Late Spring cover

Late Spring

Rating 4.7
Word count
4.5K words
Chapters
48

Tags

Summary

Han Yu (768 – December 25, 824), courtesy name Tuizhi, was a Han Chinese native of Heyang, Henan (present-day Mengzhou, Henan Province). He claimed the prestigious ancestral home of Changli and was known as Han Changli and Master Changli. He was an outstanding literary figure, thinker, philosopher, and statesman of the Tang dynasty.

Editor's review

Han Yu's "Late Spring" is a short poem celebrating spring, depicting the plants and scenery of late spring in a brisk, lively language rich in insight. Compared with the general impression of Han Yu as a writer who turned prose into poetry with vigorous momentum, this piece seems light and nimble, yet it equally reflects his keen observation of change. The poem renders late-spring scenery with both sound and color, and within the ordinary seasonal turn it conveys an awareness of time's passage, offering both vivid imagery and lingering appeal. As a key figure of the Tang-dynasty Ancient Prose Movement, Han Yu often combined a scholar's reflection with a poet's talent in his verse, and "Late Spring" is well suited to showing the more intimate, natural side of his writing. Readers may combine the phenological features of late spring with the poem to appreciate how the poet fuses the scene before him with his inner feelings. Its brevity makes it suitable as an introductory piece for appreciating classical poetry, and also fitting for seasonal reading in late spring, when one can sense the ancients' delicate observation of the seasons.

Who it's for

A good fit for

  • Classical literature enthusiasts who want to understand Han Yu's poetic style through a short poem
  • Chinese-language teachers who need late-spring seasonal poetry for teaching or recitation
  • Readers of Tang poetry who prefer vivid landscape and object-description verse with brisk language
  • General readers who hope to start with short pieces and cultivate the habit of appreciating classical poetry

Not a good fit for

  • Readers seeking a systematic understanding of Han Yu's ancient-prose theory or prose achievements
  • Readers who need long works or in-depth philosophical treatises
  • Readers uninterested in spring-themed landscape poetry who prefer narrative works

Reading tips

  1. Read through once without looking at the notes, say intuitively what late-spring scenes the poem describes, then check against the annotations.
  2. Read alongside the late-spring scenery where you live and compare the similarities and differences between ancient and modern descriptions of seasonal phenomena.
  3. Read in comparison with other short poems by Han Yu or mid-Tang spring poems, observing how different poets approach the same season from different angles.
  4. Try to memorize the whole poem; reciting a short piece helps one appreciate the poem's rhythm and the precision of its wording.

About the publisher

Jinzhang Book Company (Jinzhang Shuju) China · Founded in 1901

Jinzhang Book Company (Jinzhang Shuju) was a private publishing and distribution house in Shanghai during the late Qing and early Republican periods, issuing traditional works by lithographic printing. Judging from the 1,194 titles in the collection, its publishing focused on classical poetry, Eastern philosophy, historical reading, traditional Chinese medical texts, and canonical works, along with books on literary appreciation. Representative titles include the poetry and prose collections of Du Fu and Ouyang Xiu; historical works such as the Book of Han and Zizhi Tongjian; classical texts such as the Book of Documents and Mencius; and specialized and literary classics such as Treatise on Cold Damage and Li Sao. Its author resources cover major figures across the ages, including Du Fu, Ban Gu, Sima Guang, Zhang Zhongjing, Qu Yuan, Ouyang Xiu, and Tang Shenwei, reflecting the house's characteristic reliance on traditional scholarship and medical literature while serving general readers. Public information on its early history and operational details is limited, so no conjecture is offered here.

