A Comprehensive Anthology of Ming Ci Poetry
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers interested in Ming literature and ci studies who have some feel for classical Chinese
- Students of ancient literature who need to understand the landscape of Ming dynasty ci anthologies
- Traditional culture enthusiasts who enjoy slow reading of classical texts and cultivating their temperament through ci poetry
Not a good fit for
- Complete beginners with no foundation in classical Chinese who want vernacular explanations
- People expecting modern annotations and piece-by-piece appreciation, seeking a relaxed reading experience
Reading tips
- First read through the table of contents, pick works by familiar ci poets to try, and build an understanding of the book's structure
- Read three to five pieces a day, jotting down unfamiliar allusions and words for focused lookup
- Read alongside chapters on Ming literary history or the history of ci studies to understand the period context of the anthology
Contents
- 版权信息
- 卷一
- 卷二
- 卷三
- 卷四
- 卷五
- 卷六
- 卷七
- 卷八
- 卷九
- 卷十
- 卷十一
- 卷十二
FAQ
Is this book suitable for readers with no foundation in classical Chinese?
Does reading Ming Ci Zong require supporting materials?
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About the author
Wang Chang's biographical information is very limited in publicly available sources; his native place, dates of birth and death, and educational background cannot be confirmed, so an understanding of him rests mainly on the three works collected here. Judging from these works, Wang Chang's writing spans several fields: Ming Ci Zong is a compilation of ci poetry that reflects his work in gathering and collating Ming and Qing ci; Ye Geng Lu: A Editor's Self-Selected Essays and Reviews collects his own commentary from an editor's perspective, marked by professional observation and personal reflection; and An Appreciation of Famous Lines from Shi, Ci, and Qu is aimed at the appreciation and popularization of classical poetry. The three works touch on categories including Eastern philosophy, language and writing, and literary appreciation, showing a combined orientation toward documentary compilation, editorial practice, and literary criticism. His writing generally emphasizes the arrangement of materials and close reading, in a plain style suitable for readers studying ci poetry and classical literature. Because public information is limited, this entry makes no further speculation about his life.