Collected Works of Wanzhi Hall
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers with a sustained interest in contemporary Chinese prose and scholarly essays
- Readers who prefer a calm, plain, and reflective prose style
- Readers hoping to draw spiritual nourishment from an elder's life experience and wisdom
- Those concerned with the transmission and transformation of traditional culture in the contemporary era
Not a good fit for
- Lovers of popular literature seeking strong plot, fast pacing, and sensory stimulation
- Readers expecting concrete methodologies or practical guides
Reading tips
- There is no need to read straight through; browse according to the pieces that interest you, and resonance often comes unexpectedly.
- Reading with a cup of tea helps create a quiet atmosphere and makes it easier to enter the calm context the author builds.
- Pay particular attention to the pieces on 'time,' 'memory,' and 'tradition'—these are several core motifs running through the collection.
About the publisher
International Culture Publishing Corporation is a publisher known for introducing foreign literature and world classics, with about 283 relevant titles in the database. Its representative books include Goethe's The Sorrows of Young Werther, Hesse's Siddhartha, Jiménez's Platero and I, and Gibran's The Prophet, as well as cultural readings such as Zhu Guangqian's Twelve Letters to Youth and Common Talk on Classics. In psychology, it offers the nine-volume Collector's Edition of C. G. Jung's Works, covering social psychology and applied psychology. Its author resources include Goethe, Hesse, Jiménez, Jung, and Zhu Guangqian, along with Chinese authors involved in translation and compilation. Its publishing focus is on foreign literature, classic works, psychology, and culture, serving both academic and general readers. Public information is limited, and the above is based mainly on the books in the database.
Contents
- 版权信息
- 自序
- 第一篇 诗
- 鹤城访同学不遇
- 看“太机”校园照
- 近天命感怀
- 咏玫瑰花三首
- 其一 花蕾
- 其二 花成
- 其三 花仙
- 剥豆
- 谢书
- 七律 孔望山
- 尝东山白玉枇杷
- 美人蕉
- 品扇
- 桂花酒
- 秋桂
- 贵州掠影
- 其一 马岭河谷(一)
- 其二 马岭河谷(二)
- 其三 万峰岭
- 其四 纳灰村
- 其五 黄果树
- 其六 天台山
- 其七 天龙屯堡古镇
- 其八 小七孔桥
- 其九 岜沙苗寨(一)
- 其十 岜沙苗寨(二)
- 十一 加榜梯田
- 十二 三宝天下第一侗寨
- 十三 肇兴侗寨
- 十四 西江千户苗寨
- 十五 镇远古城(一)
- 十六 镇远古城(二)
- 十七 梵净山
- 十八 结语
- 凤凰古城
- 安徽庐江合肥四首
- 其一 汤池镇
- 其二 孔雀东南飞纪念馆
- 其三 三河古镇
- 其四 孙立人将军故居
- 闻友酒乡行
- 阆中滕王阁
- 银杏林
- 读红楼
- 赞李同学
- 雪
- 南浔杂感四首
- 其一 藏书楼
- 其二 小莲庄通津桥百间楼
- 其三 生意经
- 其四 会馆
- 洛阳三首
- 其一 白马寺
- 其二 拈花一笑
- 其三 咏牡丹
- 徽杭古道四首
- 其一 江南第一关
- 其二 映山红
- 其三 蓝天凹
- 其四 嬉游
- 打鼓
- 贺刘嘉睿上初中
- 岳阳楼
- 巴蜀小游
- 其一 青城山
- 其二 汉昭烈庙武侯祠
- 其三 旅间小憩
- 其四 到重庆
- 其五 回庆江
- 黄山炮台
- 梅花洲石佛寺
- 巫山红叶
- 宝带桥
- 其一
- 其二
- 其三
- 观剧大江大河
- 读学友文有感
- 山西重游记
- 其一 校园
- 其二 汾河
- 其三 云冈石窟
- 其四 五台山
- 其五 悬空寺
- 其六 平遥古城
- 其七 壶口瀑布
- 其八 西厢叹
- 其九 莺莺塔
- 其十 黄河大铁牛一
- 十一 黄河大铁牛二
- 十二 鹳雀楼
- 十三 余韵
- 十四 书后
- 证书
- 余姚四明山二首
- 其一 柿林村
- 其二 赤水丹山
- 天平山二首
- 其一 观枫
- 其二 一线天
- 琅琊山
- 赠吉林王璐
- 昆明易门四首
- 其一 赴差
- 其二 宿西山
- 其三 说景
- 其四 龙门
- 冬日赠军哥
- 太仓浏家港
- 职场
- 参观徐霞客故居
- 镇江二首
- 其一 北固楼
- 其二 甘露寺
- 迎同学到江南
- 游石湖
- 望亭望稻
- 昆山张浦廿楼观景
- 雨夹雪
- 重读自我鉴定
- 核酸二首
- 其一 奥密克戎
- 其二 检测
- 惟楚有才
- 小扇
- 赞刘晓琴
- 初冬
- 癸卯有怀
- 第二篇 词
- 卜算子·雨中摔跤杂感
- 蝶恋花·阳澄湖边遇雨
- 醉花阴·看梅芸游呼伦贝尔草原影作
- 江城子·出青海赴敦煌途经沙漠有感
- 醉花阴·吊李雪康同学
- 西江月·香雪海赏梅赠同学夫妇
- 清平乐·咏梅
- 清平乐·咏石湖行春桥
- 忆秦娥·龙洞
- 一剪梅·长沙行二首
- 其一 问房
- 其二 瞻像
- 江城子·男生和女生
- 蝶恋花·雪
- 清平乐·香雪海
- 如梦令·和刘嘉睿
- 如梦令·柳如是
- 如梦令·庆江往事
- 其一 进川
- 其二 到厂
- 其三 街饮
- 其四 教授
- 其五 出游
- 其六 投友
- 其七 周游
- 其八 山娃
- 其九 猪肘
- 其十 情缘
- 十一 影孤
- 十二 又聚
- 十三 后记
- 一剪梅·冬日有感
- 醉花阴·赏梅
- 采桑子·重阳
- 如梦令·宅居
- 如梦令·志愿者
- 卜算子·财神
- 如梦令·校友
- 减字木兰花·广昌驿前古镇
- 如梦令·婚礼
- 第三篇 杂文
- 鹤城访同学
- 拍摄疑问
- 小河
- 驾车奇想
- 再到山塘
- 读网友说说
- 漓江漂流
- 梦游敦煌
- 阳澄湖品蟹记
- 聊友
- 在青海湖、茶卡盐湖及路上
- 寄语周菊芳同学印度之行写在新年前
- 泰顺游记
- 差点火了
- 照相喽,照相喽
- 后记
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About the author
Liu Mian is known from the single work in our collection, Wan Zhi Tang Ji (Collected Works of the Hall of Late Knowledge). Beyond this, public information is limited: his nationality, dates of birth and death, and life experiences cannot be confirmed. What can be learned about him comes mainly from this work, catalogued under classical poetry. The title "Wan Zhi Tang," literally "the Hall of Late Knowledge," suggests a studio name expressing the author's belated self-awareness and his wish to keep learning in later years. The collection presumably consists chiefly of traditional poetry, with themes such as personal reflection, everyday observations, and seasonal scenery. Lacking further documentary evidence, it is difficult to determine his poetic lineage or the circulation of his work; readers may turn directly to the text of Wan Zhi Tang Ji to sense the author's temperament and style.