Contents

  1. 版权信息
  2. 【送进士许棠下第东归】薛能
  3. 卷558_30【咏岛】薛能
  4. 卷558_31【冬日写怀】薛能
  5. 卷558_32【和杨中丞早春即事】薛能
  6. 卷558_33【闻官军破吉浪戎小而固虑史氏遗忽因记为二章】薛能
  7. 卷558_34【寒食有怀】薛能
  8. 卷558_35【绵楼】薛能
  9. 卷558_36【雕堂】薛能
  10. 卷558_37【赠歌人】薛能
  11. 卷558_38【柘枝词三首(乐府诗集题作柘枝调)】薛能
  12. 卷558_39【咏柳花】薛能
  13. 卷558_40【一叶落】薛能
  14. 卷558_41【行路难】薛能
  15. 卷558_42【蔡州蒋亭】薛能
  16. 卷558_43【戏题】薛能
  17. 卷558_44【酬曹侍御见寄】薛能
  18. 卷558_45【送赵道士归天目旧山】薛能
  19. 卷558_46【除夜作】薛能
  20. 卷558_47【桃花】薛能
  21. 卷558_48【黄河】薛能
  22. 卷558_49【华岳】薛能
  23. 卷558_50【秋雨】薛能
  24. 卷558_51【春色满皇州(一作滕迈诗)】薛能
  25. 卷558_52【寄唁张乔喻坦之】薛能
  26. 卷558_53【赠僧】薛能
  27. 卷559_1【春日旅舍书怀】薛能
  28. 卷559_2【秋日将离滑台酬所知二首】薛能
  29. 卷559_3【下第后夷门乘舟至永城驿题】薛能
  30. 卷559_4【秋夜旅舍寓怀】薛能
  31. 卷559_5【洛下寓怀】薛能
  32. 卷559_6【题平湖】薛能
  33. 卷559_7【平阳寓怀】薛能
  34. 卷559_8【留题汾上旧居】薛能
  35. 卷559_9【怀汾上旧居】薛能
  36. 卷559_10【送同儒大德归柏梯寺】薛能
  37. 卷559_11【春日使府寓怀二首】薛能
  38. 卷559_12【许州题德星亭】薛能
  39. 卷559_13【送人归上党(时潞寇初平)】薛能
  40. 卷559_14【春日重游平湖】薛能
  41. 卷559_15【并州】薛能
  42. 卷559_16【相国陇西公南征,能以留务独宿府城作】薛能
  43. 卷559_17【早春书事】薛能
  44. 卷559_18【春日书怀】薛能
  45. 卷559_19【投杜舍人】薛能
  46. 卷559_20【献仆射相公】薛能
  47. 卷559_21【上盐铁尚书(时太庙宿斋)】薛能
  48. 卷559_22【汉南春望】薛能

FAQ

Is this poem related to Han Yu's style of "turning prose into poetry"?
This "Late Spring" is short and mainly descriptive, so it does not typically display the prose-like manner of "turning prose into poetry"; yet its reflection on change and its argumentative bent still show Han Yu's emphasis on reason and insight in poetry. Reading it alongside his other works gives a fuller understanding of his poetic style.
Can I read this poem without knowing Han Yu's life?
Absolutely. The poem centers on late-spring scenery and does not depend on biographical allusions. Knowing Han Yu's identity as a literary figure helps in understanding the background of his writing, but reading itself can begin with the scenery and emotional tone without first mastering detailed biography.
When is the best time to read this "Late Spring"?
It is best read in late spring, when the changing plants and trees around you make it easier to enter the poetic scene. Of course it can be read at any time, but reading it in late spring better conveys the seasonal feel and the lingering regret for spring carried by the word "late" in the title.

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About the author

Han Yu Author · China

Han Yu (768–824), courtesy name Tuizhi, was a native of Heyang, Henan (present-day Mengzhou, Henan), with his ancestral home in Changli, hence known as Han Changli. A Tang dynasty writer, thinker and statesman, he championed the Classical Prose Movement, opposed the ornate style of parallel prose, and advocated that writing should convey the Way. He is ranked first among the Eight Great Prose Masters of the Tang and Song and, together with Liu Zongyuan, is known as "Han and Liu," exerting a profound influence on later prose. His works span argumentative essays and landscape and lyrical poetry, marked by a vigorous, striking style. The collection holds 26 of his works, including the three-volume Annotated Collected Works of Han Changli (simplified edition), Collected Works of Han Yu and Han Yu's Collected Works (2 volumes), as well as poems such as "Spring Snow," "Late Spring," "Early Spring" and "Sixteen Poems on a Visit to the South of the City," and he also appears in Selected Works of the Eight Great Prose Masters: Han Yu.

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