A Boy's Questions on the Changes cover

A Boy's Questions on the Changes

Rating 4.2
Word count
9.7K words
Chapters
4

Tags

Summary

Yi Tongzi Wen (Questions from the Boy about the Changes), in three juan, was compiled by Ouyang Xiu of the Northern Song. The work is framed as a dialogue between a boy and his teacher: juan one and two explain the hexagram statements of the sixty-four hexagrams and the main sense of the Tuan and Xiang commentaries; juan three examines the seven kinds of Yi zhuan and argues that the Xici zhuan, Wenyan, Shuogua zhuan, Xugua zhuan, and Zagua zhuan were not written by one hand and cannot be regarded as the work of Confucius. This view, unprecedented among earlier scholars and marked by a spirit of questioning antiquity, had a major influence on the history of Yi learning.

Editor's review

Yi Tongzi Wen unfolds as a dialogue between a boy and his teacher. The first two juan explain the hexagram statements of the sixty-four hexagrams and the main sense of the Tuan and Xiang commentaries; juan three concentrates on examining the seven kinds of Yi zhuan and advances the famous judgment that the Xici zhuan, Wenyan, Shuogua zhuan, Xugua zhuan, and Zagua zhuan were not written by one hand and cannot all be attributed to Confucius. The book's value lies not only in its interpretation of the Changes but also in its spirit of questioning antiquity, unprecedented among earlier scholars, which had a profound influence on the history of Yi learning. The edition originally published by the Commercial Press in the Republican period also preserves a certain textual appearance for readers. In reading, the first three juan should be kept distinct: the first two stress philosophical exposition, while juan three stresses textual criticism, and only thus can one better appreciate the turn in Ouyang Xiu's thought from expounding the classics to questioning them.

Who it's for

A good fit for

  • Researchers interested in the history of Yi learning and the Song trend of questioning antiquity
  • Readers in literature and history who need to understand Ouyang Xiu's thought on the classics
  • Enthusiasts with some ability to read classical Chinese who wish to read the original closely
  • Readers concerned with the authorship of the Yi zhuan and textual criticism

Not a good fit for

  • Readers seeking a vernacular introduction to Yi learning or a manual of divination practice
  • Those with weak classical Chinese who do not wish to struggle through the original without annotations
  • Beginners expecting a complete line-by-line explanation of the hexagram and line statements

Reading tips

  1. Begin with the part of juan three that examines the authorship of the Yi zhuan, to grasp the book's most groundbreaking argument.
  2. Then return to juan one and two, and understand its way of expounding the classics by comparing the hexagram statements with the main sense of the Tuan and Xiang commentaries.
  3. Keep a standard edition of the Zhouyi at hand for reference and consult it whenever a hexagram name appears.
  4. Combine this with background materials on the Song trend of questioning the classics to understand the place of Ouyang Xiu's view in the history of Yi learning.

About the publisher

The Commercial Press China · Founded in 1897

"Republic-era Commercial Press Original Editions" refers to original books printed by The Commercial Press during the Republican period, not a separate publishing house. Judging from the 300 titles held in the collection, its publishing focus centers on classical poetry and lyrics, literary appreciation, classic works, military texts, prose and miscellaneous writings, and Eastern philosophy. Representative titles include Wang Guowei's Renjian Cihua, Zhong Rong's Shipin, the lyric collections of Xin Qiji and Liu Yong, Sun Wu's The Art of War, and Lü Buwei's Xianshi Lan. Its author resources are mainly classical writers, together with modern scholars such as Li Jingbang and Guo Huaruo, whose collations and annotations are also represented, giving the list a character centered on original texts while attending to annotation and appreciation. Public information on the precise Republican-era catalog and printings is limited; this overview is based only on the titles held in the collection.

Contents

  1. 版权信息
  2. 卷一
  3. 卷二
  4. 卷三

FAQ

What is the core argument of Yi Tongzi Wen?
According to the material, juan three examines the seven kinds of Yi zhuan and holds that the Xici zhuan, Wenyan, Shuogua zhuan, Xugua zhuan, and Zagua zhuan were not written by one hand and cannot be regarded as the work of Confucius. This judgment, unprecedented among earlier scholars, embodies a spirit of questioning antiquity and had a major influence on the history of Yi learning.
Do I need to read the whole Zhouyi first to read this book?
You need not read the entire classic first, but it is best to have a standard edition of the Zhouyi at hand for reference. Juan one and two explain the hexagram statements of the sixty-four hexagrams and the main sense of the Tuan and Xiang commentaries, while juan three examines the authorship of the Yi zhuan; when a specific hexagram name appears, comparing it with the original text makes it easier to follow Ouyang Xiu's line of argument.
What does "originally published by the Commercial Press in the Republican period" mean?
The material indicates that this book was originally published by the Commercial Press in the Republican period, showing that its editorial form preserves an earlier publishing appearance. For ordinary readers, modern annotations are still needed to understand the classical Chinese; for researchers, its textual form and arrangement of the main text may be noted as a reference for understanding the transmission of the book.

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About the author

Ouyang Xiu Author · Chinese · 1007–1072

Ouyang Xiu (1007–1072), courtesy name Yongshu, styled Zuiweng and later Liuyi Jushi, was a native of Yongfeng in Jizhou (present-day Ji'an, Jiangxi). A statesman, man of letters and historian of the Northern Song dynasty, he was one of the Eight Great Prose Masters of the Tang and Song and a leader of the Northern Song movement to reform poetry and prose. He held that writing should illuminate the Way and serve practical ends, and his plain, natural style deeply influenced later prose. In historiography he was chief editor of the New Book of Tang and sole author of the New History of the Five Dynasties. He rose to Vice Privy Councillor and Assistant Administrator and received the posthumous title Wenzhong. The collection holds 30 of his works, including complete collections, poetry and prose anthologies, the notebook Guitian Lu and historical writings.

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