Print Communication in the Late Ming Dynasty
Tags
Summary
Editor's review
Who it's for
A good fit for
- Master's and doctoral students researching the history of the book and publishing in ancient China
- University teachers and researchers concerned with the localization of communication studies
- Humanities enthusiasts interested in social and cultural change in the late Ming
- Journalism and communication students needing historical materials from a media perspective
Not a good fit for
- General readers hoping for popular history stories or anecdotes about figures
- Beginners with no foundation in late Ming history who need a general-survey introduction
- Engineering-oriented readers who only want to understand the technical processes of printing
Reading tips
- Read the introduction first to clarify how the author defines print communication and the analytical framework of communication studies.
- Read alongside foundational works on late Ming social economy and literati culture to lower the threshold of understanding.
- After each chapter, try to restate its chain of argument in your own words to check whether you have followed the line of thought.
- Excerpt passages of historical-material analysis for later comparison with case studies in book history.
About the publisher
Founded in 1985, Social Sciences Academic Press (SSAP) is known for its "Pishu" (Blue Book) series, Pishu database, and academic journals, and has long been dedicated to professional academic publishing in the humanities and social sciences. The books in the library cover foreign literature, social sciences, world history, historical reading, politics, and classical poetry. They include cross-cultural works such as The Poetry of Yehuda Amichai (3 volumes, centenary commemorative revised edition) and Similar in Form, Different in Essence: What Are the Structural Differences Between Traditional Chinese and Japanese Political Cultures, as well as world history translations such as The Hundred Years War, Volume 1: Trial by Battle (2 volumes) and To End All Wars: Loyalty, Rebellion, and World War I (1914–1918), along with social science and historical studies such as Six Essays on Spontaneity: Autonomy, Dignity, and Meaningful Work and Play, The Return of the Fierce General: A New Jiangnan History of Dongting East Mountain, and An Example-Based Guide to the Method of Organizing Tang Poetry Documents. Its authors include Yehuda Amichai, Fu Hao, Ge Zhaoguang, Jonathan Sumption, and Adam Hochschild. Public information is limited, so this introduction focuses on the publishing directions reflected in the library's books.
Contents
- 版权信息
- 前言
- 第一章 绪论
- 第一节 问题由来
- 第二节 国内外研究综述
- 第三节 资料来源与理论视角
- 第四节 研究方法与创新之处
- 第五节 概念界定
- 第二章 晚明社会的时代特征
- 第一节 商品经济的活跃
- 第二节 等级结构的异动
- 第三节 文化思潮的兴起
- 第四节 印刷出版的繁荣
- 第五节 小结
- 第三章 晚明印刷传播的经济影响
- 第一节 坊刻的经济偏向
- 第二节 坊贾的特殊性质
- 第三节 书坊的生产属性
- 第四节 书籍的流通方式
- 第五节 小结
- 第四章 晚明印刷传播的政治影响
- 第一节 晚明的社会舆论
- 第二节 官刻的政治宣传
- 第三节 党争的印刷造势
- 第四节 平民的舆论参与
- 第五节 小结
- 第五章 晚明印刷传播的文化影响
- 第一节 晚明社会的大众文化现象
- 第二节 士人出版的流行
- 第三节 市民文化的勃兴
- 第四节 近代科学的萌发
- 第五节 小结
- 第六章 结论
- 参考文献
- 附录:本书征引的一些重要晚明印刷出版物
FAQ
Is this book about printing technology or about social influence?
Can someone without a communication studies background understand it?
Is it suitable as an introductory book on late Ming printing history?
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About the author
Zheng Dawei is an author about whom limited public information is available. His research and writing center on the issue of print communication in the late Ming period. One work by him is held in the collection, Print Communication in the Late Ming, classified under culture. The book takes the late Ming as its historical frame and examines the relationship between printing activity and the circulation of information, focusing on how block printing, publishing, and the flow of knowledge unfolded within the social and cultural environment. It is a cross-disciplinary topic situated between book history, publishing history, and communication history. On the available evidence, the author favors a combination of source-based historical analysis and a communication perspective, writing in a problem-oriented manner and seeking to explain the role of the printed medium within specific historical contexts. Because information such as dates of birth and death, nationality, education, and professional positions is not clearly recorded, this introduction makes no speculation and offers only a brief account of the known subject matter and writing orientation for readers' reference.