The Decade of King Wen
Tags
Summary
Editor's review
Who it's for
A good fit for
- General readers who wish to approach the ya and song sections of the Book of Songs through primary texts
- Researchers interested in pre-Qin political ethics and the concept of Heaven's mandate
- Language teachers who need short classical poems for teaching or recitation
- Literature and history enthusiasts interested in the founding history of the Zhou and the image of King Wen
Not a good fit for
- Beginners seeking modern vernacular translations and detailed annotations
- Readers who prefer plot-driven narratives or modern poetry
- Readers who only need a general historical overview and do not intend to engage with the original text
Reading tips
- Read through the original once to feel the rhythm of seven stanzas of eight lines, then go stanza by stanza with commentaries to understand the words.
- Read alongside other poems in the Greater Odes to compare how the image of King Wen is presented in different poems.
- When reading aloud, observe the pauses at each stanza of eight lines and appreciate the solemn, relaxed tone of the odes.
- After reading, try to summarize the main idea of each stanza in your own words to check whether you have grasped the emphasis of the praise.
About the publisher
Jinzhang Book Company (Jinzhang Shuju) was a private publishing and distribution house in Shanghai during the late Qing and early Republican periods, issuing traditional works by lithographic printing. Judging from the 1,194 titles in the collection, its publishing focused on classical poetry, Eastern philosophy, historical reading, traditional Chinese medical texts, and canonical works, along with books on literary appreciation. Representative titles include the poetry and prose collections of Du Fu and Ouyang Xiu; historical works such as the Book of Han and Zizhi Tongjian; classical texts such as the Book of Documents and Mencius; and specialized and literary classics such as Treatise on Cold Damage and Li Sao. Its author resources cover major figures across the ages, including Du Fu, Ban Gu, Sima Guang, Zhang Zhongjing, Qu Yuan, Ouyang Xiu, and Tang Shenwei, reflecting the house's characteristic reliance on traditional scholarship and medical literature while serving general readers. Public information on its early history and operational details is limited, so no conjecture is offered here.
Contents
- 版权信息
- 文王
- 大明
- 绵
- 棫朴
- 旱麓
- 思齐
- 皇矣
- 灵台
- 下武
- 文王有声
FAQ
Which part of the Book of Songs does "The Decade of King Wen" belong to?
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About the author
Anonymous is not a real personal name but a general Chinese designation for authors whose names are unknown, lost, or unsigned. Neither nationality nor dates of birth and death can be verified, and available public information is limited, so the works attributed to this name are the only basis for description. The collection holds 2,078 works under Anonymous, spanning medicine, classics, historical readings, ancient poetry, classical literature, and philosophy. Representative works include The Yellow Emperor's Inner Canon: Lingshu, Mencius, The Book of Documents, Nineteen Old Poems, Complete Song Ci, and The Peacock Flies Southeast. Most of these works took shape through long transmission and editing, emerging either from collective folk creation or from authors whose names were lost over time. In ancient China, the Book of Songs, the Great Learning, and many popular storybooks and plays were signed Anonymous because their authors could not be traced. Anonymous works cross the classics, histories, philosophical writings, medical texts, and poetry; their subjects are broad, and their styles vary from archaic simplicity to clear naturalness, making them important and influential sources for understanding ancient Chinese thought, medicine, and literature.