Four in the Morning, Three at Night cover

Four in the Morning, Three at Night

Rating 4.0
Word count
90K words
Chapters
28
ISBN
9787208187641

Tags

Summary

Zhang Beihai, author of the novel that inspired the film Hidden Man, began writing the story of his life at the age of eighty. In his preface he mentions a riddle: “What animal goes on four in the morning and three at night?” The answer is “man”—and this book is his own four-in-the-morning, three-at-night. During the War of Resistance, when his father refused to surrender to the Japanese, his mother had no choice but to take the children from Tianjin and flee inland, crossing the Yellow River to Xi'an, until the family was reunited in Chongqing. As a rebellious youth, he was thrown out of the house by his father and witnessed the bizarre, garish society of 1950s Taiwan. His second brother, Soong Mei-ling's personal pilot, died young in a plane crash, leaving behind a daughter—none other than the future star Chang Ai-chia. He became a United Nations official, working and traveling all over the world, with experiences no one else could claim; in old age he returned to his native Shanxi to explore the ways of his hometown, and in his twilight years was reunited with his first love. Such is life: we come together, enjoy ourselves, and then the music ends and the guests disperse. These spare, calm words carry a clear-eyed, open-hearted humor—the last gift to the world from an old rascal.

Editor's review

Zhang Beihai's Morning Four, Night Three is a collection of essays worth savoring slowly, gathering more than sixty pieces written from the 1980s to the present. The title comes from an allusion in Zhuangzi's “On Making All Things Equal,” subtly signaling the dialectical thinking and worldly wisdom that run through the book. A sojourner across Chinese and Western cultures, Zhang brings a distinctive double perspective to fusing personal memory, historical observation, and cultural reflection. The book offers delicate depictions of New York urban life, fond backward glances at the old country, and original views on film, literature, and art. His style is composed and restrained, combining a scholar's rigor with a man of letters' ease; beneath plain narration often lurks a sharp point, leaving a long aftertaste. Especially admirable is his sensitivity to and cherishing of detail: whether describing dawn light on the Brooklyn Bridge or recalling the sounds of old Beijing's hutongs, he lets readers feel an emotional resonance that transcends time and space. The book's value lies not only in its rich historical and cultural knowledge but in the way it models how to keep one's inner balance and independent thought in a shifting world.

Who it's for

A good fit for

  • Readers interested in comparisons between Chinese and Western cultures
  • Readers who enjoy finding historical detail interwoven with personal memory in essays
  • Readers who appreciate composed, restrained, wise prose
  • Young readers hoping to draw inspiration from an elder's life experience

Not a good fit for

  • Readers looking for tightly plotted fiction with strong conflict
  • Readers who prefer systematic theory or practical guidebooks

Reading tips

  1. Read in a quiet setting, a piece or two at a time, pausing to savor the resonance behind the words
  2. Pair the reading with the films, books, or historical events mentioned in the text to deepen understanding
  3. Notice how the author approaches grand themes through everyday trifles, and appreciate the lightness of his touch

About the publisher

Shanghai People's Publishing House China · Founded in 1951

Shanghai People's Publishing House is a comprehensive publisher whose list focuses on academic monographs and general-interest titles in philosophy, social sciences, politics and law, economics and management, and history. Among its books are Wei, Jin, Southern and Northern Dynasties History in the Chinese Dynastic History series; The Hobbit and The Lord of the Rings trilogy in foreign literature; the Wenjing Classical Translation Illustrated Edition of The Complete Greek Tragedies of Euripides; and works of social theory such as Max Weber's Economy and Society and Dialectic of Enlightenment: Philosophical Fragments. Its authors include Wang Zhongluo, J.R.R. Tolkien, Luo Niansheng, and Zhou Zuoren.

Contents

  1. 版权信息
  2. 自序:我的故事
  3. 去后方
  4. 重庆三年:飞虎队、原子弹和风雪夜归人
  5. 从北京到台北美国学校
  6. 赶出家门
  7. 龟驮碑事件
  8. 自以为聪明
  9. 我脑海中的五十年代台湾
  10. 一笔没有还的债
  11. 那年秋天我在溪边
  12. 金门与我
  13. 太平洋乐园
  14. 蓝宁
  15. “瓦瓷”和“瓦瓷塔”
  16. 哥本哈根
  17. 巴基斯坦两天半
  18. 东非事件
  19. 那年东非夏夜
  20. 五台山上,五台山下
  21. 五台山下金岗库
  22. 一个十字街口
  23. 我的初恋
  24. 小妹儿
  25. 附录
  26. 我的半个父亲
  27. 纽约张北海在台湾的时候
  28. 从文艺怀北海

FAQ

Is this book very different in style from the author's other well-known work, Hidden Man?
Markedly different. Hidden Man is a novel with a strong plot and plenty of dramatic tension, while Morning Four, Night Three is a collection of essays—diffuse, understated, focused more on personal observation, cultural notes, and reflections on life, and requiring quiet savoring.
Does the book involve specialized knowledge? Is it hard to read?
Though the author is deeply learned, he presents things in a plain, accessible way, with no deliberate barriers of expertise. He usually supplies enough context for the historical and cultural background, so ordinary readers can follow along smoothly and enjoy it.
Is this book suitable as a gift?
Very much so, for friends who love literature, history, or humanistic essays. The design is elegant, the contents reward rereading, and the author's calm, open-minded outlook brings a warm reading experience—a gift with lasting meaning.

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About the author

张北海 Author

Zhang Beihai is a Chinese-language author about whom relatively little biographical information is publicly available; his dates of birth and death, nationality, and educational background are not clearly documented. What can be confirmed is that two of his works are included in the collection: the novel Xia Yin and Zao Shang Si, Wan Shang San. Judging by their common categorizations, his writing spans social fiction and documentary literature. Xia Yin, set in the old city of Beijing, is classified as social fiction and is noted for its detailed depiction of everyday urban life and the unfolding of its characters' fates, carrying a strong nostalgic and local flavor. Zao Shang Si, Wan Shang San belongs to documentary literature and leans toward observations of daily life and first-hand accounts. Overall, Zhang Beihai's output is modest in quantity, yet his choice of subjects is distinctive, maintaining a personal style between popular storytelling and documentary writing.

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