The Pushkin House
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers interested in Russian literature and postmodern novels
- Literature students who need to study intertextual structure and the Soviet literary context
- Deep readers willing to read slowly and verify allusions to classics
- Readers concerned with the spiritual history of intellectuals and narratives of era transition
Not a good fit for
- Casual readers who only want tightly plotted, linear stories
- Readers unfamiliar with Russian literary classics and unwilling to verify references
- Readers expecting light humor or fast-paced narrative
Reading tips
- First understand the themes of the Russian classics corresponding to each chapter, then read the main text against those intertexts
- Prepare notes on character relationships and timelines to avoid getting lost in multi-threaded narration
- Mark allusions as you encounter them and verify them after finishing the chapter to maintain reading rhythm
- Supplement with materials on Soviet sixties cultural background to understand the context of delayed publication
Contents
- 版权信息
- 《普希金之家》重要人物表
- 译者前言
- 怎么办?(序幕,或写于最后的一章)
- 第一部 父与子
- 父亲
- 狄更斯专篇
- 父亲(续篇)
- 父亲的父亲
- 父亲的父亲(续篇)
- 说法和版本
- 继承人(值班者)
- 附篇 散文两种
- 暴风雪
- 镜子
- 第二部 当代英雄
- 法伊娜
- 宿命论者(法伊娜——续篇)
- 阿尔宾娜
- 柳芭莎
- 关于米季沙季耶夫的故事
- 说法和版本
- 波那瑟夫人(值班者)
- 附篇 主人公的职业
- 第三部 穷骑士
- 值班者(继承人——续)
- 肉眼看不到的魔鬼
- 假面舞会
- 决斗
- 射击(尾声)
- 说法和版本(尾声)
- 真相大白的早晨,或铜人(尾声)
- 附篇 阿喀琉斯与龟(作者与主人公的关系)
- 斯芬克斯
- 注释
- 译后记
FAQ
Can I understand it without having read Russian literary classics?
Why was the novel only published in 1987?
Where does the main difficulty of the narrative lie?
Comments
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About the author
Andrei Bitov (1937–2018) was a Russian writer best known for his novel Pushkin House. The work is often classified under foreign literature and has been introduced to Chinese readers through translation. Publicly available information about his life and complete body of work is limited; only the basic facts noted above can be confirmed. Pushkin House reflects Bitov's engagement with the Russian literary tradition and the situation of the intelligentsia, and its narrative echoes and reconsiders classic texts, which gives it a place in twentieth-century Russian fiction. His writing tends toward layered psychological and cultural reflection, and readers often need to follow the literary allusions and introspective threads within the text to grasp its themes. For Chinese readers seeking to understand the complex strands of contemporary Russian fiction, Bitov offers a rewarding sample for close reading.