a single work, and Nuan thus becomes the main entry point for understanding the author's textual appearance.
