Ci Poems of Non-Abiding
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers with some grounding in classical poetry who want to broaden their reading of Song ci
- Literature lovers who admire Chen Yuyi's poetry and wish to understand his ci style
- Students and researchers engaged in the study of Song dynasty literature who need to consult the ci texts
- Readers of classical literature who prefer editions preserving the original appearance and value textual authenticity
Not a good fit for
- Complete beginners with no grounding in classical poetry who need line-by-line vernacular explanation
- Readers expecting long-form stories or an essay-style reading experience
- Readers who want only selected anthologies of popular ci and are unwilling to approach lesser-known individual collections
Reading tips
- First read through once without pausing to feel the overall rhythm of the language, then return to read each poem closely
- Choose several ci you like and recite them repeatedly, paying attention to the pauses and tonal patterns of the long and short lines
- Read alongside Chen Yuyi's poems to compare the differences in expression between poetry and ci by the same author
- Keep a reference book on ci studies at hand to look up ci-tune patterns and allusions as needed
Contents
- 版权信息
- 无住词提要
- 无住词正文
FAQ
Why is Chen Yuyi's ci called Wuzhu Ci?
Is this ci collection suitable for beginners?
Does reading this ci collection require other books?
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About the author
Chen Yuyi was a poet of the Song dynasty, and three of his works are included in this collection. Available public information is limited, and many details of his life cannot be verified; nevertheless, his surviving works show his clear place in the classical poetic tradition. His representative works include Wuzhu Ci, a collection of his ci lyrics, and Songshi Chao: Jianzhai Shichao, a selected anthology of his poems, indicating that he was accomplished in both shi and ci. His works commonly appear in books on literary appreciation and ancient poetry. Stylistically he inherited the Jiangxi school yet developed his own voice, with concise language and lucid, distant imagery, and he is representative of the poetic climate around the time of the Song court's southward move. Later anthologists and critics have often praised his art; his works circulated narrowly but have exerted a lasting influence, making him a poet not to be overlooked in the study of Song poetry and ci.