A Reader of Essays cover

A Reader of Essays

Rating 4.2
Word count
77K words
Chapters
18
ISBN
9787532785278

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Summary

A master of Japanese aestheticism, Junichiro Tanizaki explores the art of reading and writing in this classic work—three accessible lessons in writing. Its publication in Japan caused a sensation, inspiring Yukio Mishima, Yasunari Kawabata, and others to write their own "essays on writing" and set forth their views on literary creation. With a great writer's eye, Tanizaki draws on the distinctive features of Japanese language and culture to ask what makes a piece of writing, how to improve one's craft, and what the six elements of an essay are. Citing examples from Eastern and Western classics, he shows how the strengths of Japanese language and script can be harnessed to express meaning fluently and beautifully. He repeatedly quotes The Great Learning, Tang poetry, and other works to analyze Chinese literati writing and emphasize the beauty of restraint. Translated by the renowned Japanese-to-Chinese translator Lai Ming-chu, this book, together with Tanizaki's In Praise of Shadows, completes the puzzle of Japanese aesthetics.

Editor's review

Junichiro Tanizaki's A Reader's Guide to Writing is not a simple guide to technique but the distillation of a literary master's lifelong creative effort and a concentrated statement of his aesthetic views. Unlike the common how-to writing books on the market, its distinctive value lies in its deep literary grounding and pronounced personal taste. With a novelist's delicate touch, Tanizaki probes the texture and spirit of Japanese prose (especially fiction), from diction, rhetoric, and rhythm to overall structure, all infused with his pursuit of the "beauty of shadows" and classical elegance. His emphasis that "style is the person" and his discussion of traditional aesthetic categories such as "lingering sentiment" and "restraint" elevate writing to the level of artistic cultivation and lived experience. For contemporary readers, the book offers not only concrete inspiration for honing one's prose but also, through Tanizaki's perspective, a fresh look at the subtle, profound relationship between language and feeling, form and content. It is more like a key that helps us understand why works such as The Makioka Sisters and A Portrait of Shunkin possess such lingering, distinctive charm.

Who it's for

A good fit for

  • Deep readers with a strong interest in Japanese literature, especially Showa-era prose
  • Writing enthusiasts eager to sharpen their literary appreciation and sense of verbal beauty
  • Literary researchers seeking to understand the nature of creation from a classic author's perspective
  • Readers who enjoy slow, careful reading and the combination of theoretical discussion and aesthetic cultivation

Not a good fit for

  • Utilitarian readers seeking quick writing templates or ready-to-use techniques
  • Readers lacking basic interest in or background knowledge of Japanese culture and classical literary criticism

Reading tips

  1. Read the book alongside a representative Tanizaki novel (such as The Makioka Sisters) to see his theories practiced in his fiction
  2. Keep pen and paper at hand to note specific analyses of "feel for language" and "rhythm" that strike you, and try applying them to your own reading or writing
  3. Don't feel obliged to finish it in one sitting; it works well as a bedside or desk book, to be dipped into a chapter or two and savored repeatedly

About the publisher

Shanghai Translation Publishing House China · Founded in 1978

Shanghai Translation Publishing House is a Chinese publisher oriented mainly toward translation and publishing. Its publications cover foreign literature, world classics and classic works, as well as social culture, folk literature and classical poetry. The database contains 2,618 titles, including Never Let Me Go, Les Misérables (2 volumes), Don Quixote (illustrated collector's edition), The Complete Comedies of Molière (4 volumes), The Complete Novels of Kafka (3 volumes), The Collected Works of Dostoevsky (9-volume set), Reason and Persons, and Oedipus Rex (Translation Classics). Its author resources include foreign writers such as Kazuo Ishiguro, Victor Hugo, Cervantes and Molière, as well as translators such as Zheng Kelu, Sun Jiameng, Li Jianwu and Zhang Kun. The publisher has brands such as "Translation Classics Selections" and "Translation Documentary," and emphasizes translated works in foreign literature and the humanities and social sciences, while also publishing bilingual dictionaries and foreign-language educational books. Public information is limited; the above is based on the book information in the database.

Contents

  1. 版权信息
  2. 一 何谓文章
  3. 语言和文章
  4. 实用性文章和艺术性文章
  5. 现代文和古典文
  6. 西洋文章和日本文章
  7. 二 文章精进法
  8. 不要被文法囚禁
  9. 研磨感觉
  10. 三 文章的要素
  11. 文章有六个要素
  12. 用语
  13. 调子
  14. 文体
  15. 体裁
  16. 品格
  17. 含蓄
  18. 译后记

FAQ

Is this a practical manual on how to write fiction?
Not entirely. It focuses more on Tanizaki's personal aesthetics of prose and his views on creation, covering fiction, essays, and other genres. Its value lies in high-level aesthetic guidance rather than step-by-step instructions.
Can I understand this book without having read Tanizaki's works?
It will be somewhat difficult. The book extensively quotes and analyzes examples from his own and other Japanese writers' works to support his views. Without any familiarity with his literary world, some of the finer points may be hard to fully appreciate. At least a basic acquaintance with his major works is recommended.
Are the book's arguments outdated, and do they still have value for modern Chinese writing?
Its core aesthetic principles transcend their time. The discussion of verbal precision, rhythm, and emotional expression, and the dialectic between "concision" and "richness," offer profound inspiration to writers in any language. The key is to grasp its spirit rather than mechanically apply its specific advice for Japanese.

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About the author

Jun'ichirō Tanizaki Author · Japanese · 1886–1965

Jun'ichirō Tanizaki was a modern Japanese novelist and a leading representative of aestheticist literature. Born in 1886 into a rice-merchant family in Tokyo, he studied in the Japanese literature department of Tokyo Imperial University before dropping out. In 1910 he made his name with the story "The Tattooer," which brought him attention in literary circles. After the Great Kanto Earthquake, he moved to the Kansai region, and his focus gradually shifted toward classical aesthetics. He left important works in both fiction and prose, including "The Makioka Sisters," "Naomi," "In Praise of Shadows," and "A Portrait of Shunkin." He also translated "The Tale of Genji" into modern Japanese, helping to spread the classical work. He died of kidney disease in 1965. His writing is delicate and refined, and he had a profound influence on modern Japanese aestheticist literature.

赖明珠 Author

Lai Mingzhu is a Chinese-language book author about whom limited public information is available; details such as nationality, dates of birth and death, and educational background remain unclear. Judging from the four works held in the collection, her writing spans essays and miscellaneous works, applied psychology, and foreign literature. Representative titles include A Reader for Articles, The Perch of the Heart: Hayao Kawai on Spiritual Healing, Adult Friendship: Hayao Kawai on Friendship, and The Cat, Shozo, and Two Women. Two of these works are connected with the Japanese psychologist Hayao Kawai, indicating her attention to psychological themes such as spiritual healing and friendship and her involvement in compiling or introducing related writings; The Cat, Shozo, and Two Women shows that she also engages with foreign literature. Overall, her works combine informative content with readability, offering gentle and practical guidance in the fields of psychological healing and literary reading.

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