Stringless
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who like fate-narrative novels such as To Live
- Those willing to bear an emotional impact while reading
- Readers concerned with the individual's relationship to the era and the good and evil in human nature
- Readers looking for literary works that move them to tears and reflection
Not a good fit for
- Readers who want only light entertainment and avoid narratives of suffering
- People sensitive to tragic plots and emotional oppression
- Readers expecting strong suspense or fast-paced plotting
Reading tips
- Read slowly, leaving time to digest the shifts in the characters' fates.
- When you reach passages of human ugliness, also notice the radiance in the same situation.
- After finishing, write down your understanding of the title Wuxian and look back at the characters' silent moments.
Contents
- 版权信息
- 长篇小说《无弦》序
- 上部
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- 10
- 11
- 12
- 13
- 14
- 15
- 16
- 17
- 18
- 19
- 中部
- 20
- 21
- 22
- 23
- 24
- 25
- 26
- 27
- 28
- 29
- 30
- 31
- 32
- 下部
- 33
- 34
- 35
- 36
- 37
- 38
- 39
- 40
- 41
- 42
- 43
- 44
- 45
- 46
- 47
- 48
- 49
- 50
- 51
- 52
- 53
- 尾声
- 《无弦》后记
- 《无弦》内容提要
- 作者简介
FAQ
Is this book really very similar to To Live?
What does the title Wuxian mean?
Do I need to prepare myself psychologically to read this book?
Comments
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About the author
Yin Dejie is an author about whom little public information is available. Four of his works are held in the collection, spanning two categories: essays and miscellaneous writings, and social novels. Judging from his representative titles, both Lao Nanyang: Enduring Ancient Charm and Lao Nanyang: Vague Old Matters take "old Nanyang" as their theme, suggesting essayistic writing that recalls local scenery and customs and retrieves past people and events, in a tone likely nostalgic and documentary. Our Shore and Stringless are classified as social novels, turning to real life and social relationships. As no reliable records of his birth and death dates, nationality, education, or career are available, his biographical details remain unknown and should not be guessed. Based on the existing titles alone, Yin Dejie's writing combines the preservation of local memory with fiction, in a plain style concerned with everyday and rural experience; his output is modest yet spans both essays and novels. Readers may regard him as a writer who preserves local history in essays and observes social life through fiction, and his works offer some reference value for understanding the old character of Nanyang.