Late Spring Ballad cover

Late Spring Ballad

Rating 3.7
Word count
3.1K words
Chapters
48

Tags

Summary

By Zhang Bi (possibly Zhang Mi), said to be a Song dynasty poem.

Editor's review

Titled "Spring Evening Ballad," attributed to Zhang Mi (or Zhang Bi), this short verse is said to date from the Song dynasty and treats the late-spring theme. Such works typically use late-spring scenery as a thread, tracing delicate feelings as the season wanes; short in length but concentrated in imagery, it serves as a sample for observing continuity and change in seasonal writing around the Tang–Song transition. This edition presents the original in modern printed form for direct access. Two points deserve attention in reading: first, how the late-spring images advance the emotion layer by layer; second, how the rhythm of ballad-style language differs from literati poetry. Readers interested in classical verse may read it alongside Tang poems on the same theme to sense how one season finds different expression across eras; it also works as short material for appreciation-writing practice. Note that authorship is disputed, so maintain a documentary awareness and do not treat a single attribution as definitive.

Who it's for

A good fit for

  • Poetry readers interested in Tang–Song seasonal verse and late-spring themes
  • Writing enthusiasts seeking short pieces for appreciation practice
  • Students of classical literature attentive to authorship and textual issues
  • General readers wishing for a light introduction to classical poetry

Not a good fit for

  • Specialists requiring detailed collation and textual criticism
  • Readers expecting long narrative or story-driven works

Reading tips

  1. Read through once without consulting references, note first impressions, then check annotations for wording.
  2. List the images in order of appearance and observe how the poet moves from scene to feeling.
  3. Read alongside Tang late-spring poems to compare ballad rhythm with literati verse.
  4. Note the dispute over Zhang Mi versus Zhang Bi, and consult reference works afterward for context.

About the publisher

Jinzhang Book Company (Jinzhang Shuju) China · Founded in 1901

Jinzhang Book Company (Jinzhang Shuju) was a private publishing and distribution house in Shanghai during the late Qing and early Republican periods, issuing traditional works by lithographic printing. Judging from the 1,194 titles in the collection, its publishing focused on classical poetry, Eastern philosophy, historical reading, traditional Chinese medical texts, and canonical works, along with books on literary appreciation. Representative titles include the poetry and prose collections of Du Fu and Ouyang Xiu; historical works such as the Book of Han and Zizhi Tongjian; classical texts such as the Book of Documents and Mencius; and specialized and literary classics such as Treatise on Cold Damage and Li Sao. Its author resources cover major figures across the ages, including Du Fu, Ban Gu, Sima Guang, Zhang Zhongjing, Qu Yuan, Ouyang Xiu, and Tang Shenwei, reflecting the house's characteristic reliance on traditional scholarship and medical literature while serving general readers. Public information on its early history and operational details is limited, so no conjecture is offered here.

Contents

  1. 版权信息
  2. 【九日陪董内召登高】廖匡图
  3. 卷740_11【赠泉陵上人】廖匡图
  4. 卷740_12【和人赠沈彬】廖匡图
  5. 卷740_13【松】廖匡图
  6. 卷740_14【句】廖匡图
  7. 卷740_15【中秋月】廖凝
  8. 卷740_16【闻蝉】廖凝
  9. 卷740_17【彭泽解印】廖凝
  10. 卷740_18【句】廖凝
  11. 卷740_19【赠廖凝(时凝居南岳)】韦鼎
  12. 卷740_20【寄庐山白上人】左偃
  13. 卷740_21【寄韩侍郎】左偃
  14. 卷740_22【汉宫词】左偃
  15. 卷740_23【送君去】左偃
  16. 卷740_24【秋晚野望】左偃
  17. 卷740_25【郊原晚望怀李秘书】左偃
  18. 卷740_26【言怀别同志】左偃
  19. 卷740_27【江上晚泊】左偃
  20. 卷740_28【寄鉴上人】左偃
  21. 卷740_29【送人】左偃
  22. 卷740_30【句】左偃
  23. 卷741_1【景阳台怀古】陈贶
  24. 卷741_2【石城怀古】刘洞
  25. 卷741_3【句】刘洞
  26. 卷741_4【旅怀】江为
  27. 卷741_5【江行】江为
  28. 卷741_6【登润州城】江为
  29. 卷741_7【岳阳楼】江为
  30. 卷741_8【送客】江为
  31. 卷741_9【临刑诗】江为
  32. 卷741_10【塞下曲】江为
  33. 卷741_11【隋堤柳】江为
  34. 卷741_12【句】江为
  35. 卷741_13【咏鹰(越归南唐初投鄂帅张宣,久不见知,以鹰诗诮之)】高越
  36. 卷742_1【惜花】张泌
  37. 卷742_2【寄人】张泌
  38. 卷742_3【边上】张泌
  39. 卷742_4【长安道中早行】张泌
  40. 卷742_5【洞庭阻风】张泌
  41. 卷742_6【春日旅泊桂州】张泌
  42. 卷742_7【晚次湘源县】张泌
  43. 卷742_8【惆怅吟】张泌
  44. 卷742_9【秋晚过洞庭】张泌
  45. 卷742_10【题华严寺木塔】张泌
  46. 卷742_11【经旧游】张泌
  47. 卷742_12【碧户】张泌
  48. 卷742_13【芍药】张泌

FAQ

Is the author Zhang Mi or Zhang Bi?
The materials attribute the poem to Zhang Mi while also noting Zhang Bi, and state it is said to be a Song dynasty poem. This indicates a disputed attribution, possibly involving confusion of same-named or similarly written figures. General readers need only be aware of this; deeper study requires consulting relevant documents and reference works.
What genre does Spring Evening Ballad belong to?
The title suggests a short ballad-style piece, relatively plain in language and brisk in rhythm, unlike strictly regulated verse. Such works were often used to sing of seasonal scenery; short and suited to oral recitation, they also make it easy to observe differences from literati poetry in appreciation.
What background knowledge is needed to read this work?
Mainly familiarity with common late-spring seasonal images and basic poetry-reading ability. A rough grasp of the authorship issue suffices; no deep investigation is necessary. For a fuller reading, some general background on Tang–Song seasonal poetry helps situate this short piece.

Comments

Find this book

This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.

About the author

张泌 Author

Zhang Bi, whose birth and death years, native place, and life events are all unknown, has only limited publicly available information. He is known merely as a name among the authors of ancient poetry, and the library holds one work by him, "Song of Late Spring." Judging from the surviving clues, his writing follows the tradition of classical poetry, with subjects often drawn from late-spring scenery and everyday reflections. His language tends toward concision and restraint, with attention to the interplay of imagery and meter. The very title "Song of Late Spring" points to the seasonal changes of late spring and the emotions they evoke, suggesting that the author was skilled at expressing delicate feelings through the passage of the seasons. Because so few of his works survive, Zhang Bi's place in literary history cannot be firmly established, and his influence is mainly confined to the selection and transcription of his work. Readers wishing to understand this author should begin with a close reading of "Song of Late Spring," appreciating its techniques of description and expression and the common pleasures of classical poetry, rather than speculating excessively about his life.

Top rated in the same category